Category: Community

The Clarion West Write-a-Thon Fundraiser!
Staring June 26th, I’ll be writing my fingers raw as I try to raise some money to support a super worthy cause. I’m taking part in Clarion West’s 2023 Write-a-thon fundraiser, a six-week-long writing adventure. I hope you’ll consider supporting my efforts, but first, let me tell you a bit about Clarion West.

What Is Clarion West?

Clarion West is a nonprofit literary organization that runs an acclaimed six-week residential workshop every summer, online classes and workshops, one-day and weekend workshops, a reading series every summer, and other events throughout the year.

An offshoot of the original Clarion, which was founded in 1968 by Robin Scott Wilson at Clarion State College, Clarion West got its start in 1972 and has been running strong ever since. In 1987, it became a fully independent nonprofit organization. Its mission? To support emerging and underrepresented voices and foster greater equity and inclusion in the world of speculative fiction. That’s a mission I can get behind, because let’s face it. The speculative fiction world has been pretty white and male for a very long time, especially in the United States. As such, the culture surrounding the writing and publishing of speculative fiction has reflected some pretty unflattering and limiting prejudices about folks who weren’t/aren’t hetero white dudes. Things have been getting better, but there’s a lot of work left to do. Clarion West is committed to doing the work.

What Clarion West Does

Every summer, Clarion West hosts a six-week long residential writing workshop in Seattle, Washington. It’s a highly competitive program designed to offer participants a chance to make important industry connections while building a support network of community peers. Each week during the program, participants are joined by a respected author and/or editor who shares their experience and perspectives on the field of speculative fiction. Check out the lineup of folks who will be teaching seminars at this year’s workshop:
Clarion West also offers online workshops which is nice. Not everyone can put their jobs and families on pause for six-weeks to attend the in-person summer workshop (much as we might desperately want to).

Regardless of whether a writer takes part in the in-person or online workshops, though, the cost of running the workshops is not insignificant. Nonprofit thought it might be, Clarion West is expensive. Hey, no shade from me on that point, though. It costs a lot to do what they do. Hence their fundraising efforts, which brings me back to…

My Write-a-Thon Fundraising Adventures

This is my first time participating in the Write-a-thon. I have no idea what I’m doing. What goal should I set regarding how much money to raise? I don’t know. How does $1000 sound? Sure, why not?

But how to actually raise that money? Well, now I’m in foreign territory. What do I know about getting folks to open their hearts and wallets? To the internet, Batman! Time to do some research.

Turns out, folks are more likely to give up their hard-earned dough and make a donation when they know what they’re supporting. Details count. Clarion West does an amazing job of explaining their mission, but what about me? What am I doing during these next six weeks? Well, I’m writing of course. It’s called a “Write-a-thon” after all. But maybe people would like a few more specifics than just, “Er, uh, I’m gonna write some stuff and things.”

With that in mind, I created a fundraising page and got busy promoting the event. I announced my participation to my coworkers, sent a follow-up email asking for their support, and started pushing out announcements via my Instagram account.

I also set some measurable weekly writing goals, which I already shared in a previous post. If you want to know what my other very impressive and ambitious Write-a-thon goals are (and you totally do!) you’ll need to hop over to my fundraising page to read about them.

And yes, I’ve shared that link multiple times, because, duh, I’m trying to get folks to chip in and help me raise $1000 for an amazing organization with a amazing mission. To do that, I’ve got to get you over to where the “Donate” button lives. A bunch of excellent humans have already helped me get ⅓ of the way there, by the way. Don’t you want to help me get the rest of the way there? Of course you do!

Time to Shake the Moths Out of Your Wallet!

What are you waiting for? Show your support for Clarion West’s mission to strengthen the world of speculative fiction by nurturing emerging writers and underrepresented voices. CLICK HERE to make a donation of any amount during their fundraising event. Every dollar counts. Together, we can help bring new and diverse voices and perspectives to the speculative fiction world. Huzzah!!

As always, thanks for stopping by and happy writing to you.
June 23, 2023
The SFWA Mentoring Initiative 2023

Since its inception in 2018, the Science Fiction & Fantasy Writers Association (SFWA) Mentoring Initiative has been connecting experienced authors and editors with writers who are new to the industry. The program offers new(er) writers a chance to benefit from the wisdom and guidance of someone more familiar with the ins and outs of the genre fiction world. It’s an incredibly popular program, and after two years of trying, I finally made it into the program!

What is the SFWA?

The Science Fiction and Fantasy Writers Association (formerly known as the Science Fiction Writers of America) dates all the way back to 1965. It was founded by Damon Knight and some other writers connected with the Milford Writers Workshop. Their mission? To quote the SFWA website directly, “The purpose of the Science Fiction and Fantasy Writers Association is to promote, advance, and support science fiction and fantasy writing in the United States and elsewhere, by educating and informing the general public and supporting and empowering science fiction and fantasy writers.”

I grew up reading science fiction, fantasy, and horror magazines filled with authors who listed SFWA membership in there credentials. So, of course, little ol’ me decided at a very early age that someday I would too. At the time of this post, I’ve sold enough stories to qualify for an associate membership, but I’m holding out hope that in the months between now and December 31st, I’ll sell enough to qualify for a full membership. Fingers crossed. For now, though, I’ve got my mentorship match to enjoy.

What is the SFWA Mentoring Initiative?

There are actually two different mentoring programs offered each year. There’s the Conference Mentorship Program and the Career Mentorship Program.

The Conference Mentorship Program

This program happens during the Nebula Conference. Basically, it’s a mentor and mentee sit down for an hour-long Q&A session and chat about the publication industry or the basics of conference attendance.

The Career Mentorship Program

This is the program I’m participating in this summer. It’s goal is to assist in the professional development of emerging or isolated writers of speculative fiction. They aim to foster success in emerging writers, educate new writers about predatory industry practices, and offer the collective experience and wisdom of the larger genre fiction community. Luckily for me, you don’t need to be a member of the SFWA apply for the program.

Meeting My Mentor

I can’t believe my good fortune in having been paired with Julia Rios. They’re a writer, an podcaster, a narrator, and the brainchild of Worlds of Possibility, and online speculative fiction magazine that specializes in hopeful, peaceful, and otherwise chill stories.

I sat down to zoom with them for the first time Friday morning for a “get to know you” chat, but our call was cut short when my power blipped off for absolutely no reason and my wifi couldn’t seem to figure out how to turn back on afterward. (Curse you, Loki!) Julia was very kind about the whole thing, and we ended up zooming on Saturday morning. Julia and I were matched because we’re in similar life stages (mid-40s) and we live relatively near each other. In fact, we’re both going to be attending ReaderCon in July. They’re attending as a participant. I’m attending as a volunteer. We’re hoping to some find time to connect in person and indulge in our mutual love of coffee together.

