Category: Community

  • My ReaderCon 2018 Experience (Part 1)

    My ReaderCon 2018 Experience (Part 1)

    I went for three days without seeing the sun.

     

    Not best practice in terms of health, but it tells you something about how busy I was at ReaderCon this past weekend.

    ReaderCon

    Quick disclaimer: This is going to be a long post, as will be the part 2 follow-up. I’m trying to paint a clear picture of my experience to help others unfamiliar with ReaderCon decide whether or not to give it a try next year. That will take more than a few quick words.

    What, you ask, is ReaderCon? Until last summer, I’d never heard of it. Then, one of my instructors in my MFA program suggested I attend. “It’s about the best Con in New England, and it’s local for you.”

    So, I looked into it.

    To quote from ReaderCon’s homepage:

    “Readercon is the only small convention regularly attended by such giants of imaginative literature as Gene Wolfe, Samuel R. Delany, John Crowley, Barry N. Malzberg, Kit Reed, and Jonathan Lethem.

    The program consists of two tracks each of panel discussions, author readings, and solo talks or discussion groups, plus kaffeeklatsches (intimate gatherings with an author) and autograph signings.

    There is a large bookshop full of new, used, and rare and collectible books and magazines (and yet more great conversation; if a Readercon attendee is not at a program item, they’re probably here).”

     

    This convention is all about the people!

    ReaderConI met many authors (both established and aspiring) as well as avid readers, all of whom were open and friendly and willing to chat with me. You might remember from my post about Boskone that I sometimes have trouble engaging with folks in new and unfamiliar settings. That was not a problem this time around. That said, I did rig the game of talking to people slightly in my favor with judicious use of name tag add-ons.

     

    Without further ado, here’s what my four-day, three-night romp at ReaderCon looked like.

     

    Thursday:

    I checked into my hotel room at the Boston Marriott in Quincy at around 6:30 PM. First impressions of the hotel itself? Meh. I doubt folks are attending because of the fantastic rooms. The carpets were difficult to look at, the closets seemed designed to dissuade anyone from actually using them, and (oddly) the bathrooms lack any towel hooks. For whatever reason, that last detail really bothered me. Why, Marriott, do you have zero places for me to hang up a towel in the bathroom? Why?! That is, however, the limit of my complaints. The rest is all glowing praise.

    Thursday night’s program kicked off at 8 PM with panel discussions that were free and open to the public. Despite that, attendance was sparse. Probably because it was a Thursday. The two panels I attended were:

     

    1) Writers Who Edit, Editors Who Write
    Scott Edelman
    Author and funny man, Scott Edelman

    The panel consisted of Sabrina Vourvoulias, John Lawson, Scott Edelman, Mimi Mondal, and Mike Allen.

    For an hour, these folks talked about the tricky task of balancing being an editor of others’ work and writing your own stuff.

     

    “There’s a long history of writers who became editors and then stopped writing their own work.” – Scott Edelman

    “My rule to keep me working on my owns stuff is this. Add three sentences to your own story every day no matter what.” – Mike Allen

    “When we edit, we’re reshaping the bones of a story. When we write, we’re creating the bones from scratch.” – Sabrina Vourvoulis

    “I’ve had people tell me to stop writing and just be an editor because I was so good at editing.” – Mimi Mondal

    “As a writer, I feel inspired by the submissions that come across my desk. I learn a lot from both the good and bad pieces that I edit.” – John Lawson.

     

    The advice that stuck with me most came from Scott Edelman, however. He said, “Learn how to say no!” His comment was in reference to taking on editing projects, but I think it’s useful to writers who don’t edit, too, because there is always going to be someone asking you to do something for them.

     

    2) Fabric Goods in Fantasy Settings

    The panel consisted of Victoria Janssen, Natalie Luhrs, Sarah Smith, Tom Greene, and Elaine Isaak.

