So yeah, this summer is going to be all about writing, and identifying my writing goals is a way to help me stay on task and not waste time. Therefore, in the spirit of making the most of the next twelve weeks, here are my writing goals for this summer:
Goal #1: Short Story Revisions
I’ve got two short stories that I need to rework and revise. They’ve both been workshopped by my amazing writing group gals and have been sitting, waiting for my attention. I want to shape them into something good and get them out on submission (since I’ve been having some recent luck in that department). One is a fairytale style romance, very uncharacteristic for me. The other is a dystopian science fiction thriller in the same vein as The Manchurian Candidate. Currently, it’s a mess. It might not be sellable, but I need to at least try to turn it into something submittable.
Goal #2: Write a Bunch of New Flash Stories
I’m very new to writing flash fiction. Prior to this year I’d have laughed at anyone who suggested I try my hand at writing a complete story in under 1,000 words. Uh, do you know me? I’m normally the “why use one word when ten will do” kind of writer.
But in early January, the online writing community I’m a member of–The Codex Writers–announced that their annual winter flash fiction challenge would be starting soon. I hadn’t done much writing since early November and was both hating on myself for it and also unable to climb out of the pit of lassitude I’d fallen into, so I thought I’d give the flash fiction thing a try. Why not? It’d get me writing, and it’d push me outside my comfort zone and challenge my skills as a writer.
It was awesome.
Luckily for me, Codex runs a summer flash challenge as well. It’s a bit less intense in terms of pacing and word count limits (I can hardly believe I now think 1000 words is luxurious). It runs for three weeks, and we get seven whole days to write and submit each time! More time, more words, I’m 100% doing it.
I also recently found out about s second flash fiction challenge hosted by Clarion West that’s happening this summer. This one has a participation fee associated with it ($25). It’s actually a fundraiser that supports Clarion West’s programs for emerging and underrepresented writers. Registration opens on June 12th. Sounds awesome. I’m doing it.
So, between those two community hosted events, I should end up with a bunch of new flash stories.
Goal #3: Finish a Rough Draft of a Novel-in-Progress
Okay, I might be biting off more than I can chew here. Of course I am. I’m a Try Hard, YOLO, overachieving Extra by nature. Do all the things! All of them!! In that spirit, I’ve got a half-finished draft of a middle grade adventure story that I really want to finish writing, and I really want it to be good, not sucky. Rather than discovery write my way into 70,000 words of bloated rambling nothingness (which has been my failed strategy with my last two novels), I need a plan. I need to actually map out the story before I write it. Unfortunately, I suck at plot structure. Fortunately, I’ll have a SFWA mentor who will be able to help me out with tips and tricks and regular check-ins to keep me honest.
So those are my goals for this coming summer. Write, write, and write some more. I’m sure I’ll also want to spend time with the fam and do some gardening and hiking and beaching, etc. Are you a writer or creative artist? Do you have a “season of productivity” like I do? If so, how do you keep yourself on track and productive so you don’t lose time and opportunity?
Thanks for stopping by, and as always, happy writing!
I’ve always struggled with finishing what I start. It’s probably a foundation stone in my personality. Great at starting things. Trash at finishing them. Except books, for some reason. Reading them, I mean. Writing them? Well… let’s talk about that. And some other stuff.
I’m a Sprinter by Nature
Physically, for sure, I was built for speed. Growing up as a kid, the only kid in elementary school faster than me was John Cena (yes, the WWE wrestler). No matter how hard I tried, I couldn’t catch him, but I loved trying. Sprinting is my safe place. Maximum power right out of the blocks. Hold nothing back. That mentality bleeds into literally everything I do in life, really. I suppose the apt term to describe me is “Hardo.” It’s generally used disparagingly, but I embrace that identifier. You better believe I’m a Hardo, folks. YOLO. Go big or go home. Do, or do not. There is no try.
The problem with that all-out, 150% mentality is that I have a tendency to… hit the wall. If I can’t crank through a project quickly, there’s a real danger that I won’t ever finish it. I guess I’m like Gimli. Very dangerous over short distances.
But, sometimes (like with Gimli) I surprise myself with my own long-distance fortitude. Which brings me to the main point of this particular post.
I Have a Finished Draft!
If you didn’t know, I’ve been working on a novel. It started as my MFA creative thesis at Lesley University under the guidance and encouragement of one of my favorite human beings, author Chris Lynch. You can read about some of my earlier adventures drafting this book HERE. That was was in 2018.
True to myself, I went full throttle from day one. And, I wrote a full draft of a novel. Huzzah! But… it was broken. Hey, at least I realized it was broken, right? The problem was repairing it. That took about two years, with lots of stops and starts and wrong turns that required backing up and starting again. In between those stops and starts were long bouts of not writing because I just didn’t know how to move forward. Frustrating? You bet. I kid you not, about two months ago I was on the verge of just abandoning it.
When Lightning Strikes, Write!
I was going along in my day, minding my own business, not even thinking about the book when, BAM! The problem revealed itself and the solution became obvious in an unexpected flash.
I was not allowing my characters to drive the plot forward. Duh. So focused was I on having my MC do X, Y, and Z to finish things that I didn’t realize her antagonist would never in a million years allow any of those things to happen. Too bad, author. It’s just not going to fall out that way. Back up, and let the characters take the reins. Finally, I understood.
So, I set a goal. Life was busy. I didn’t have a whole lot of time each day for my creative endeavors. Still don’t (teaching during a pandemic is bananas). How about 500 words a day? That’s two pages. I could do that, right? Yes, I could. And I did. In just a week and a half, I finished the draft I’d been struggling with for years. Seems fitting that I sprinted to the finish line. I mean, that’s who I am, apparently. A sprinter.
Owning Our Own Personal Processes
I envy writers who are super consistent. The ones who plod along, getting a little farther in their projects every day, week by week, month by month. Their consistency. Their routine. I hunger for that, but I don’t think that will ever be me. Just like I wish I could run three miles (heck, let’s be real; I wish I could run just ONE mile) without doubling over and sucking wind. It’s just never going to happen.