In the meantime, we’ve agreed to weekly check-in meetings to see how I do with all the goals I’ve set for myself this summer.

The Weeks Ahead

Me looking mildly impatient as I wait for eldest villain to finish up school stuff so we can go home.

This next week will be… interesting. My youngest villain won’t yet be in camp. My eldest villain hasn’t yet secured a summer job. Does it speak ill of me that I’m feeling a bit ugh about having to be a parent for a week? Don’t get me wrong. I love both my future Evil Overlords, but as a fully established Evil Overlord myself I very selfishly want to be left alone to do my things. This weird limbo week when the kids aren’t in school or camp (or working a job) is a problem. It means either intentionally neglecting my kids to pursue my own stuff or cramming my stuff into the margins of their lives and needs. I’ll likely do a bit of both, to be honest.

But then, as of June 26th my youngest will be in camp all day and my eldest will be faced with the decision to either get off their evil ass and find a job outside the house or else be put to work here at home sprucing up the Evil Lair. Then, I’ll be able to devote my full time and attention to writing for a good solid five hours/day.

June 19, 2023
Writing Goals for the 2023 Summer Season

Because I’m a teacher, summer has always been my chance to get some solid writing done. Every year, I set myself a bunch of writing goals. Last year was a wash, sadly, because I spent the summer recovering from a somewhat substantial surgery and lacked the energy to do much of anything. This summer, though. This summer I am healthy and ready to go. Also, I just found out that I’ve been accepted into the Science Fiction & Fantasy Writers Associations Mentoring Initiative Program for the June 10th–September 10th session.

So yeah, this summer is going to be all about writing, and identifying my writing goals is a way to help me stay on task and not waste time. Therefore, in the spirit of making the most of the next twelve weeks, here are my writing goals for this summer:

Goal #1: Short Story Revisions

I’ve got two short stories that I need to rework and revise. They’ve both been workshopped by my amazing writing group gals and have been sitting, waiting for my attention. I want to shape them into something good and get them out on submission (since I’ve been having some recent luck in that department). One is a fairytale style romance, very uncharacteristic for me. The other is a dystopian science fiction thriller in the same vein as The Manchurian Candidate. Currently, it’s a mess. It might not be sellable, but I need to at least try to turn it into something submittable.

Goal #2: Write a Bunch of New Flash Stories

I’m very new to writing flash fiction. Prior to this year I’d have laughed at anyone who suggested I try my hand at writing a complete story in under 1,000 words. Uh, do you know me? I’m normally the “why use one word when ten will do” kind of writer.

But in early January, the online writing community I’m a member of–The Codex Writers–announced that their annual winter flash fiction challenge would be starting soon. I hadn’t done much writing since early November and was both hating on myself for it and also unable to climb out of the pit of lassitude I’d fallen into, so I thought I’d give the flash fiction thing a try. Why not? It’d get me writing, and it’d push me outside my comfort zone and challenge my skills as a writer.

It was awesome.

Luckily for me, Codex runs a summer flash challenge as well. It’s a bit less intense in terms of pacing and word count limits (I can hardly believe I now think 1000 words is luxurious). It runs for three weeks, and we get seven whole days to write and submit each time! More time, more words, I’m 100% doing it.

I also recently found out about s second flash fiction challenge hosted by Clarion West that’s happening this summer. This one has a participation fee associated with it ($25). It’s actually a fundraiser that supports Clarion West’s programs for emerging and underrepresented writers. Registration opens on June 12th. Sounds awesome. I’m doing it.

So, between those two community hosted events, I should end up with a bunch of new flash stories.

Goal #3: Finish a Rough Draft of a Novel-in-Progress

Okay, I might be biting off more than I can chew here. Of course I am. I’m a Try Hard, YOLO, overachieving Extra by nature. Do all the things! All of them!! In that spirit, I’ve got a half-finished draft of a middle grade adventure story that I really want to finish writing, and I really want it to be good, not sucky. Rather than discovery write my way into 70,000 words of bloated rambling nothingness (which has been my failed strategy with my last two novels), I need a plan. I need to actually map out the story before I write it. Unfortunately, I suck at plot structure. Fortunately, I’ll have a SFWA mentor who will be able to help me out with tips and tricks and regular check-ins to keep me honest.

So those are my goals for this coming summer. Write, write, and write some more. I’m sure I’ll also want to spend time with the fam and do some gardening and hiking and beaching, etc. Are you a writer or creative artist? Do you have a “season of productivity” like I do? If so, how do you keep yourself on track and productive so you don’t lose time and opportunity?

Thanks for stopping by, and as always, happy writing!

June 12, 2023
Author Update: Milestone Moment (Part 2)

Last time I posted, I shared some general life milestone moments culminating in the discovery that I need reading glasses. This time, I have far more exciting news to share.

Life: A Long and Winding Road

I started submitting short stories to science fiction, fantasy, and horror magazines in 2000. Back then, the internet was clunky and only accessible via dial-up modems. Barely recognizable compared to what it is today. Most (all?) fiction magazines only accepted submissions via regular mail. I remember making multiple photocopies of my stories at Staples, buying manilla envelopes and business envelopes in bulk, and regularly hitting up the post office to buy stamps. If you think the submission process is slow now, Odin Allfather, you have no idea.

For about a year, I wrote and submitted a lot of stories. Sadly, I was too full of self-doubt to sending anything to Asimov’s or Analog or the Magazine of Fantasy and Science Fiction. I mean, I loved writing, but I was a nobody, so I spent that year submitting my stuff to non-paying markets. Two pieces found homes in small zines that paid in contributor copies. Boneworld Publishing (no longer extant) gave me my first authorial milestone moment when they accepted a mother-daughter-survivor’s-guilt ghost story for their magazine, Barbaric YAWP. The second venue I landed a piece in was Samsara: The Magazine of Suffering. Have a look at my very first acceptance letter! Handwritten on what looks like a piece of scrap paper. No contract sent or signed or anything. It was a different time back then, for sure.

Then, a whole bunch of general life milestone moments happened. In 2000, I started teaching high school science–biology, chemistry, and physical science. I had no background in teaching at all, just a bachelor’s in science. To say the learning curve was steep would be an understatement. For about two years, my life looked like this: Wake up at 6am. Eat breakfast, go to work and teach until 3:30. Go home and sleep for 3 hours. Wake up and eat dinner. Grade and lesson plan until midnight. Repeat. There was no room for anything else. Creative writing fell by the wayside.