    Fabric Goods PanelThe discussion centered around the economics of producing the clothes that characters wear in fantasy and science fiction stories. Consensus? Few authors drop any references into their worlds of the supply chains involved or the various professions involved (other than, perhaps, tailors and blacksmiths). What’s missing? Where are all the animals providing the leather? Where are the fields of cotton or flax? Where are the silkworm farms? And, where are the people who tend the animals, tan the leather, gather the cotton, process the flax into linen, harvest the silken threads, or dye the woven cloth? (I’m looking at you George R. R. Martin, famous describer of every single character’s outfit to the last button).

    By the time 10 PM rolled around, I was happy but tired, so instead of hitting up the BarCon — a term I became familiar with this weekend –, I went to bed. It was the earliest I would manage for the rest of the convention.

     

    Friday:

    I popped out of bed bright and early at 6:30, showered, dressed, then loaded up on breakfast in the hotel restaurant. As a chronically light eater, I opted not to go for the buffet. Given the price, I would have had to be a bottomless pit to make it financially feasible, so I ordered from the regular menu. It must be noted that the hotel restaurant is quite expensive, but there was a hotel shuttle ferrying folks to and from the redline T-stop every half hour. If I’d wanted to, I could have headed into Boston and found better food for less money. But it was my first time at ReaderCon, and I didn’t know how it worked. I didn’t want to risk missing out on anything significant, so I stayed inside the hotel (hence the three days without actual sunlight touching my skin).

     

    First Name Drop:

    On my way out from breakfast, I stopped at the Starbucks at the hotel bar to grab some caffeine. A man was waiting to be seated who looked familiar to me.

    He’s an author, I thought. I’ve seen him before. I should talk to him!

    Ken Schneyer
    Ken Schneyer, a master storyteller!

    Boskone is the only other place I could have seen this gent, so I asked him if he’d been on any of the panels. Why, yes, he had. I offered a hand to shake and introduced myself. Imagine my surprise and delight to find myself shaking hands with Mr. Kenneth Schneyer, prestigious and prolific author of many excellent speculative and science fiction short stories (and a few novels). Turns outs, he’s not just a great writer but also a great human being. It came out in the quick exchange that I was pretty new to writing conferences. Ken went out of his way for the rest of ReaderCon to smile and say hello and talk to me whenever he saw me. He wasn’t the only one, either. I’m telling you, ReaderCon was terrific!!

     

    Getting Registered:

    I wandered back to the registration table and queued up to officially register and get my name badge. There were two options for how one could wear the plastic badge–either clipped to your clothing or dangling from a thin black lanyard around your neck.

     

    Interlude: A Rant about Placement of Name Badges

    Take this piece of advice to heart. Do NOT go for the lanyard option, and here’s why. Someone sees you from across the way. You look like an interesting person. They would like to meet you, say hello, learn your name, chat you up, hear your thoughts on books and writing and life. They swallow their nerves and approach you. The natural instinct is to check your name badge, but oops–to do that, they have to break polite eye contact and allow their gaze to drift down your torso to your midriff where your name badge is dangling. Awkward. Worse, there’s a 50/50 chance that the plastic card is flipped around backward and they have raked their eyes up and down your body for no reason at all. Twice as awkward!!

    Please, use the clip option, and affix your name high up near your shoulder. Easy peasy fresh and breezy and no awkward body-gazing needed. End of interlude.

    ReaderCon had an ingenious name badge add-on option available. You could write anything (within reason) you wanted on fabric tags that could then be securely adhered to the bottom of your badge. I saw lots of folks using them as a chance to clarify preferred gender pronouns (thank you so much to folks who did that, by the way).

    I chose to use my add-ons as a way to invite people to talk to me, and to give them a conversation starter as an “in.” It worked quite well.

     

    Kaffeeklatsches!

    KaffeeklatschesAt the sage advice of a volunteer manning the registration table Thursday night, I wandered over to where the Kaffeeklatsch sign-up book lay at around 9:45 AM, fifteen minutes before sign-up officially opened. Good thing I did, too. There was already a line of folks forming, and people were already filling up the slots with their names.