The more honest I can be with myself about who I am and how I operate, the more likely it will be that I achieve my goals. You can’t trust the process if you don’t know the process. For me, the process will be HIIT sessions of writing: fast, furious bursts of productivity interspersed with long periods of downtime and metal recovery. If I can learn to be okay with that, maybe even enjoy it, then maybe I’ll start finishing more projects.
What Now?
What now, indeed! I’ve got a draft of a novel. One that is NOT broken, just dirty (as all first drafts are). Huzzah! My brain is screaming, sprint!!! Run at that thing as fast and as hard as you can. But I don’t think that would be a smart approach. When I emailed Chris Lynch to tell him I’d finally found the ending to that creative thesis he got me started on way back in 2018, he wrote back with the sage advice that I tuck it away for a while and turn my attention to something else.
So, what shall I work on next? There’s a corkboard on my office wall with hand written pages pinned up in various shades of fountain pen ink, and they all bear the same title: “Story Idea.” Guess it’s time to peruse my options.
What’s YOUR process, fellow creatives? Do tell. Are you comfortable with how you naturally tend to operate, or do you wish your brain worked differently? Regardless of what your struggles might be, I hope you are able to overcome them and be successful in whatever it is that you are doing.
Thanks for stopping by, and as always, happy writing!
I own a book called “Tom Brown’s Field Guide to Wilderness Survival.” It’s a great book. It doesn’t teach you how to read a map or use a compass. It doesn’t explain what gear is essential for an extended wilderness trek. It does explain how to keep yourself alive in the wilderness if you have absolutely nothing with you but the clothes on your back. And for creative folks navigating this life, isn’t that a great analogy for how we must exist? We’ve got nothing but the clothes on our back. Metaphorically only, I hope.
Tom Brown’s book is divided into four parts, arranged in order of importance from the perspective of not dying. Parts two, three, four, and five are (in this order): Shelter, Water, Fire, Food. If you stop and think about it, that order makes perfect sense. You could die of exposure in the first few hours without shelter from the elements. You could die in three days without water, give or take. You can go for a long time without food, but most of it will kill you if you don’t cook it first, so fire comes before food.
The first part of the book, and therefore the most important in terms of not dying when lost in the woods, is Attitude. It’s all about psychology. About the inner voice that gets louder and louder as things get tougher and tougher, whispering, stating, screaming that the situation is hopeless and we’re stupid, that we deserve to die out here. Tom Brown argues that most people who get lost in the wilderness and die do so because they give in to a creeping attitude of defeat.
Why, you might ask, am I writing about a wilderness survival guide? Because I’m a creative writer. I’m a creative person. I spend a lot of time wandering around in the wilderness of my psyche. And, like all creative artists, I find myself, from time to time, lost in those woods. Tom Brown is right. Whether the forest is real or psychological, attitude is the first and most important determiner of whether we’re going to make it out alive or not.
The writing process for grad school is interesting, especially during the thesis semester. Most students enter their final semester with a first draft of their thesis already written. They’ll spend four months revising it before submitting it. They’re traveling a well-worn path by that point.
I didn’t do that. I started from scratch. I took the road less traveled.
Let me tell you, the less-traveled path is not easy-going. It’s grown in and full of brambles and twisting roots to trip on. It’s hot and buggy, and most of it is uphill on a treacherous slope. There are many places where the trail just peters out and vanishes. And there’s quicksand. No one tells you about the quicksand!
My most excellent mentor!
For this final semester, I found myself wandering, slightly lost in the forest, losing the path and then stumbling upon it again. And as someone who does not plot well, I rarely knew in which direction I was traveling. But, I did manage to write 51,000+ words of a story that, with the help of my incredible mentor—Chris Lynch—was of graduate-level quality. I’d bushwhacked my way through some pretty dense, unforgiving territory.
I formatted everything according to spec, typed up the synopsis for the rest of the story as I imagined it, the path I thought lay before me, and I sent it off. I was out of the woods!
Losing the Way
And then I stopped writing.
Which wasn’t supposed to happen.
See, in my head, I’d have the rest of the novel written by June 1st. It was going to be excellent. But, my brain was experiencing a level of fatigue I wasn’t prepared for. I just… couldn’t do it. Couldn’t even write a blog post. I looked around, and realized that I wasn’t out of the woods quite yet, as I’d thought.
A week went by. Okay, I thought, Time to get back to it.
Nope.
Two weeks. Surely, now. Two weeks must be enough time to recover from the mad dash I’d just been through, but no. In fact, something new had snuck into my brain to replace my mental exhaustion. As I stood looking around and what now seemed frighteningly unfamiliar territory, something snaked its coils around my chest and started to squeeze.
Fear.
Each time I thought about sitting down to work out the details of the next chapter of my story, my pulse quickened, and not with excitement. I started shying away from the story out of fear, though fear of what I didn’t know. Heck, I didn’t even know what was happening at the time, only that it had suddenly become very important that I not work on my writing. My writing was stalking me like some unseen creature in the underbrush.
As the days continued to slip by, a horrible pressing guilt settled on my shoulders. I should be writing, I chided myself, but I’m not. I’m failing. This is me, failing. I’m awful. I’m a loser. A joke. I’m never going to succeed at this because I’m supposed to be writing and I can’t even muster the simple will power needed to do touch my fingertips to a keyboard. It became a nasty feedback loop. Each day I didn’t sit down and write made it that much harder for me to get back to the chair, sit down, and write. I started hating myself. I stopped trying to get my bearings. I sat down on the cold, wet ground and started to let the ruinous forest of my blackest doubts leech from me my will to continue.
Odin help me, I was lost! Lost in a hostile forest, with the shadows of fear, doubt, and self-hate blinding me so that I couldn’t see a path forward, couldn’t even remember how I’d gotten there. I was becoming more and more certain that my journey was at an end. It was awful, and it felt inevitable.