In 2003, I got married and switched schools. I gave birth to my first child in 2006. In 2007, my spouse went back to school. The banks went belly up in 2008. The economy tanked, and I switched schools again. In 2009, I switched schools yet again. In 2010, I had another kid…

I didn’t return to writing and submitting stories until 2016. Even then it was only in sporadic and inconsistent bursts. Between 2016 and 2021, I wrote a total of five short stories and submitted them unsuccessfully to a total of eighteen places. Five stories in five years is underwhelming. I would be embarrassed by that lack of productivity, except I don’t really count 2019 or 2020 (or even 2021). I’m a teacher, remember. The pandemic was a time of fear and confusion and frustration and many moments of despair for me. I’m still not fully recovered from the trauma of it (who is?).

So, a flurry of writing and trying to get my stuff published a little over two decades ago and then a whole lot of not much. Until this past year.

Having a Community to Support and Motivate You Matters

In the summer of 2020, trapped in the isolation of the early days of the pandemic, I joined an online community of writers and authors called Codex Writers. The effect of doing so was immediate and motivating. I started writing more consistently than I had been, and I started submitting what I was writing with more intentionality. It was great, but it was also kind of terrible.

The Codex Writer’s community is largely made up of published speculative fiction authors, and I’d kind of snuck in because I’d gotten a masters degree in creative writing in 2018 (a fact I felt barely qualified me for membership). Despite trying my hardest to write something good enough to get published in a pro- or even semi-pro market, the rejection letters piled up. Very occasionally, I got a personalized message from an editor. Usually not. That’s just how it goes, but I’d be lying if I said it hadn’t been slowly wearing me down. Failing because you aren’t trying feels a lot different from failing when you’re trying your hardest, you know?

In interacting with other members of the online Codex group, though, I felt supported and encouraged to to keep writing and keep submitting my stuff.

Milestone Moment: This is the Year I Get A Story Published (and Get Paid for It!)

One of the stories I wrote in 2020 was a slipstream piece of science fiction that I loved, but it was tricky and difficult and experimental. I wanted it to find a home so badly. It had a couple of near misses, but I just couldn’t seem to place it.

At the very end of December 2022, B. Morris Allen over at Metaphorosis magazine sent me a revision invitation on the story. The offer wasn’t an acceptance, but it was a huge step in the right direction. It felt pretty great to know that someone saw potential in the piece and wanted to work with me to make it great. Let’s call that R&R a “mini” milestone moment.

I spent a lot of this past winter juggling work shenanigans and family demands, but every so often I was able to draft a revision and send it Morris’s way. Each time, he responded with very encouraging feedback, suggestions, and a follow-up revision request.

Meanwhile, the Codex Writers Group announced a mid-winter, six-week-long flash fiction challenge they called: Weekend Warrior. Here’s how it worked. Every Friday evening for six weeks, the contest runners posted five writing prompts. Participants (who registered and got sorted into groups) then picked a prompt and wrote a not-longer-than 750 word story that had to be submitted by Monday morning. Your story got read, rated, and given constructive feedback by the other 15 to 20 people in your group. It was amazing. Amaaaaaazing! I wrote six stories and got encouraging and helpful feedback on them from successful and talented authors, some of whom I secretly harbored (and still harbor) hero-worship-style crushes on.

Truthfully, I had no intention of doing anything with any of the stories I wrote for that challenge. I’d never written flash fiction before. I didn’t know what I was doing, and I certainly didn’t expect to produce anything good. I took part in the challenge to keep myself writing, try something new, and make some new friends.

The thing about communities, online or in real life: They nurture and support you and build you up. After the competition, I kept reading posts by other folks who were submitting their “WW” stories to magazines. Apparently, it was a common thing to do, and some very kind and incredibly talented authors (Carol Scheina and Phoenix Alexander) told me I should, too. Okay, I thought, why not? Out I sent them, with no real expectation of anything coming of it.

In April, however, I opened my email inbox and gasped like they do in the movies. A flash story I’d written had been accepted for publication. That little voice in my head that had been saying, “You really should stop this nonsense,” went “Huh, maybe you aren’t a complete hack.” You know what that means? Not counting the two stories I sold for contributor copies, 2023 is the year that I get a story published and get paid for it, because it was MetaStellar who took the story! They’re one of the top paying pro-level magazines out there, and the stuff they print is damned good. You should 100% check them out.

Milestone Moment #2: This is the Year I Get TWO Stories Published!!

Less than a month after getting the great news from Metastellar, B. Morris Allen emailed me with an official offer of acceptance on that strange slipstream SF story he’d been editing with me since December! That makes not one but two story acceptances in 2023, both in paying markets. Metaphorosis isn’t a top-paying magazine, but they publish equally fine stories, and I just can’t believe mine will be one of them!

I’m thrilled. I’m also quietly terrified that I won’t see anything else published for another 20+ years, except I know that won’t happen. I’ve still got several other stories out on submission, and now I have actual evidence that I can in fact write publishable stories, so I’m feeling highly motivated to keep at it. Consistency really is the key, it seems. Maybe I’ll give the Ray Bradbury method a try and attempt a story a week for 52 consecutive weeks.

Summer vacation is right around the corner, too. The timing of all of this couldn’t be better. This spring is the first time since we all went into lockdown and life went sideways that I’ve felt mentally healthy again. Not 100%. I take life one day at a time now, but this is the first time in a very long time that the good days outnumber the bad days. I’ll be going into the summer months feeling fresh and excited and ready to go.

2023 has been quite the year for milestone moments so far. Let’s see if I can’t create a few more great ones in the coming months.

That’s all for now. Thanks for stopping by, and as always, happy writing!

May 26, 2023
Boskone 58 – This Time, It’s Virtual!

It’s become an annual February event in my household. What has, you ask? Valentine’s Day weekend? No. Presidents Day weekend? Definitely not. No, I’m talking about Boskone weekend!!

What is Boskone?

Boskone is the longest running science fiction convention in New England. When I was studying to get my MFA in creative writing at Lesley University back in 2018, one of my professors directed me to it, and since I do love my speculative fiction, it made sense to go. Also, I live close by–just north of Boston (home of Boskone). On top of that, it’s one of the most affordable SFFH writing conventions around. A $55 membership gets you full access all weekend long.

That first convention back in 2018 hooked me. To read about that awkward but incredible first experience, check out my blog post, Gearing Up for Boskone56.

This Year, Boskone went Virtual

The good folks who put on this convention each year – the New England Science Fiction Association (NESFA) – had the foresight to put together a micro-virtual convention in July called ReCONvene. Much shorter, just one day. I attended. It was great. Especially since ReaderCon, the other wiring convention I strive to attend each year, had been cancelled because, you know, pandemic.