    If you don’t know what a kaffeeklatsch is, fear not. I didn’t know either until Boskone when I missed all of them because I didn’t realize you had to sign up for them in advance. Hence my 9:45 AM appearance at the sign-up table. A kaffeeklatsch is a small, intimate affair in which an author (or editor, or agent) sits down with ten to fifteen folks and spends an hour shooting the breeze, talking about whatever people want to talk about.

    I thought I would sit quietly at the tables and let others ask their questions and share their thoughts. After all, this was my first time attending these things. Best to sit back, watch, and learn. That didn’t happen. The authors were too friendly, too engaging. So were all the other folks at the table. The conversations were lively, and I quickly found myself sucked in, laughing and chatting away with everyone else. So great!

    Here’s the list of folks who I got to meet and talk with via the Kaffeeklatsches at ReaderCon: 

     

    1) Nicholas Kauffman

    Horror writer extraordinaire and a super nice guy. I pre-ordered his upcoming new book “100 Fathoms Below” within 20 minutes of his klatsch ending. The pitch that sold it for me? Disabled American submarine in Soviet waters with a vampire on board. Yup. That’s for me. Thank you!

     

    2) James Morrow 

    Okay, I signed up but didn’t attend. One of the problems I had at ReaderCon was having no free time to feed myself. By the time this klatsch was starting up, my hands were starting to shake, and I was feeling panicky from hunger. I had to eat. Sorry, Mr. Morrow. I’ll try to catch you next time. Your book, The Asylum of Dr. Caligari, is fantastic, by the way.

     

    3) Ken Liu and Anatoly Belilovsky 

    The conference room in which the kaffeeklatsches happened accommodated two groups at a time, divided by a mobile wall. Ken and Anatoly’s klatsches were scheduled for the same time slot. Because they knew each other and did similar stuff regarding translating Chinese (in Ken’s case) and Russian (in Anatoly’s case) fiction to English, they opted to break down the dividing wall and combine their klatsches. I found the ensuing conversations about balancing their own writing with the job of translating others’ works to be fascinating. I also enjoyed listening to Ken and Anatoly discuss the many nuanced elements that go into translating literature from one language to another.

    My mind kept returning to the two versions of Ovid’s Metamorphosis that I and my beloved own. It’s the same story, but the two translations (we sat and read the story of Apollo and Daphne back and forth to each other one morning) created different tones and different points of thematic emphasis.

     

    4) Max Gladstone 

    I love, love, LOVE Max’s Craft Sequence books, and so I was very excited to sit in a room with this man and bask in his presence. That’s all I wanted to do. However, Max’s klatsch happened immediately after the “Bureaucracy in Fantasy” panel. More than half of us in Max’s klatsch (including Max) had attended the panel, and Max had asked the last question fielded before the man with the bright red “STOP!” sign ended things. So, Max’s kaffeeklatsch turned into an extended discussion of bureaucratic systems both in the real work (in China, specifically) and in fantasy settings. It was great!

     

    5) Victoria Janssen

    Why, you might be asking yourself, would I sign up for this kaffeeklatsch? After all, I’m a self-proclaimed YA and MG writer. Victoria writes adult erotica! Well, the YA novel I’m working on at the moment takes place in a secondary world in which women are the unapologetically dominant gender. That means my characters have never experienced male-induced body-shaming or sexual-stigmatization. They are fully realized and fully confident sexual beings. Sex is not shied away from in this world I’ve created. It is openly discussed, and even more openly practiced. Yet, as I pointed out, it’s a YA novel. I’m walking a narrow and tricky line here. How do I write sex scenes that are 1) well-done and 2) strike the right balance of on-page/off-page references so that this manuscript doesn’t get kicked back to me with a “thanks but a little too edgy” comment in the rejection email I get from every YA agent I sub it to? This was my chance to sit down with a woman who knows how to write sex scenes in their many iterations and ask my questions. The conversation was, as you might guess, both stimulating and enlightening. I’m so glad to have met Victoria and to have had a chance to benefit from her experience and insights.

     

    6) Navah Wolfe 

    A chance to sit down with the senior editor at Saga Press?! Yes, please. Let me sit and be showered with insider tips and suggestions for the SFF publishing industry. Which, by the way, is exactly what happened. Plus, I received an impromptu education into the joys of Eurovision. Didn’t even know that was a thing!