The thing is, getting lost is a hazard of living a creative life. In some ways, getting lost really is inevitable, because the creative path is not well-travelled. I’d argue that if you’re doing things right as an artist, you’re blazing a new trail through the deepest, darkest woods of your own psyche. There are no paths here, children. Only shadows, and stones, and giant trees that might eat you if you get too close, and creatures too beautiful and terrible to look at directly. And, wait, haven’t I gotten snagged in this same bramble patch before? Oh, Thor! I’m going in circles! I’m lost, and it’s cold, and the sun’s getting low, the night creatures are coming, and I’ll never find my way out of this forest. Why did I think this was a good idea? I’m an idiot. I’m going to die in these woods, and no one will mourn my demise.
Countless talented artists wander into the creative forest with good intentions and never make it out again. They get lost, hit that moment of doubt and despair, give up, and die. Metaphorically.
For me, May has certainly felt like a slow death in a wild and inhospitable landscape.
Finding My Way Back
But then I received my feedback letter from my thesis reader—Jason Reynolds.
That’s him, the self-professed hater of fantasy stories. And the guy who got me moving again!
Quick back story. At the residency program back in January, Jason sat in a classroom with a bunch of us from the Writing for Young People concentration, and went off on a (gentle) tirade about how irritating he found the fantasy genre. Details are not important here. Suffice it to say, the man is not a fan. As he spoke, I sat with a polite smile cemented to my face and did my best not to freak out. You see, by that point, I already knew I was going to be writing a YA fantasy story for my thesis, and I’d already requested him as my thesis reader. A guy who hates fantasy is going to put final eyes on my fantasy thesis. Fantastic.
Anyway, four months later, I’m slipping into creative hypothermia, curling up in the fetal position, and making peace with my end, when I open his feedback letter and read it.
I was expecting lukewarm but professional feedback on my prose, my character development, my pacing, scene structure, etc. You can hate a story, after all, and still give constructive feedback on the writing, right? Lukewarm but professional feedback was not what I got.
For almost three weeks at that point, I’d been lost in the shadowy part of my self-made forest, under thick canopy, feeling the slow creep of horror setting in as I realized that the trees were endless and I was a hopeless, pathetic fool. Jason’s feedback was like discovering a high-powered flashlight in my back pocket, switching it on, and finding out that I’d been following a path the whole time without realizing it.
I can see again. Maybe I don’t have to die out here all alone in the cold, unforgiving forest of my mind. The book I’m writing is my destination once again. Chris Lynch had been my shelter. A few close writing-friends I’ve connected with through the program had been my water, my spouse is my fire, and all the fine books I’d been reading this semester have been my food.
So, with the help of Jason Reynold’s incredibly generous and encouraging words, I’m standing up, brushing the duff off my backside, and moving forward again. Sun’s up. The canopy is starting to thin out again, and I’m pretty sure this trail is not leading to pit trap filled with poison-tipped spikes. If it is, I know I can find a way to disarm it. I’ve shifted my attitude. I’m getting out of this alive.
Have you ever gotten lost in the darker parts of your creative forest? How long did you wander before finding your way out?
Head over to their blogs and check out what they have to say on this topic. And, if you’re curious about IWSG, click the picture to the left to jump over to their page and see what they’re all about. You won’t be sorry, I promise.
Okay, back to the question at hand.
Writing a Novel is Like Climbing Mount Everest
A lot of folks look at Everest and wonder why anyone in their right mind would ever be tempted to try climbing it. Others can understand the desire but say up front that there’s no way they’re ever going to do it. Then there are the people ambitious enough to try. Aspiring novelists are like those people.
We look at that summit, and we think, “Yeah, I can probably do that.” Then, amazingly, some of us do. Most of us, however, aren’t ever going to see the vista from the top.
Jason Reynolds (a professor at Lesley Universityand my graduating thesis reader), had a very frank conversation with some of us in the Writing for Young People program about the publishing industry and writing “success.” He didn’t mince words. According to Jason, the secret to “making it” as a novelist is to just keep writing. He’d written something like six books before penning one that took off and did well, financially. Today, he’s a big name in YA, but only partly because he’s a phenomenal writer. 90% of it, according to him, is that he didn’t let the fatigue of the uphill climb beat him.
High altitude climbers trekking up the face of Everest get to the top one step at a time. Writers get to the end of their novels one word/sentence/paragraph/page at a time.
We can learn a few lessons from those crazy mountaineers. Specifically: give ourselves a chance to pause and celebrate mid-trek writing achievements.
Every novel has milestones that you should celebrate!
I’m in the middle of my fourth attempt to finish a book. Behind me lie three partially completed stories. One was a just-for-fun summer project back in my twenties. One is interesting but an unfinished structural mess. The most recent attempt sits waiting for me to come back to it. I got distracted from it by by my thesis mentor, Chris Lynch. It’s a long story. If you want to read about what happened, you can check out my prior post here.
It has taken me a long time to realize that with each failed attempt, I go into the next project better conditioned and more likely to succeed. I’m like the optimistic but completely untrained tourist who decides it’d be fun to climb Everest. First time, I don’t get much past base camp before my body gives out on me. The second time, I make it to Camp 1 in the Valley of Silence (which should totally be the title for one of my future best-sellers (I did say I was an optimist, remember)), but blisters send me packing. Third time, I reach Camp 2 at 21,000 feet, hang around for a week to acclimate and then… HAPE sets in and I abandon the climb.
Everest climbers always take a week or so to hang out at the various camps as they push for the summit. They rest, hydrate, stockpile calories, let their bodies adjust to the thin air, and they enjoy the views. I think writers should do this too.
Every step is an accomplishment!
Did you write every day for a solid week? Awesome. Give yourself a pat on the back, crack open a beer (or a high end ginger ale in my case), take a moment to breathe, then push ahead.
Did you write all the way up to the end of the first act? That’s base camp 2, as far as I’m concerned. Take care of yourself in this moment. Crack another beer (or soda), relax and enjoy where you are in the process. Mull over the best path forward. Do something fun. You’ve come a long way, but things are about to get very difficult.