The NESFA folks learned lots of important tech and logistical lessons from the mini-con in July. From that experience, they crafted a truly excellent virtual Boskone event. Check out the line up of special guests!

The Pros and Cons of a Virtual Conference

It goes without saying that a virtual event can’t fully replace an in-person experience. After almost a whole year of social isolation, I definitely missed seeing and talking with other real-life people as opposed to in-the-computer people. Still, I think this year’s virtual Boskone had some uniquely positive elements.

How nice to snuggle on my couch under blankets with a cup of coffee while listening to panelists talk shop. I certainly couldn’t have sat and painted my nails during a panel discussion last year. The virtual dealer’s room didn’t have the same feel as the real thing. What could? The look of all those shiny books, the smell of their pages, the feel of the paper beneath my fingers. Nothing will ever replace that, but because I didn’t drop $300+ on hotel and travel, I was able to buy more of the books panelists recommended when someone asked the inevitable question, “If you could recommend just one book that you think exemplified X, what would it be?” Yeah, my TBR list got a LOT longer this weekend, and what a wonderful problem that is!

Here’s what I bought (a fraction of what was recommended):

Motivate Your Writing by Stephen P. Kelner, JR PhD

The Exorcist 40^th Anniversary Edition by William Peter Blatty

In Search of and Others (short fiction collection) by Will Ludwigsen

Judges: Psyche (a Judge Dredd novel) by Maura McHugh

Survivor Song by Paul Tremblay

The weekend proved to be a whirlwind of wonderful. Here’s what I got up to.

Let the Friday Fun Begin!

I wanted to kick things of with the “Fountain Pen Show & Tell Discussion Group” at 3:30, but I didn’t finish up my teaching day until 3:30 and didn’t get home until 4:30. But, through the grapevine I hear it was a lot of fun.

Bouncing Round the Rooms

At 5:00 pm, I hopped in and out of the Opening Ceremonies event, the “Science of Fantasy” panel discussion, and “The Transformative Power of Women in Horror” panel. All while ordering dinner online and writing end-of-trimester comments for my students. Being able to unobtrusively enter and leave zoom panels was definitely a plus. So was knowing that most of the panel discussions would be recorded. No more agonizing over which panel to attend at time X because they’re both so amazing I don’t want to miss either one. They’re all available for viewing at my leisure moving forward! Huzzah!!

A Conversation about Craft

“Admiring the Scene-ry” was a fantastic panel to listen in on as I ate dinner in my living room. John Chu made some great connections between improv theater techniques and writing crisp, in-the-moment, engaging scenes. Scott Edelman offered up the time-honored advice to get into a scene as late as possible and get out of a scene as early as possible. Michael Swanwick swooped into the conversation to defend the effectiveness and merits of the narrative “hook” in writing.

What does the future hold for us?

From there I tuned into the 8:00 pm panel discussion, “Bizarre Biotech” with Jeanne Cavelos, Colin Alexander, Frank Wu, and S L Huang. Frank cued up some google slides showcasing several examples of authentically bizarre biotech in development around the globe. The panelists (and attendees via the zoom chat) spent the hour cracking each other up as they discussed the merits (or lack thereof) of various tech ideas. Energy producing “urine socks” anyone? No? No takers? Shocking.

Snuggle In and Tell Me a Story

I capped off my Friday evening listening to Joe Hill and Paul Tremblay take turns reading from existing or in-progress works. After the reading, they hung out with the audience members who had zoomed in and we all had a relaxed and down-to-earth chat about… oh, you know, stuff and things. It was super chill and really excellent.

Final Thoughts on Virtual Boskone

This post would grow much too long if I attempted a summary of every panel and kaffeeklatsch I attended on Saturday and Sunday. If you’re desperate to hear more, let me know in the comments and I’ll consider a “part 2” post. For now, know that Saturday and Sunday were as good if not better than Friday. Despite never leaving my house, I was surprisingly exhausted by the end of my final activity on Sunday night (a kaffeeklatsch with Joe Abercrombie).

Boskone 58 was a smashing success, even in its modified virtual form. I’m glad I went, but I do hope it’ll be in-person next winter. Nothing can replace the excitement of traveling to the hotel, eating way-too-expensive hotel food, dressing up a little nicer than usual, and bumping into like-minded folks I haven’t seen in six months between panels and at the “after-con” evening gatherings.

If you’ve got questions about Boskone, drop them into the comments or you reach out on Twitter and we can compare notes!

Did you attend Boskone this year? What were the highlights for you?

Thanks for stopping by, and as always, happy writing to you.

February 15, 2021
While I Await Pitch Wars News…

This past Friday night, between bouts of puking my guts out (thank you, ill-timed stomach flu), I submitted my entry materials for this year’s #pitchwars competition. Now, as I await news… or silence… or whatever, I thought I’d distract myself by writing up a quick blog post. Quick being the operative term because I’m still fending off this vicious stomach bug and it’s difficult to type with my arms wrapped around this giant “just-in-case” mixing bowl in my lap.

So, let’s talk about the Pitch Wars organization because what else would I want to talk about while trying not to think about it?

What is Pitch Wars and How Does it Work?

If you’re unfamiliar with the organization, pop over to their website and have a quick peek. Pitch Wars was started by author Brenda Drake back in 2012. I heard about it when a fellow Lesley University alumna tried out for the competition in 2017 (or 2016, I can’t quite remember) and got in. She had an incredible experience working with her mentor. So, when I was working to finish the draft of my thesis manuscript in 2018, she encouraged me to try out, too.

To sum up, the organization offers aspiring (read unpublished) writers a chance to work with a mentor (read published and agented author) to revise a completed manuscript in preparation for an Agent Showcase (happening in February this year). If an agent likes what they see during the showcase, they may request a query and first pages. It’s an incredible way to build community, connect aspiring writers with established writers, hone craft skills, make friends, and perhaps even launch careers. It’s also insanely popular. This year, over 3,500 aspiring authors tried out.

Here’s the big ol’ donkey kick to the abdomen for applicants, though. They can only submit to FOUR participating mentors, and most mentors get well over 100 submissions. Some get upwards of 400 submissions! Still, nothing ventured, nothing gained.

My First Attempt at Pitch Wars:

As I said earlier, I tried out in 2018. Alas, I did not get in, but the experience still carried tremendous benefits for me.

For one, it kept me from stalling on a manuscript I was struggling to finish. You see, Pitch Wars requires applicants have a full manuscript completed, and fear of not getting the end of my novel absolutely perfect had been paralyzing me from writing the third act. The Pitch Wars competition was just the motivation I needed to get over my fear of a terrible first draft. Good, bad, or ugly, I got the damned thing done.