    Navah talked faster than an auctioneer after her third espresso, and her energy and enthusiasm was infectious. I don’t know how old Navah is, but she looked too young to be a senior editor. After spending an hour with her, however, I realized that she’s got the advantage of youth on her side because her job (and her clear love of and commitment to it) sounds exhausting.

    That’s it for the kaffeeklatsches. I spent the rest of my time at ReaderCon attending panel discussions, chatting with friendly folks at the bar and at the after-parties up on the eighth floor of the hotel.

     

    Friday Panels:

    Every time slot was quadruple-booked with interesting panel discussions. If only I had Hermione’s time turner, I could have gone to every panel that sounded interesting (all of them). Alas, I had to pick and choose.  Here are the one’s I sat in on.

     

    On Dislike – Between Meh and Rage

    On Dislike PanelThe panel consisted of KJ Kabza, Lauren Roy, Graham Sleight, J.R. Dawson, and Auston Habershaw.

    Take-away from this discussion? Life is short. If a book isn’t hooking you for good or ill, dump it and move on.

     

    The Bureaucracy of Fantasy

    The panel consisted of Victoria Sandbrook, Ken Schneyer, Phenderson Djèlí Clark, John Wiswell, and Alex Jablokow.

    Of course, the Ministry of Magic was brought up and discussed at length. I get it. Harry Potter is practically universal; most of us who are fans of fantasy and science fiction have read it. But… there are so many other interesting examples that could have been mentioned. I still can’t believe no one brought up the movie Brazil!!

     

    Feminist Socialism in Fantastika

    The panel consisted of Veronica Schanoes, Tamara Vardomskaya, and Marissa Lingen.

    Wow. In the best possible way, wow. These three women knew so much about the topics of socialism in literature, feminism in literature, and the combination of the two in literature. I was blown away. Humbled, really. I added about ten books and authors to my TBR list.

     

    Friday Night Fun

    Muppet PartyThe final events of Friday were purely social in nature. At 9:00 PM ReaderCon hosted a “Meet the Prose Party” in which participating panelists printed witty one-offs from one of their published works on sticky mailing labels and walked around a big ballroom with them in hand. The idea? Folks like me could walk up to someone carrying printed labels and ask for one. It gave us shy people a way to engage with authors when we might otherwise not.

    Also, there was a bar at the back of the ballroom. I do not often partake of the alcoholic beverages, but a beer gave my hands something to hold onto, and the ethanol settled my nerves. Win-win.

    The mailing label thing worked like a charm, too. By the end of it, I had both sleeves of my shirt lined with snippets from over twenty published authors, and each time I requested one, I read it and asked the giver to tell me more about the work from which it came. Hooray for socializing!!

    At 10:30 PM, music started playing, and the 80’s/90’s themed dance began. I had my 80’s outfit ready to go up in my hotel room but never went up to put it on. Too much fun being had to pause for a costume change. By 11:30 PM, most folks had either called it a night or headed off for other, smaller parties elsewhere. A natural night owl I am not, so I climbed into bed at 11:45 PM, read for about two minutes and crashed.

    I still had all of Saturday and the half-day schedule on Sunday ahead of me, but by the end of Friday I’d gotten my money’s worth from ReaderCon. You can check out the rest of my adventure in My ReaderCon 2018 Experience–Part 2 (coming soon). You’ll want to read all about my second name-dropping moment, which also happened in the hotel restaurant over breakfast (involving Samuel Delaney). In the meantime, you can check out my Instagram for pic’s from this year’s ReaderCon29. 

     

    Are you a writing convention enthusiast? Which Cons have you attended? Any you’d like to recommend to the rest of us newbies? Do share in the comments!

     

    Thanks for dropping by and as always, happy writing to you.

  • The Value of a Creative Writing MFA – A (sort of) IWSG post

    The Value of a Creative Writing MFA – A (sort of) IWSG post

    First Semester at A Glance
    My first semester at a glance

    In the very first post for this project way back in July of 2017, my entrance into an MFA graduate program of studies spurred the creation of this site. I’d been studying creative writing at Lesley University for just over a year at that point. Someone–I don’t remember who–suggested I start a blog.