Have you just experienced a brilliant epiphany about your book’s finale, and now the route through the dreaded middle third of your story is clearly visible? My friend, well done. You’re sitting at 24,000 feet, the South Col, about to embark upon the big push to the summit. Take stock of your oxygen reserves. Hydrate, hydrate, hydrate (maybe not with beer, though), and smile with the knowledge that so many of us shall never get to where you currently are.
If you do successfully summit that manuscript, be sure to photodocument the moment, because whether or not your story ever lands on an indie bookshelf in hardback, you’ve accomplished something truly spectacular.
None of these points are actual end points to the novel writing process. A book isn’t finished until it’s bound and on the shelf, and even then some authors would argue it’s still not done. However, embedded within a book are countless writing achievements, each of which merits acknowledgement and celebration.
In my Everest analogy, I’ve just reached the South Col of the Mountain. For the first time ever, the summit is in sight, the weather looks good, and I think I’m finally conditioned up enough in my skills to get to the top of this thing.
How do you celebrate your writing achievements? Do you hold off until you type “The End,” or do you find spots along the way to stop, rest, and reflect on your intermediary successes?
Writing is like baseball. Most of the time, you recognize the pitch coming in and you manage a solid single when you swing at it. Occasionally, you strike out. Every once in a great while, though, you hit a grand slam. Or, if you’re new at it, like me, you dream about hitting a grand slam and when it’s your turn at bat, you give it everything you have and swing for the fences.
Between now and April 9th, I’m going to try to crank out an entire novel, start to finish. It’s okay, coach told me to do it.
Here’s the Pitch
I just got back from my amazing, energizing, mad-capped Residency at Lesley University. This was my fourth and (almost) final trip to geeky writer’s camp for grown-ups. That means I have officially entered my fourth semester of a four-semester-long program. This is it, folks. Everything else was just practicing in the batting cages. The lights are up, the bleachers are packed, it’s the bottom of the ninth inning and the bases are loaded. I’m going to use a bunch of baseball metaphors in this post in case my Thesis Advisor, Chris Lynch, catches wind of this post and reads it. You know him. He wrote Inexcusable, Irreversible,Killing Time in Crystal City,Little Blue Lies, Gold Dust, and a bunch of other incredible award-winning novels.
Anyway, residency is a mixture of seminars, panel discussions, and workshop sessions in which a bunch of us sit around and give critical feedback to each other on pieces we submitted at the beginning of December.
The workshop sessions are one of the highlights of residency for me. I absolutely love reading other people’s writing, digging into it deeply, and then discussing it with other serious and passionate writers. I also love receiving feedback on my stuff. Even when folks point out more problems than positives in my work, I find the experience hopeful.
This time around was a slightly different workshop experience for me for a couple of reasons.
First, I’m entering my “Thesis Semester.” On May 7th, I must turn in between 100 and 120 pages of a “finished” piece of writing to someone who has never set eyes on it before–Jason Reynolds. Ever heard of him? Of course you have, you’re using the internet and you’re reading a blog about writing.
So, yeah. No pressure, right? Riiiiiiight. [takes a moment to breathe into a paper bag] Okay, I’m good.
Most students entering the Thesis Semester have a working draft already completed, or at least a very solid chunk of it.
The second reason why it was a different experience was because Mr. Lynch pitched something at me I was not expecting.
A Curve Ball
Six days before my residency workshop pieces were due (we need to write two pieces, each between 3,000 and 6,500 words long), I contacted Chris Lynch with a question. It was via email, but this is how the conversation sounded in my imagination (I may have taken extreme liberties with the details).
“Hi, Chris.”
“Oh, hey, Kathy. Great to hear from you. I’ve heard so much about you from my colleagues. Can’t wait to work with you!” (He said none of that, by the way.)
“Thanks, Chris. Same to you. So… I’ve got two different books going right now.”
“Okay.”
“One’s a fun MG steam punk piratical fantasy adventure story. I’m enjoying it, but it’s not quite your style, I think.”
“Uh-huh.”
“The other is a gritty YA post-apocalyptic wilderness survival story. Totally up your alley, but it’s a hot mess at the moment. Needs a ton of work.”
“Right.”
“Maybe I could submit some of one novel for my Large Group Workshop and some of the other novel for my Small Group Workshop, and then you could tell me which one you like better, and we could use that for my thesis.”
“Hmmm… when are they due again?”
“Six days from now.”
“Yeah. Okay, so, why don’t you make up a completely new story from scratch and submit that for both your workshop pieces.”
[Eyes bulging with terror] “Are you sure?”
“Definitely. That’s what I want you to do. I’m your all powerful Thesis Advisor. Do you really want to say no to me?”
“Hahaha, no. No, definitely not. I mean, yes, that sounds great. I will totally do that for you. New story. Six days. Not a problem. Thank you so much.”
“You’re so welcome. Glad you called. Take care now. Bye-bye.” [click]
Did I freak out after I got his email reply? You bet your buttons I did. I wrote a post about it, actually. But then I did what he asked me to do and cranked out about 7,000 words of a brand-spanking new story. I wrote that sucker so fast and in such a panic that I didn’t stop to question anything. Setting, characters, plot, dialogue, point-of-view, nothing! I put my fingers on the keyboard, cleared my mind, and wrote Ouija-style!
Swinging For the Fences!
Turns out, the thing that fell out of my brain was… kind of cool. It feels a little weird to write that, but there you have it. Once I got over the shock of what I’d produced (a militant feminist world dominated by psychic women who are into all kinds of stuff our society has deemed taboo), I had to admit to myself that I kind of liked the story. Okay, I fully liked it.
I think all my pent-up rage from the past two years of… I’m not going to that dark place…came bubbling to the surface when Chris was all, like, “write me brand new stuff NOW!” My beloved called it my “man-hating” story. Chris called it a “black-widow feminist” piece. I’m calling it The 42nd Queen. Eh, it’s a working title.
Chris also told me I should make it my thesis project. In all fairness, he didn’t order me to do it. He’s not a monster, for Thor’s sake. I might even go so far as to say he’s a pretty awesome, inspiring, and kind guy. And, if I’m honest, what I wrote at his request (though I cursed him as I wrote it) is one of the first things I’ve written in a long time that gave me the feels as I was writing it. That means something, I think.