Which, by the way, is kind of the whole point of Pitch Wars. The organization pairs up established (and agented) authors who have walked the path new writers are trying to walk. They have written their own terrible first drafts. They’ve revised them, no doubt multiple times. They queried agents and did so successfully. Many of them did so as Pitch Wars mentees, and now they’re paying it forward as participating mentors despite being super busy promoting debut books of their own and writing their next novels.

So, I didn’t get accepted, but I got motivated. Actually, I then used all of NaNoWriMo18 to revise the beast! Huzzah!!

Pitchwars, Take Two!

As I said on my #BoostMyBio page, I’m nothing if not persistent. A year has passed and a lot has happened since last fall. That includes revisions of my manuscript. I’ve got strong feelings about my story. I’m not ready to give up on it yet. So, I’m trying out for Pitch Wars yet again. The manuscript still needs work, and the competition is a chance to work on it with someone who knows a lot more about the publishing industry than I do.

A mentor who shall remain nameless (but whom I am keeping my fingers crossed picks me to mentor) put it succinctly when she tweeted that she’s not looking for perfect. A perfect manuscript doesn’t need grooming with a guiding mentor. She’s looking for an imperfect manuscript with potential. A diamond in the rough, so to speak. I paraphrased all of that, by the way.

If I Don’t Get In… Again?

Then, at least I will have tried. And, it won’t mean I stop working on the manuscript. It just means I’ll be revising solo instead of with the guidance of an established author. Is one scenario preferable to the other? Sure, but you get what you get and you don’t get upset, as my kids’ favorite saying from camp goes.

If you, like me, are an aspiring writer with a finished manuscript and dreams of landing an agent who will help turn that manuscript into a fully realized book, I urge you to investigate Pitch Wars and try out. There’s nothing to lose and so much to gain, even if you don’t get chosen.

Thanks for stopping by, and as always, happy writing to you.

September 30, 2019
Boskone – New England’s Best Science Fiction & Fantasy Convention (part 1)
I discovered Boskone just last year. Talk about arriving late to the party, but better late than never.

My graduate program was wrapping up in less than a year, and I didn’t want my growth as a writer to stagnate. Since I had (have) ambitions of breaking into the publishing industry as an author of excellent stories, attending a science fiction and fantasy (SFF) convention seemed a smart idea.

Without question, I achieved my primary goal of listening to a bunch of panel discussions that imparted heaps of tips, tricks, and sound reminders. But, once the panels were over and the “social” stuff started up, I felt like an awkward outsider. You can read about my (mis)adventures here. Even hiding in a corner, though, I observed the real benefit of attending Boskone. Community.

FOR THE CREATIVES OF THIS WORLD, COMMUNITY IS KEY

I’m a creative writer, but my beloved is a visual artist, as is my mother, and I’m friends with a voice actor and a musician. Trying to make it, professionally, in any art-related field is not for the faint of heart. It can wear you down if you’re not careful. That’s why finding and joining supportive communities is essential. For me–an aspiring author of fantasy, science fiction, and horror fiction–Boskone is one of the best, most supportive communities in New England.

Therefore, despite a vicious head-cold that struck me hard on Thursday, I spent this past weekend in Boston attending the 56th annual Boskone convention (Boskone 56 for short). Thank Thor for modern medicine. Dosed to the max with DayQuil, RobitussenDM, and NyQuil, I had a great time.

The panels were excellent, the panelists entertaining and insightful. This year, however, I focused on meeting and chatting with the other writers, readers, and gamers. And authors, agents, and editors. That last group doesn’t love being stalked by aspiring authors, so I courted them purposefully but respectfully.

Here’s how the Boskone 56 experience went for me. This is the first in a three part post. Yeah, there was that much going on at Bostkone this year, and I only saw a fraction of it all.

FRIDAY – DAY 1 OF THE FUN

Beloved and I opted to get a room in the convention hotel this year rather than commute each day. Good call. If I can, I’ll be staying at the hotel again next year. Taking an elevator up to my room at the end of the day made the evening activities far more enjoyable (although I still wasn’t pulling super late nights because of my cold).

[Quick tip to anyone who attends next year and stays at the hotel: request a room on the lowest floor possible. Sure, the 12th floor gave us a beautiful view of the Boston skyline, but the hot water didn’t seem to get up to us very well, and lukewarm showers aren’t a thing I enjoy.]

PANEL #1: EDITING YOUR MANUSCRIPT FOR SUBMISSION

The first panel discussion I attended was Editing Your Manuscript for Submission. I took copious notes as author/editor Auston Habershaw and Joshua Bilmes, president of Jabberwocky Literary Agency, discussed the value of writing groups, how to know when it’s time to stop editing and start submitting, and the importance of brevity in one’s writing.

Q: How do you get the right distance from a manuscript so you can see it again?

Autson: Put it away for months and start working on something else. Short fiction can act as a great palette cleanser.

Q: Who do you give your revised manuscripts to?

Auston: Beta readers, my agent. Writing groups are okay, but you have to be careful with them. They risk getting stale, becoming an echo chamber without anyone in the group realizing it. Author Tim Powers once told me, ‘You should be the worst person in your writing group.’

Q: [To Joshua Bilmes] What are you most likely to tell Auston not to do when reading and editing one of his manuscripts?

Joshua: If you start a book in a particular style, with a particular voice, you’ve made a promise to the readers that needs to be fulfilled. You can’t change course mid-way through. The readers will get whiplash. They’ll feel betrayed.

Q: When is a manuscript “good enough” to start querying?

Auston: Get it to a place where the big stuff all lines up. Plot stuff, style, voice. Then go through and do line edits. Then give it to beta readers you trust. Work in suggestions as you will. Then, you’re ready.

Joshua: It’s “done” when I ask for it from him in “Track Changes” mode. But, it’s still not done because an editor will buy it and will want more changes.

Q: [To Joshua Bilmes] What do you look for? What should writers avoid?

Joshua: Overwriting. You have to watch the adjectives. Cut it to the bone. And watch your descriptions of facial expressions. Every author seems to have a certain facial expression that they use over and over again. The dialogue tag said is like water. It’s unobtrusive and essential. Any substitutes are overused. Grin, laugh, nod, shrug, sigh. It slows everything down. It distracts.

Q: Tips for learning voice?

Auston: Read poetry! Anything by Langston Hughes.

“Don’t use thirteen words when ten will do.” – Joshua Bilmes.

“You should be the worst person in your writing group.” – Auston Habershaw. [meaning the least-skilled writer.]

You better believe I was taking notes!

KAFFEEKLATSCH #1: MARSHALL RYAN MARESCA

At 6 pm I headed to the galleria to catch my first Kaffeeklatsch of the weekend, hosted by fantasy author Marshall Ryan Maresca.