    So, I did. I called it a project rather than a blog, though, because I don’t really understand what a blog is. Is this site a blog? It’s irrelevant, I supposed. The point was to document my journey through my MFA program.

    Which brings me to the main point for today’s entry.

    Lesley MFA graduates 2018

    I GRADUATED!!

    Holy shoot! I’m done. It’s over. No more assigned books to read, reflective papers to write, deadlines to meet. No more feedback letters to read, mentors to pester with longwinded emails that are 90% anxiety dumps and 10% legitimate questions, no more residency classes to prep for. As of this past Saturday, I am Katherine Karch, MFA.

    Thoughts are bouncing around in my noggin about the experience. Fresh, virgin, unanalyzed ideas. And they might be important, so I’m writing them here before I forget them. No doubt, I’ll be processing my MFA experience for years to come, but right now, one thought is burning brightly in my mind:

     

    What did I get out of this crazy, two-year-long journey?

    There are a few possible answers. The literal education, for one thing, was outstanding. I am definitely a more skilled writer now than when I entered the program. The daily discipline I developed over these past two years will serve me forever as I pursue a career in writing. But I think the community I got plugged into via this program might be the most important thing I gained.

    The community? I can practically hear doubters rolling their eyes (that’s how hard they’re rolling them). You want a community? Babe, that’s what Facebook groups are for. You didn’t need to pony up X dollars for a masters program to get a community.

    Hatrack River WorkshopThe Insecure Writer's Support GroupFirstly, don’t call me babe. Secondly, Facebook is a false community. So are all the thousands of other online communities that exist for writers, several of which I am a member and enjoy. The Insecure Writer’s Support Group is one. And since this is technically (although not completely) an IWSG post for the month of July, let me pause for a moment and plug that particular group. As far as online communities for writers go, it’s one of the best.  Thanks to this month’s hosts: Nicki Elson,Juneta Key,Tamara Narayan,andPatricia Lynne!The question for this month was: What are your ultimate writing goals, and how have they changed over time (if at all)? I’ll be partly answering that question later on in this post.

    NaNoWriMo and CampNaNoWriMo are two branches of another online resource. The Hatrack River Writer’s Workshop is yet another. They’re all great, but none of them is an actual community in so far as I’ve never met any of the other members in real life. The camaraderie and support I can garner from these groups is inherently limited.

    I cannot speak to other MFA in Creative Writing programs, and I cannot speak to other people’s experience in the MFA program from which I just graduated. I can only tell you that, for me, the price tag worth it. The education I received at Lesley was outstanding, but the friendships I made might be even more important to my long-term success.

    Contrary to the age-old cliché, writing is not a solitary process. Not if you want to be successful. A writer needs support from other folks, real folks they know in real life. People they can call, or have dinner with, or go to conferences with. People with whom they can stay up late talking about ridiculous things. That’s probably been true since the beginning, to be honest.

    I entered graduate school two years ago not knowing any other writers. Today, as I sit and write this overly wordy blog post, I am thinking of a long list of writers both new and established whom I can now call “friend.” A select and small group of them might be (if I’m exceedingly lucky) my friends for life. And, now that I’m no longer their student, I am going to try on the descriptor of “friend” when referencing the mentors with whom I worked–Tracey Baptiste, Mikki Knudsen, Susan Goodman, Chris Lynch, and Jason Reynolds. It feels audacious of me, but be bold, I say. They were/are amazing people, and I hope to stay in touch with them (professionally, even, if everything goes according to my evil plan, mwah-ah-ah-ah).

    A very well established and successful author who shall remain nameless told me just two nights ago that success in this industry (publishing) is as much about who you know as it is about what you know. That probably sounds very cynical, but I suspect it’s also true. Having navigated this program all the way through to the end, I am delighted to say that I am on stable ground on both fronts. My writing is better, and I know a lot more people. In knowing more people, I am significantly better positioned to achieve my ultimate goal as a writer, which is to support myself and my family by writing books. I have networking connections within the traditional publishing industry, and I have a community of people whom I know and like and trust. Folks who care about me and want to support me. Likewise, I care about them and want to support them.  That’s going to make the road to success far less jarring and  far more enjoyable.