So, yeah. I’m going to make it my thesis project. Fourth semester shall not be my revision semester. It shall be my militant feminist, Ouija-style writing semester.
And if I’m going to take a swing at this, I’m going to swing for the fences.
120 page? Pshaw! Too easy.
Let’s try for a grand slam. An entire draft of a novel. In 82 days.
If I’m going to take a crack at this, I’m going to swing for the fences, Babe.
I mapped it out and it’s definitely possible. Assuming (perhaps naïvely) that I write 810 words every single day between now and then, I can hit 75,000 words (about 350 pages) by April 9th. There’s no guarantee they’ll be good words, but that’s beside the point.
The pitch has been thrown. It’s a curve ball breaking to the inside corner, and I’ve got a bead on it. The bat’s beginning to come around. My hips are cocked. Body weight shifting off the back leg. Here it comes.
Before I dive into what “living through a Bombogenic event” felt like, allow me to begin by saying that as of this morning I failed at one of my three New Year Resolutions. If you’re curious about which one that might be, keep reading and see if you can figure it out, or click the link to the post where I laid them out.
I’m not proud of my failure in resolve and will power this morning, but I do at least have an excuse that (to me) feels less like an excuse and more like an explanation. I and my family spent the day dealing with a Really Freaking Big Snow Storm. Not blizzard of ’78 big. I’m not making a boast that ridiculous. I get to call it Really Freaking Big because of how it pitched my life sideways and what that felt like.
How Do You Stay Warm in a House with No Insulation?
Our house was built in the 1950’s on land that was part of a government veterans program post WW2 in which veterans were sold land for $1.00/acre. The program was a “Hey, thanks for doing that dangerous, deadly, horribly traumatizing thing for not just your own country’s citizens but for everyone pretty much everywhere” gift from US taxpayers. That was awesome, but in the 1950’s, insulation just wasn’t… good.
Imagine insulating a house by laying a piece of cotton felt between the studs and joists and then gluing a piece of aluminum foil to it. That’s about what we’ve got. The result is, heat bleeds out of our house at a prodigious rate.
We usually deal with this inconvenience by keeping our thermostat set to 55˚F, except for first thing in the morning when we indulge in a toasty 63˚F while everyone’s getting ready for school and work. Not so, when the Bombogenesis struck.
The temperature over the past two weeks has been abysmally cold. This morning, I heard a news reporter crow like a rooster that Boston was officially colder than Bismarck, North Dakota. Also, at what point did “who’s colder” become a thing to compete over? Anyway, we’re talking a two week period where temps regularly dipped or flat out stayed in the single digits. If you’re someone who lives where that’s a regular occurrence and you’re scoffing, I’d ask you to pause for a moment. Weather that cold is not a typical thing on the eastern coast of Massachusetts. Many homes (mine included) weren’t architecturally designed for such conditions. Freezing and bursting pipes is a genuine threat. The easiest way to avoid that happening is to crank the heat in your home.
Our heat-leaking home has had its thermostat set to 65˚F night and day for the past seven days.
What To Do With All That Snow And Nowhere To Put It?
Yesterday, ten inches of snow fell on us. It may have been more or less than that, but the wind was blowing so hard that there are bare spots in some places and giant snow drifts in other places. Point is, a LOT of snow.
I and the kids got a snow day, which we were all pretty stoked about.
All of Thursday, we listened to the wind roar through the trees around our house and slam itself against our northern face. We stood at our picture window and watched it drive sheets of snow almost parallel to the ground, so thick there were moments when we lost sight of the neighbor’s house across the street.
We stayed inside and sipped cocoa. I did some writing. The kids spent way too much time playing video games. My beloved got down into the studio and did some photographating. We cooked dinner and ate as a family and counted our blessings for being fortunate enough to have a warm home and plenty of food and electricity.
But today was (and I’ll get to the “was” thing in a moment) supposed to be my first day of my fourth and (almost) final nine-day-long, on-campus residency for Lesley University’s Low Residency Masters in Creative Writing program. Which meant we needed to get the cars dug out so I had a way to get to the train station this morning, because even if I wanted to walk the mile and a quarter to the train station, the sidewalks wouldn’t be dug out. No way I was going to walk the narrow, snow-plowed streets. I’d get creamed.
The photo really doesn’t do it justice. We also had to shovel our way down our front steps to even get to the cars.
So, after dinner, we ALL suited up and headed outside, shovels in hand and began the two-hour-long torture session of shoveling during the Bombogenesis. Odin, let me tell you, snowflakes sting like [insert preferred curse word here] when they’re pelting your face at 50 mph… in the dark… in single digit temperatures. I don’t usually post photos online of the areas in or around my house, but I think it will help give context to the volume of snow that we had to move and where we had to put it.
By the time we were done, I was done. Toast. Not physically sore, no. More like numb and flacid, as if my muscles had been replaced by jelly. I was moving slow, and it was an effort.
When the 5am alarm sounded this morning, my beloved (cut from a stronger cloth than I) rose to do our morning workout routine. I did not. I slept until 7am, when I was woken by the sound of the porch door being wrestled/slammed shut and someone stamping snow of their boots on the porch. Then the kitchen door opening and closing.
I went downstairs and learned that, during the night, plows had come by and undone most of what we’d shoveled the night before. And by undone, I mean they put back the 3′ high by 5′ wide mound of wet, grimy street snow that had blocked our driveway entrance. Instead of waking me and asking/demanding I help dig back out, my better half simply suited up and took care of things so that I could sleep in. Because today was my first day of residency, and it was going to be a long day for me. I know, I am blessed!!
But the Bombogenesis wasn’t finished with us yet.
No Insulation Plus A Ton of Snow Equals Ice Dams
As I grabbed my cup of coffee, sipped it, and strolled past our bathroom on the way to waking up my oldest child to let them know that their school had been cancelled for a second day, I glanced out the bathroom window and beheld an icicle as thick around as a grown man’s thigh streaming down glass like a frozen mountain stream.
Oh. My. God.