Turns out, it was his very first time hosting one, and when he saw me approaching the table, he must have thought, uh-oh. Here comes that woman I caught staring at me multiple times from the far side of the lobby last year. Creep alert.

To prove myself a non-creep, I made a point of shaking his hand and introducing myself instead of just staring. A couple of other aspiring writers joined us as well as one established author: S. L. Huang. The fifty-minute session flew by as the group discussed the process by which his books (all twelve of them) came into existence, the struggles of balancing writing with raising children, and our various writing habits.

And then it was time to grab some dinner before the next Friday night activity began.

BROAD UNIVERSE: A COMMUNITY FOR WOMEN WRITERS

At 9 pm, we headed to a multi-author reading session hosted by Broad Universe, an international, non-profit organization dedicated to supporting women writers and editors of SFF, horror, and other speculative genres.

Among the talented women who read from published works and works-in-progress were Elaine Isaac, Juliana Spink Mills, and Joanna Weston, among others. Dianna Sanchez gave away a copy of the 2017 Young Explorer’s Adventure Guide, an SFF short fiction anthology aimed for middle-grade readers. My hand went up so fast it broke the sound barrier! I’m happy to report that my middle-grader told me over breakfast yesterday morning that they’re two stories in and enjoying it.

THE BOSKONE ART SHOW IS NOT TO BE MISSED!

At 10 pm, Beloved and I headed back down to the Galleria to stroll the art exhibit. This portion of Boskone is where visual artists, illustrators, sculptors, and crafters display their best work. While all of the art at Boskone was exceptional, one vendor’s creations blew my mind!!

Kimberly Leach, of Kimberly’s Creations. She makes paper mache fantasy creations. I know, I know. You’re thinking, paper mache? Really?

Oh, folks. You have no idea. The photos I took (and I took many) fail to do these pieces of art justice. For Freya’s sake, please click the link and explore her website. I’m seriously going to tweet these at Cressida Cowell (wrote the How to Train Your Dragon series that spawned the movies).

Dragon 1

Image 1 of 6

Photograph of a paper mache dragon created and displayed by Kimblerly Leach at Boskone 56

Paper Mache, people. And when I asked how she stumbled upon this epic talent, her answer? I was looking for something to do with my granddaughter. As if it was no big deal, these crafty masterpieces. She’s a genius. Genius!!

By 10:30 pm I couldn’t breathe through my nose anymore and was starting to drag, so Beloved and I called it a day. All hail the powers of NyQuil.

In my next post, I’ll share summaries of all the panel discussions, kaffeeklatsches, and author readings I attended, starting with: Are Villains Necessary? Spoiler alert: they very much are!
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Are you thinking about attending Boskone next year? What do you most want to know about the convention?
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February 19, 2019
Gearing Up for Boskone56!
Boskone56 is nearly upon us! Who’s excited? Me!

Last year at this time, I was a hot mess. Boskone55 being my very first convention ever, I had no idea what to expect. I knew authors were going to be there, talking on panels, signing autographs, walking around in the halls, talking to people, and existing in the real world! What that would be like, I could only imagine.

Bumping into a famous author, like Mary Robinette Kowal, would probably be akin to the time when 7-year-old me rounded the end of the aisle in my local FoodMart and came face to face with my first-grade teacher, Mrs. Hogan.

Startling. Disorienting. Somewhat surreal and frightening.

So, yeah, that was basically how it went down when I met Ms. Kowal last year. It wasn’t even a surprise encounter. Then, at least, I could have chalked up my mumbling awkwardness to being caught off guard. No, the author I admire and respect was signing books. A structured event at a scheduled time, giving me an opportunity to plan out what I would say to her in advance.

“Hello, Ms. Kowal. Big fan. Loved GHOST TALKERS. Would you mind signing my copy? Thanks so much. I was wondering what your daily writing process looks like?”

That’s what I wanted to say to her. What I actually said was, “[incomprehensible mumbling].” Between that and my face purpling with embarrassment, it’s a wonder she didn’t think I was having an aneurysm and call for a paramedic.

So, while I thoroughly enjoyed the panels at Boskone55 (see my wrap-up post here), I spent a lot of time sitting or standing by myself, eyeing from afar authors with whom I wanted to talk and cursing myself for being so damned awkward. Pretty sure Marshall Ryan Maresca thinks I’m a crazy stalker fan. I’m totally not a stalker. Crazy is debatable. Certainly a fan.

Never again, I vowed, will I be such a social tool at a writing convention. Within a week of returning from Boskone, I registered for ReaderCon (which happened this past July). You can read about my adventures at that epic convention here and here.

Me and Sam Delany!

ReaderCon was a totally different experience. I actually spoke to people! Even more amazing, some of them were authors like Samuel Delany! All of them (except the rando at the bar) were friendly, approachable, excellent people. Which brings me to the reason I’m so excited about Boskone56.

This time, I will know some of the folks there! I’ll have a few social “anchors,” as it were. Now, I’m not suggesting I became besties with any of the authors I met at ReaderCon, but I did talk with several folks during kaffeeklatsches and after panels. Heck, I even shared a drink with a couple of them at the bar and chatted up a few others at what was basically a meet and greet disguised as a party. And, I’m jazzed because several of those most excellent people are going to be at Boskone56 this year.

Who I’m Looking Forward to Seeing (Again):

So many people! Couldn’t fit everyone on this list, so know that there are many more folks I’m eager to shake hands with and say, “Hello” or “Hello, again.”

[Show thumbnails]
E.C. Ambrose

Andrea Corbin

Ellen Datlow

Max Gladstone

Auston Habershaw

Nicholas Kaufmann

Marshall Ryan Maresca

Hillary Monahan

Ken Schneyer

Juliana Spink Mills

Paul Tremblay

Catherynne M. Valente

Many of the above I had the pleasure of meeting at ReaderCon. I got to hear many others share their thoughts on various panels at last year’s Boskone55.

My goal for Boskone56?

Say hello to as many authors who I admire as possible. Might even find the courage to strike up an actual conversation with some of them, about writing, and books, and… I don’t know stuff. If I could do it at ReaderCon, I can do it again. Deep breaths. It’s going to be awesome!
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Are you going to be at Boskone this year? Who are you looking forward to seeing? If you see me there, say hello. I'm friendly, I swear, once you get past the socially awkward exterior.
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February 4, 2019
My Interview for Arthur McCabe’s Website!

My Very First “Writer” Interview!!

Over on the website Interviews from the Void, I had the honor of chatting with Arthur McCabe about a whole bunch of interesting writing stuff. It’s a sign of how inept I am at professional marketing and blogging that I only just thought today of mentioning this on my own site.