    Graduation DayI did it. I graduated. I am a creative writing “master,” which is a little weird to write. The title “novice” would probably be more accurate. But, two days out from having received my handshake and diploma (not really, just a certificate. The diploma will arrive in the mail a month from now), I am feeling most grateful for the people I met and the relationships I forged. If anyone ever questions my choice to pay for a masters in creative writing, citing the fact that I could have learned “all that stuff” from craft books and YouTube, I will simply smile at them and give them a pacifying nod. I will never regret my choice to do this because if I hadn’t attended Lesley, I would probably never have met and become close friends with the people I did. And isn’t that what life is all about? The people we meet? The relationships we form? The communities we build? It is for me.

     

    How important are your friends for your long-term success in achieving your goals?

  • ReaderCon29, Here I Come!

    ReaderCon29, Here I Come!

    As John Arnold said in Jurassic Park right before everything went south, “Hold onto your butts.”

     

    I just booked my hotel room for ReaderCon29. Who’s excited? Meeeee!

    ReaderCon29 will be the second writing conference I’ve ever attended, and my very first conference–Boskone–was fun but underutilized. I spent most of my time star-struck, tongue glued to the roof of my mouth, unable to approach authors and talk to them. So many missed opportunities. You can read all about my (mis)adventures at Boskone here.

    Ghost TalkersFor example, while I managed to get a copy of Ghost Talkers signed by Mary Robinette Kowal, I could not bring myself to join the circle of fans surrounding her at the art show and tell her how much I enjoyed her writing (not to mention her commentary and sass on the writing podcast “Writing Excuses.”)

    A Murder of MagesThen there was Marshall Ryan Maresca and E. J. Stevens, both of whom (if they noticed me) probably got utterly skeeved out by the weird blonde woman stalking them from a distance all weekend long. Sorry about that, by the way, if either of them by some slim chance ever read this post. Didn’t mean to be a creeper. I just got so fetching shy! It wasn’t just you two.  I couldn’t talk to anyone!

    Shadow SightNot this time, I am telling myself without much confidence. This time, I will have done it once before. I won’t be a complete newb. I will be able to approach and interact with other people at the conference because I will remember that it is a writing conference. Everyone in attendance will have a love of books and writing in common with me. I will smile, just like last time, but then I will make my feet move, and I will approach people, and I will say “hello” and other normal things. I will not go mute and resort to hiding behind giant plants in lobbies and watching authors from great distances.

    A Natural History of Hell

    Jeffrey Ford is going to be there, though, so I might. The man is an incredible writer. Have you read his short story collection, A Natural History of Hell? Sooooo good!

    Anyway, ReaderCon has been on my radar since last summer, when my Fantasy & Science Fiction professor, Mark Edwards, suggested I attend. He described it as the most prominent annual writing convention in Massachusetts. A “not to be missed” event.

    I missed it.

    But, I vowed to get there this summer. Registered way back in February, even. I mean, I have no excuses to miss it a second time. The cost to attend is incredibly affordable, and it takes place in Quincy, Massachusetts. That’s an hour and a half from where I live, for Thor’s sake. This morning, I went all in on the experience and ponied up the funds to secure a hotel room. Now getting to and from each day won’t be an issue.

    I am ready to rock this conference. Okay, not really. I definitely need some pointers, guidance, encouragement, etc.

    Here’s my plea:

    If you’re also going to ReaderCon, help me overcome the paralytic shyness that grabbed me by the throat at Boskone55 and say hello. Connect with me over on Twitter and Instagram, so that by the time July rolls around, I will (at least in a theoretical, social media sort of way) already know a few folks. How awesome would that be?!

    If you’re a seasoned writing conference attendee, what tips do you have for me that will help me make the most of ReaderCon29?

    As always, thanks for stopping by, and happy writing to you.