No one ever went out yesterday with the roof rake! Not once did it occur to me that with the heat up so high, all day long, the snow landing on the roof was melting, dripping into the metal gutter that was the same temperature as the air (9˚F) and freezing. We probably had an ice dam the size of Fort Peck sitting on our back roof.
I chugged my coffeed, and together I and my beloved suited backup and went back outside to deal with all the digging out we didn’t do last night. Luckily what at first appeared to be the mother of all ice dams ended up being a gigantic cornice of wind-compressed snow. We easily knocked off and then raked off the rest of the roof. Thankfully, it didn’t have a lot of snow on it because the wind was so fierce during the Bombogenesis. We shovelled a path to the basement door and cleared that out, then dug our way over to our dryer vent and cleared that out, then dug a path out to the middle of the yard so that our medium sized mutt could have a place to do his business without freezing his wiener off in snow up to his shoulders.
I may have slept in this morning, but I still got my workout in. Thanks mother nature.
Okay, potential ice dam crisis averted. I still had just over two hours before I had to catch a train into Cambridge for my first seminar of my Residency. How I was going to muster the physical energy needed to pick up a pen and write with it, I wasn’t sure, but I was ready. In fact, I was excited.
At Least I Had Residency To Look Forward To
Pretty much since December 1st, I’ve been counting down the days until my (almost) final residency. I’ve made some incredible friends through this program. They are spread out all over the country: Texas, Las Vegas, Seattle, Georgia, West Virginia, New York City. I get to see them face-to-face just twice a year for nine days during residency. For that reason alone, I’ve been looking forward to today. But, the program is so much more than that. The instructors, the seminars, the intensity of the learning process, the raw energy of being surrounded by other writers equally passionate about creative writing as I am? It’s intoxicating. It’s exhilarating. It’s nerdy writing camp for grown-up’s and it’s awesome!!
About a half hour before my train was scheduled to depart, I got an email from the director of my program stating that, because so many of the residency students and professors’ flights had been cancelled or delayed, today’s residency program had been cancelled. We’ll be jumping into Saturday classes on time tomorrow.
Well, Sugar Honey Iced Tea. That certainly does suck eggs. Glad I thought to check my email on last time before I took off.
Guess I’ll have to wait one extra day to see my friends again and experience the joy that is living, breathing, and eating all things devoted to the art and craft of creative writing. I still can’t wait.
In the meantime, since I feel I just need a few hours to recover myself, physically from lifting and throwing 15 to 25 lb loads of snow over and over again for a total of four of the past twenty-four hours, I thought I’d set up camp on my couch and blog about what it was like at my house during the Bombogenesis.
And by the way, please don’t be fooled by that term or by the giddy meteorologists dancing around up on top of big piles of snow singing the word at you. This Bombogenesis was just a typical New England Nor’easter with lower than typical temperatures. New Englanders are used to crazy and sometimes difficult to deal with weather. We deal with it.
Did the Beast of Bombogenesis impact you? Tell me about it in the comments.
2018 is right around the corner, and in my household, it is a big deal. I and my beloved don’t usually enjoy marching to the beat of a predictable, trite, or clichéd drum, and the whole tradition of making new year resolutions certainly fits that description. That said, new year resolutions are, in fact, something we do, and we get jazzed about it, too.
I’m all about the power of positive thinking and positive visualization. Think forward, not backward, I say. What do I want my future to look like, I ask, and then I act to manifest that future. The first step in that process happens in my own mind.
The act of ticking over a new year on the first of January is, as I well know, an imaginary contrivance of human perception. Not to mention, it’s dependent upon which calendar you follow. Sumerian? Aztec? Norse? Celtic? Nubian? Heck, I could invent my very own calendar system and start the year on November 12th. Why not?
Okay, so the start of a new year is a fictitious concept, but it’s one that I enjoy celebrating, almost worshiping. It provides me with a stimulus, a prompt, a chance to pause and contemplate my accomplishments (and failures) of the past spin around Solaris, and look forward to imagine what the next spin might be like.
What am I proud of doing? What are my regrets? How can I transform those regrets into positives moving forward? What challenges can I throw at myself that will test me and improve me either physically, intellectually, or spiritually? That’s what celebrating the new year and making resolutions is all about in my house.
It’s serendipitous that this month’s IWSG prompt deals with finding ways to fit writing into my life because it’s already one of my resolutions for the new year.
2017 was an unacceptably sedentary year for me in which I got a lot of writing done, but not enough and it always felt shoved in last minute. Most of my writing happened in the late afternoons, at the end of a long day of teaching, or worse, after dinner when all I wanted to do was go to bed. It always felt forced. I was Sisyphus, standing at the bottom of the hill, hands against the boulder. Not good.
Here’s my plan for 2018:
Wake up at 5 am every day except Sunday, so that I have time to:
Work out for 20 to 30 minutes with my beloved, then:
Write for one hour.
That’s right, the big new year’s resolution for me is to become–wait for it–a morning person! My writing time will become part of an established routine. I’m not stipulating what I’ll be writing. It could be rough drafts, editing work, blogging, journaling, anything as long as it is writing.
The great thing about my plan is that I’m not alone in it. My beloved and I are engaging in this resolution together. We’re going to support each other, motivate each other, hold each other accountable. In other words, misery loves company, and I’m going to have some. Technically I already do, because I wrote this post on December 27th, but it won’t go up until January 3rd. By the time you read this, I’ll have three early mornings under my belt. Feel free to ask me how it’s going a month from now; most failed resolutions die in the third week of implementation. (Not me, not me, not me, not me <– see that? Positive thinking, baby!)
2018, here I come! If all goes as I’m visualizing it, 2019 will see me healthier and much, much farther along in my writing career.
If you’ve got a plan for getting more writing time worked into your schedule, or if you’ve already successfully done it, I’d love to hear about it in the comments!
I’m usually pretty good at handling the plot bunnies when they take up arms and attack. At least, that’s what I’ve always told myself. Upon reflection, however, I’ve reason to question that.
Trish Marie Dawson wrote a funny little blog post on this topic (I grabbed the drawing from her article). Check her out, folks. Very talented.