In any case, Arthur and I talked about the neuroscience of engaging fiction, how evolving communication technologies are or aren’t changing readers brains, and how I use neuroscience both when I write for and teach science to teens. The questions were thoughtful and I revealed a lot about myself, I think, in the interview.

If you’re interested, check it out.

Interviews from the Void: Episode 24 – Katherine Karch

August 5, 2018
My ReaderCon 2018 Experience (Part 2)

This year’s ReaderCon event was so huge and so fabulous that I couldn’t fit it all into one post, so here’s the rest of my incredible experience. Click here to read about the first two days of fun.

Recap of Saturday’s Fun:

I kicked off Saturday with a delightful Kaffeeklatsch hosted by Victoria Janssen, a skilled writer of erotic fiction. If that strikes you as an odd choice on my part, given that my focus is on writing YA and MG stories, check my part 1 post for the explanation. It was a great conversation that ran the gamut of topics from industry trends to work-life balance. During this Klatsch, I met Sam Schreiber, whom I re-met later the same day. More on that in a bit.

I rushed from Victoria’s kaffeeklatsch to Susan Jane Bigelow’s workshop.

World Building Governments

Maybe they didn’t expect many people to attend it? They put her in one of the smaller Salons in the hotel room. Big mistake. By the time I arrived at 9:04, every seat was filled, and folks were beginning to sit on the floor, myself included. No way was I going to miss Susan’s workshop.

I’m fascinated by government systems as portrayed in fiction. And, since my current project is all about the upheaval of an existing government system, I thought it would be good to sharpen my world building tools.
Also, I saw Susan for the first time at Boskone in February. She participated in a panel called “Governmental Structures in SFF” that was outstanding. I wrote a summary of the discussion here.

I don’t know if Susan was inspired to create this workshop from the Boskone panel discussion or not, but she gave an epic workshop. She made all of her slideshow available on her website, too. Check it out.

Topics discussed:

What governments do.
What forms governments can take.
How governments go bad.
Current government structures with examples from the US, Iran, and Italy.
Historical government structures with examples from medieval Europe and China.
Questions an author should ask/answer when creating a fantasy or science fiction government.

Great, right? Yeah, it was.

After we gave her a standing ovation, I rushed off for my noon kaffeeklatsch with Navah Wolfe, which I wrote about previously. She gushed over Catherynne Valente’s new novel Space Opera.

Serendipitously, I was working my way through The Best American Science Fiction and Fantasy of 2017 Collection, edited by John Joseph Adams and Charles Yu. I had picked it up during my final residency for my MFA in creative writing program at Lesley University at the end of June. Catherynne has a story in the collection called The Future is Blue. I hadn’t yet read it when this Klatsch happened, but I’ve read it since then, and Odin it was so good! Space Opera is now on my TBR list.

The rest of my Saturday at ReaderCon was a whirlwind of panel discussions, followed by an awkward encounter at the hotel bar with a man who unintentionally offended me multiple times as he tried to chat me up while I ate dinner. Thank Thor, Sam Schreiber turned up and gave me a reason to extricate myself from a bad conversation for a much, MUCH better one. Sam is a member of the Brooklyn Speculative Fiction Group, and he helps produce the podcast Kaleidocast.

I just listened to the first episode of season two, by the way. The story, “Playing Nice with God’s Bowling Ball” by N. K. Jemisin, was quite enjoyable, and the woman who narrated the story, Tatiana Grey, did an excellent job.

Shameless plug, Sam (if you happen to read this), I would love to narrate a story for you fine folks.

I discovered the existence of the Boston Speculative Fiction Writers Group pretty much accidentally while at ReaderCon. Had Sam not mentioned it in passing during our conversation at the hotel bar, I might never have stumbled upon its existence. This was after I used him to extricate myself from a very uncomfortable conversation with some Rando who was making me very nervous.

Quick tangent…

The hotel restaurant was packed on Saturday night, so I asked to be seated at the bar for dinner since there were actual seats available there. They put me next to an older gentleman who was also eating dinner at the bar. I ordered my food, got my food, ate my food, and then decided that it might be fun to try my hand at “Barconning,” so I ordered a beer and sat, hoping to see someone I had already spoken to earlier so I could say hello and try to have a conversation with him or her.

Long story short, that was when the man sitting beside me, who was not part of the convention, proceeded to tell me that he’d like to beat the $h!7 out a fellow standing at a nearby table for laughing too loud.

Reg flags up, warning bells ringing, iceberg dead ahead. Course correction needed five minutes ago.

Then, he asked what the convention was about and I told him.

The man with the violent tendencies and hair trigger then said, “I always wanted to write a book because I’m a pretty good writer, and I bought this house once to renovate it but when I went inside of it, it had this feeling like it was possessed, like not just haunted, you know, but possessed by evil, like that Amityville house, you know what I mean, with the walls just and voices screaming at me to just, just get out, get out, get out like it was pure evil. That would make a pretty good book, right?”

The side of this boat has been torn off, folks. Evacuate if you can.

That’s when I saw the guy from Victoria Janssen’s kaffeeklatsch. What was his name? Loki, why am I so terrible with names? Sam! His name is Sam! Okay, be cool. Keep the fear and desperation out of your voice.

“Oh, hi there! You’re Sam, right? You were in Victoria’s Kaffeeklatsch with me.”

Sam’s smile was as glorious a sight as a life raft to a drowning victim.

I jumped ship and did so without a shred of guilt.

End of Tangent

On Sam’s suggestion, I skipped the Comedy Show happening at 9 PM in the ballroom and instead scoped out the Boston Speculative Fiction Writers Group, where I had a great conversation with author Elaine Isaak. [I later learned that the party was hosted not by the writing group but by the related Speculative Boston Readers Series Group. Not entirely the same thing.]

Elaine Isaak, at Arisia in 2013

She’s a member of BSFG, and I’d seen her on a few panels at Boskone. It was great to see her again and talk to her in a smaller, more informal setting. She told me about another organization, Broad Universe, and invited me to check it out. I did, and I’ll be joining the latter group while wishing the former group was open to new members.

At around 10:30 PM, I finally made it up to the eighth floor, where the ReaderCon Suite resided. All weekend long, folks had been mentioning the ConSuite up on the eighth floor. I had envisioned it as a secret VIP room for the chosen few where high powered con-goers sat around schmoozing with one another high above the lowly commoners (like me). A ridiculous notion, I know, but I’m still new to the world of book and writing conventions. Cut me some slack.

Sam Schreiber was the one who got me to swallow my misguided fears and get into the elevator. Turns out, it really was just a place to hang out, eat free food, drink free beverages, and chat with entirely ordinary people! I had a long conversation with a book dealer who woke me up to the existence of CanLit (Canadian Literature). We also discussed Joseph Campbell, Carl Jung, and Plato. Peter, from Ontario, it was a pleasure debating the philosophy of myth and religion with you, sir.

I called it a night at 12:30 AM, an obnoxiously late hour for me.

Sunday:

Second Name Drop

See?! It’s me and Chip!

Ready for this?! I ate breakfast with Samuel Delany. Can you freaking believe it?

Despite getting to bed at a ridiculously late hour (for me), I got down to the restaurant at 7:30 AM for breakfast. Just in time for the rush, apparently. The guy standing in line ahead of me shifted, and I noticed he was wearing a ReaderCon badge (on a lanyard, so I had to stare at his belly to read his name and hope he didn’t notice and take offense).

Samuel Delany? Oh Sugar Honey Iced Tea, I must talk to this man. I must open my mouth and stammer out a hello to this giant in the sci-fi literature world. Be cool. Be cool. Just say hello. That’s all you have to do.

“Hi, are you Sam Delany?”

What a nice guy. Just as open and friendly as Ken Schneyer had been on Friday. After a few minutes of talking about the convention and the panels, the waitress said she was ready to seat him. He turned and asked if I would like to share a table with him because he was all by himself–his spouse, Dennis, had elected to sleep late. Gee, um, let me think. Okay!

So I got to spend Sunday morning chatting with Samuel Delany about his career, his process, his love of genre fiction, his love of ReaderCon, and other random stuff over eggs and bacon and oatmeal. He even let me snap a selfie of the two of us together, because who would believe me that I’d had breakfast with him unless I obtained photographic evidence?

After breakfast, Sam and I walked together to his and my first panel of the day:

Curses, World Building Through Explitives

It was, of course, a highly entertaining and thought-provoking hour. In hindsight, I wish Catherynne Valente and Scott Lynch had been on the panel, as they both make lovely use of expletives as world building tools in their writing. Still, Francesca Forrest, Sarah Smith, Vinnie Tesla, Yves Meynard, and Sam had the audience laughing and scribbling notes like crazy.

They talked about the fine art of inventing curse words. Vinnie brought up the standard technique of blending “high” and “low” into a contrasting and therefore ironic and insulting combination (“holy shit,” for example). Sam mad the excellent point that the preferred pejoratives a culture uses tell a lot about systems of power and dominance in a fictional world. A culture that tosses around “bitch,” “slut,” and “cunt” is probably patriarchal. Curses that invoke a world’s religion(s) or god(s) will always be blasphemous, and Yves Meynard brought up the use of swears that denigrate certain professions or geographies as excellent and quick ways to tell readers who the underclass are in a world.

Bloody great stuff, am I right?

Then, it was off to the next discussion:

Crime and Punishment Panel

The panelists were Josh Jasper, Scott Lynch, Tamara Vardomskaya, and Chris Gerwel.

The discussion kicked off by identifying familiar “criminal” archetypes in fantasy and science fiction. Rogues, thieves, burglars, tricksters are the big four.

The nature or purpose of incarceration both in life and in fiction generated lots of questions and comments from the audience. Is the primary purpose of imprisonment to punish the individual or to send a message to the broader populace? Or is it a tool to rehabilitate, and if so, who decides what constitutes “rehabilitated?”

The discussion was fascinating and unsettling all at the same time.

Final Panel of My ReaderCon Experience: How Horror Stories End

This was the panel I’d been most looking forward to all weekend.

Horror is my favorite genre. It lives and breathes deep in my psyche. In the second grade, I filled a notebook with short stories, all of them involving bloody deaths and vicious murders and witches eating babies for breakfast. All accompanied by my own gory illustrations in bright Crayola colors. It’s a wonder I didn’t end up meeting regularly with the school psychiatrist.

Anyway, I love horror stories, so this was my panel for ReaderCon. It was hosted by Nicholas Kaufmann, Jess Nevins, Elsa Sjunneson-Henry, Ellen Datlow, and Jack Langen.

Nick opened things up by asking the question: Can a horror story have a happy ending?

Short answer, no. Not really.

Characters can survive. They can even defeat the enemy and save the day, but it still isn’t a happy ending because said characters have been forever changed (probably damaged) by their ordeal.

The discussion then shifted to the concept of definitive versus ambiguous endings in horror novels. Ellen Datlow professed that ambiguous endings get tiresome. She likes a story that ties up all the loose ends. [Correction: Ellen did not actually say that. That was my (mis)interpretation. Rather, she said that reading too many stories with ambiguous endings gets tiresome, and there seem to be many of them, so the stories with definitive endings are a welcome break from that. That’s not a direct quote either, but I think I’m correctly capturing the spirit of her words.] Other panelists tried to come up with concrete examples of horror stories that do that. The Haunting of Hill House was mentioned as a horror story with a concrete ending. I suppose it is for the characters, but (and I applaud Yves for pointing this out) it still contains a level of ambiguity because Hill House survives. It continues to exist, so the potential for future horrors remains. I thought of Stephen King’s first novel, Carrie. The ending is definitive for the characters, but King tacked on a “letter” at the end of the book that left the door of ambiguity open.

Panelists and audience members alike tossed out example after example, each with an ending that seemed to contain both definitive and ambiguous notes. Given that the human psyche wants neat endings, wants things wrapped up and resolved, wants problems solved. Ambiguity is inherently horrifying to us.

In my opinion, the only successful use of a genuinely definitive ending in a horror story would involve the heroes losing and the villains winning. I’m thinking of a recent superhero film that shall not be directly named, to half-heartedly dodge spoiling it for folks who haven’t yet seen it. Pretty unambiguous but definitely horrifying.

It was a great panel!

And Then I Went Home

By the end of “How Horror Stories End,” I was well and truly done. Fatigue slammed into me like a wrecking ball loosed from its chain. I might have actually staggered. I checked out of my room, quickly and without difficulty, caught the shuttle to the Redline, the Redline to North Station. So as not to miss my stop should I fall asleep, I set an alarm on my watch. Thank Thor for a bit of foresight, because I did indeed tumble into the land of Nod shortly after the train started moving. An hour later, I was home. It took me a week to recover from four days of high-octane interactions and very little sleep, but it was worth it!

So, that was my adventure at ReaderCon 2018. It took two ridiculously long posts to cover all the fun, I know, but I gotta say, I had an incredible time. If you’re a fan of science fiction and fantasy stories, you have to get to ReaderCon. You won’t be disappointed.

Except, maybe, by the lack of towel hooks.

Thanks for dropping by and as always, happy writing to you.

July 24, 2018