Trust not the adorable plot bunny!
But back to my dilemma. They’re sneaky, those bunnies. They usually hit me when I’m not paying attention. In the middle of a basketball game, or while I’m proctoring a test, or (most often) while I’m driving home from work. Never in the shower. Not sure why.
My strategy for dealing with them is to keep a notebook with me at all times. Except in the car, this doesn’t work, and the bunnies have finally figured this out, I think.
Anyway, a story idea will strike like an invisible punch to the face. I’ll gasp, get wide-eyed with excitement, garner a few sidelong glances from anyone nearby, then whip out my notebook and begin scribbling as fast as I can. A tricky feat when I’m supposed to be running the clock during the JV Boys basketball game, but I’ve only had folks scream “start the clock!” a couple of times, so it’s all good.
It’s the drive home that’s killing me. With no notebook handy (and I don’t use a dictation app because my brain isn’t good with verbal stuff), I have no shield to protect me from the bunnies. They attack me, defenseless, and burrow in deep. I spend twenty or thirty minutes mulling over the “what if,” inventing characters, hearing snippets of dialogue, visualizing a setting, a scene, an entire world.
By the time I get home, it’s too late. I can’t let go of the story. Even if I head straight to my desk, plop down in the chair, whip out my notebook and start writing it all down, the bunnies have nested.
The result? My current project loses appeal. It fades, becomes uninteresting. I’ve got something new and shiny to play with. Am I playing with it, or am I being played? I don’t know. Either way, the outcome is the same. I accumulate unfinished projects.
I try to make myself feel better about this nasty tendency to start stories, write like a demon, and then abandon them to start something new. It’s a bad habit, but I tell myself, “I’m a new writer, which means I’m also sort of a crappy writer. These story ideas are great, and in a few years, I’ll have gotten the whole storytelling thing figured out well enough so that when I finally go back to them, I’ll be able to do them justice.”
So really, I’m just building up a library of great ideas and practicing my writing skills as I do it. I’m still in control. I’m still winning. The plot bunnies aren’t the boss of me. Just let me have it, okay.
Meanwhile, I now find myself in the irresponsible position of juggling three novel projects simultaneously as I approach my (almost) final residency for my MFA in Creative Writing program at Lesley University. Dystopian YA, Steampunk Piratical Fantasy MG adventure, and now let’s add Feminist YA Epic Fantasy to the mix. Sure, why not?
Don’t blame me. Blame those adorable plot bunnies.
I’ve got a thirty-minute break before my next parent-teacher conference, so I thought I’d use this time to do some writing. I know I won’t be able to get any meaningful creative writing done, sandwiched as this moment is between long and stressful blocks of trying to calm down nervous parents and stressed-out students. My stress levels are elevated today, too. Not a great place to be, mentally, when you want the ideas to flow. The doors of my imagination just can’t swing freely on their hinges at the moment.
Since I’m currently stress-blocked and don’t feel up to generating anything creative right now, I figured I’d use this time to sneak in a blog post and try to unpack a problem that has been dogging me of late.
Creative Constipation
Over the past week, forward progress on my WIP has slowed to a snail’s pace. I need to figure out what’s going on. What has changed? What can I do to unblock myself?
You know how everyone always says stuff like, “You can’t edit a blank page,” or “The first draft is supposed to be terrible?” Of course, you do, if you’re a writer. It’s inescapable, especially during the month of NaNoWriMo. I firmly buy into those clichéd tidbits of advice. If I had more time (hahaha) I’d needlepoint it onto a cushion and then sit on that cushion as I wrote.
However, something happened on the 15th that seems to have changed things and not for the better. We (being the folks in Lesley University’s MFA in Creative Writing Program) received our mentor pairings for next semester. Fourth semester students (like me) work on one thing and one thing only: our creative theses. Or, in layman’s terms, we’ll be trying to shine up a reasonable draft of a book. Up until last week, I was feeling pretty good about that. Looking forward to it, in fact.
Anyway, I got that news and fist-pumped the sky, did a dance of joy, and then froze. Oh, sugar-honey-iced-tea. Chris Lynch and Jason Reynolds are going to see my story. Turns out the good news is also the bad news.
Here’s what that sudden, stark realization felt like. Imagine you’re at the grocery store, heading back to your car carrying two extremely heavy and overpacked bags of foodstuffs, and you’re feeling stoked because you hit some sweet sales and managed to stock up for the week and then some. You’re crossing a busy throughway in the parking lot when the bags let go. All at once, the bottoms rip wide open and vomit your stuff all over the pavement. Cans are rolling everywhere. The milk carton is ruptured. A white puddle expands at your feet. Dented boxes, broken eggs, bruised apples racing away, and cars coming at you from both directions. What you thought of just moments ago as an awesome bundle of tasty treats now looks like an embarrassing heap of trash.
My “book” now feels like those groceries lying broken and hopeless and ugly on the pavement, and Mr. Lynch and Mr. Reynolds are the drivers who have to stop and get out of their slick cars to help me to scrape all my crap up off the ground. They know how to bag groceries. This would never happen to them. I’m a schmuck, and now they have to deal with my foolishness.
Perception versus Reality
I’m not saying that’s my actual situation. Maybe my “book” isn’t as big a mess as all that, but that’s how it feels right now.
I’ve got this thing, this rough draft, and it’s terrible in all the ways that I usually tell myself a first draft is allowed to be. But…
Two authors whom I respect (and, okay yes, idolize) are about to put eyes on it. All of a sudden it no longer feels okay for my rough draft to be messy. I want to turn my work-to-date over to Chris, have him read it, and then get an email from him expounding upon how wonderful it is and how excited he is to help me cut and polish this diamond of a story.
I want that, but I don’t have a rough diamond to give him. I’ve got a pile of ruined groceries hastily scraped up off the blacktop, possibly destined for the garbage. And he’s going to judge me!
He’s not going to judge me.
The man is amazing. So is Jason, who will read my “finished” product at the end of this semester and either give it the thumbs up (I pass) or thumbs down (I still pass, but let it be known that I am a talentless hack). Every student who has worked with these two men has sung their praises.
The point is, I no longer feel okay with my rough draft being terrible. In my desire to impress two incredible authors, I’d want it to be perfect, spotless, shiny. Glittering to the point of blinding in its utter fabulousness. Is that too much to ask?
We’re Our Own Worst Critics
Yes, as it turns out. Perfection is too much to ask, and my self-imposed, unattainable new expectations have bogged down my writing process. My muse has curled up in the fetal position at my feet beneath my desk. She’s utterly useless under pressure, I guess. Meanwhile, I am getting hung up on every single sentence I try to write. Is this description strong enough? Are these verbs punchy enough? Am I rambling? Should I cut this? Do I need to elaborate here? Why’s there so much dialogue in this scene? What the H am I doing?
That’s me, snail-crawling along, doubting EVERYTHING about my writing and my characters and my story. Whereas I normally can pump out a solid 1,500 to 2,000 words a day, I’m now down to less than 500.
Which I guess would be okay if it weren’t for the fact that I’m supposed to turn in 13,000 words of new material on December 1st in preparation for my January residency. I’ve only got 6,200 words so far, and that has taken me almost two weeks to generate. And it’s all rough draft quality work.
Sigh.
This really should be an IWSG post, because I am feeling more insecure about my writing than I have probably ever felt before in my entire life. It’s cool. It’ll pass. I’ve doubted myself before this, and I always get over it…
Eventually.
Until then, I’ll continue to plug along and hope that, with the help of an incredibly talented (and patient–dear Freya, please let them be patient) mentor and reader, some of my groceries will turn out to be salvageable. Because what else can to do? It’s part of being an aspiring writer, right? I either quit now, or I push through the doubt and continue to dribble the words onto the paper.
Okey-dokey. Break time’s over. Back to the day job.
Has anyone else had nearly paralyzing moments of doubt brought on by the prospect of having a legitimately talented author/agent/editor reading your stuff? Please, tell me I’m not the only one.
Win or not, do you usually finish your NaNo project? Have any of them gone on to be published?
This is a doozy of a question, but allow me to drop a plug for IWSG before I dive in. The Insecure Writer’s Support Group, founded by the esteemed Alex J. Cavanaugh, is an online space where writers (insecure and otherwise) can come together to share stories, successes, struggles, and all the rest of it. The website is chock-o-block full of great stuff. There’s a Twitter Pitch, which I haven’t checked out yet, contests, books, swag, conferences, and more. Be sure to jump over there and check them out! The awesome co-hosts for the November 1 posting of the IWSG are Tonja Drecker, Diane Burton, MJ Fifield, and Rebecca Douglass! Do follow the links and jump over to their sites to say hello.
Okay, back to the question. NaNoWriMo. Do I usually finish my projects, and have I gotten any of them published? I’ve written about my views regarding the merits of NaNoWriMo before this. If you don’t know what NaNoWriMo is, check out this earlier post I wrote that explains all (well, nearly all).
Here’s the thing. I’m a fiercely competitive person. It’s ugly, or rather I turn ugly when I engage in activities with a competitive component. There are dark times in my childhood related to Red Rover, pick-up games of football at recess, gym sports.
Despite what some might argue, NaNoWriMo does have a competitive edge embedded into it, and if I’m not careful I could slice myself wide open on it. Not to mention my friends, my family, my graduate studies, my job.
Do participants actually compete with other folks during the event? No. However, there are achievement badges we can earn, forums where people can “support” each other. I have “Writing Buddies” whose progress I check on. There’s definitely an inherent feeling that I need to keep up with the authorial Jones going on when I participate.
I Always Win, but…
I cheat. Oh, Thor! Do I ever cheat! The first year I did it, I won fair and square. But that was the only
That guy running up the steps during the bike race? Yeah, that’s me.
time I penned all 50k in November. And, that project was far from “finished.” That draft didn’t wrap itself up until March! It’s not getting published, by the way. It’s a steaming pile. Which is fine. I learned a LOT writing that draft. Of course, cinderella stories exist about breakout authors whose best-selling debut novels were drafted during NaNoWriMo. I remain highly skeptical. To discuss further would merit a whole other post.
This year is the first year since my original foray into the world of NaNoWriMo that I haven’t begun working on my WIP early. No, wait. Scratch that. I totally gave myself a 12,000-word head start. Why? Because I have a problem, that’s why.
If I don’t take some of the pressure off by getting a block of writing done in advance, thereby lowering the daily word count goal from a genuinely challenging 1,667 to something closer to 1,000, ugly me might emerge once more. Plus, it makes the volume of words I need to write in November actually fit into my life without harming my spouse or my children. Yes! My children! I do it for my children! Justification accomplished.
It’s Not Really About Winning or Losing
The spirit of NaNoWriMo is about getting writers to put words on the page. If that’s the ultimate goal, who cares if I get a head start, especially if the story is calling to me?
It’ does, too. The closer November first gets, the more I find myself thinking about the story and itching to get at it.
For me, that itch is one of the biggest pros to taking part in NaNoWriMo. I just need to mitigate the underlying competitive aspects of the event, dull the sword’s edge if you will. 30,000 words in a single month is still a challenging goal for me. It’s just… less challenging, and therefore less likely to bring out the I-must-win-at-all-costs-and-if-you-get-in-my-way-so-help-me-I-will-end-you side of my personality.
At the end of the month, I log my wins. That first year, when I won fair and square, I celebrated by purchasing Scrivener, a new fountain pen, and a new notebook. Every year after that, I’ve rewarded myself with a new fountain pen and a new notebook, but I don’t feel right about taking advantage of the coupons and discounts and whatnot if I don’t load all 50,000 words into 30 days.
When my kids get a little older and I’m not in the midst of a graduate program, then maybe I’ll put the edge back on NaNo. For now, though, I’ll stick with my Bokken sword. Speaking of which… I do believe it’s time to do battle!
I can’t be the only person who does this. Fudge the start date, I mean. How about you? Do you usually finish your NaNoWriMo projects?