Category: Support

  • The Biggest Pitfall for Aspiring Authors

    The Biggest Pitfall for Aspiring Authors

    It’s the first Wednesday of the month, and you know what that means.  It’s #IWSG Day! The question this month is…

     

    The Insecure Writer's Support Group

    What pitfalls have you encountered on your journey to publication that you can share with others?

    Well, uh… hmm. I don’t actually know of many pitfalls from direct personal experience. To date, I only have two minimal publishing credits to my name. This post, therefore, will focus on the one that I feel is the biggest and most fatal pitfall facing all of us creative folks: the pitfall of giving up.

    But first, allow me to drop a plug for the Insecure Writers Support Group.  The IWSG, founded by the esteemed Alex J. Cavanaugh, is an online space where writers (insecure and otherwise) can come together to share stories, successes, struggles, and all the rest of it. The website is chock-o-block full of great stuff.  There’s a Twitter Pitch (just happened in July), contests, books, swag, conferences, and more.  Be sure to jump over there and check them out!

    The awesome co-hosts for the August 1 posting of the IWSG are Erika Beebe, Sandra Hoover, Susan Gourley, and Lee Lowery!

    Okay, back to this month’s topic: pitfalls to void.

     

    A Lesson from Stephen King! 

    On WritingBack in my early 20’s, right around the time I got married, I bought a copy of Stephen King’s semi-autobiographical craft book On Writing. In it, King shared his youthful adventures in writing an submitting short stories with blind optimism to the magazines he loved to read: Analog, Asimov’s, Amazing Stories, etc. He started submitting in his early teens. As you can imagine, he got a lot of rejection letters.

    King did something great, though, in turning the submission/rejection thing into a game. Upon receiving his first rejection letter–a form letter–, he drove a nail into the wall of his bedroom and impaled the letter upon it. How quickly could King accumulate enough rejection letters to overwhelm that nail? Understand, please, that King didn’t compromise the quality of the stories he wrote and submitted in an attempt to grow the stack with artificial speed. That would have been cheating. His primary goal was always to write the best story he could and get it published. He merely created a synergistic secondary goal that he could work towards when he wasn’t making progress toward his primary goal.

    The important lesson I took from reading his book was that it’s possible to find ways of turning failures into successes. There are ways to immunize ourselves against the discouraging sting that comes with rejection. A sting that all too often ends up crippling creative individuals and ending their careers before they begin.

     

    Playing the Game

    Chimpanzee at a Typewriter

    Upon finishing his book, I decided it might be fun to try my hand at King’s game. I’d been writing stories all my life and harbored secret fantasies of becoming a successful author. But that required sticking my vulnerable neck out and submitting the stuff I wrote. The “Rejection Game,” as I called it, gave me permission to expose myself to the volley of rejections I knew would ensue.

    Over the course of the next year, I researched and submitted to close to fifty magazines. This was in the very early days of the internet, so most venues still required print submissions sent via snail mail with self-address-stamped return envelopes for letters of acceptance/rejection. Of those fifty submissions, I received 48 rejection letters. Two magazines took a story from me. Tiny publications that paid out in single contributor copies, but still, two out of fifty. I was pleased.

    Confession: I miss getting rejection letters in the mail. Even a form letter felt a tiny bit nifty when presented in a physical envelope that arrives in your mailbox. A digital email just doesn’t carry the same special weight.

     

    Watch Out for That Pitfall. It’s a Doozy.

    If only I’d kept at it! Remember, this was happening the year after I got married. And changed my job. And got pregnant with my first child. Guess who stopped writing and submitting stories? Yeah, me.

    Thirteen years would pass before I sent out another story on submission. What can I say? Life got busy. I got distracted. Not an excuse, just my reality. I didn’t give up intentionally. Many folks probably wade into the pitfall of giving up slowly, day by day. So many things can fill up our lives that we can feel as though we’re drowning in quicksand. I was certainly feeling that way last October when I wrote my post, “Life, Will You Just Chill Out Already?”

    Lots of people never figure out how to strike a balance between their writing goals and life obligations, or maybe they fail to immunize themselves against the sting of having their creative work turned down over and over again. That didn’t happen to me, but I’ve witnessed it happen to other writers. Without some way to turn each “no” into a positive, the weight of all those “thanks, but no thanks” can accumulate until it’s crushing your soul. And Odin knows, it’s the easiest thing in the world to set that weight aside and do something else.

    Author Jason Reynolds
    Mr. Reynolds, an incredible writer and mentor in our program

    On my way out the door of my MFA program at Lesley University, I was reminded of the lesson I’d gleaned a decade and a half ago from Mr. King’s book. If you want to succeed, you must keep writing, keep submitting, keep querying. Young Adult author Jason Reynolds told me and a small classroom of other impending graduates that the difference between those that make it in the publishing industry and those that don’t is persistence. The authors who find success are the ones who don’t give up. They kept playing their very own “Rejection Game” until something stuck. Talent helps, but even the most talented writer in the world can fall into the pitfall of giving up.

     

    Lessons from Vigo Mortensen

    Have you ever seen the movie G.I. Jane with Demi Moore and Viggo Mortensen? I love that movie. Whatever. Don’t judge me. I’m not judging all the fans who love 300. It’s all love here!

    Anyway, there’s a scene in that film where the cadets are doing push-up’s and leg lifts and other generally awful forms of exhausting exercises in the ocean. They’re right in the middle of the breaker zone, icy waves crashing down over them again and again. It’s been hours. They’re soaked, sand-blasted, shaking with fatigue and the early stages of hypothermia. And the Master Chief (Viggo) is walking up and down the line shouting all kinds of philosophical musings at them. This is the moment when he delivers a few lines that resonated to my core.

    “Pain is your friend, your ally. It will tell you when you are seriously injured. It will keep you awake, and angry, and remind you to finish the job and get the hell home. But you know the best thing about pain? It lets you know you’re not dead yet.”

     

    Viggo’s basically telling his cadets to embrace their pain and frustration and exhaustion because it means they haven’t given up. Stephen King and Jason Reynolds were preaching less intense variants of the same philosophy.

    As creative folks, rejection hurts. Of course it does, but that sting you feel means you’re still playing the game, you haven’t quit, you’re not dead yet. So there you have it. Giving up is the first and biggest pitfall you can fall into on your way to getting published.

    Don’t give up.

    Find a way to turn the rejections into positives. Make the pain be your friend. Keep writing, or painting, or sculpting, or composing, or whatever it is that you make. In this world that is becoming more and more obsessed with consumption, we need folks who engage in glorious acts of creation.

    What’s your strategy for staying resilient and skirting the pitfall of quitting? Help the rest of us out by sharing in the comments! 

     

    Thanks for stopping by, and as always, happy writing to you.

  • The Value of a Creative Writing MFA – A (sort of) IWSG post

    The Value of a Creative Writing MFA – A (sort of) IWSG post

    First Semester at A Glance
    My first semester at a glance

    In the very first post for this project way back in July of 2017, my entrance into an MFA graduate program of studies spurred the creation of this site. I’d been studying creative writing at Lesley University for just over a year at that point. Someone–I don’t remember who–suggested I start a blog.

    So, I did. I called it a project rather than a blog, though, because I don’t really understand what a blog is. Is this site a blog? It’s irrelevant, I supposed. The point was to document my journey through my MFA program.

    Which brings me to the main point for today’s entry.

    Lesley MFA graduates 2018

    I GRADUATED!!

    Holy shoot! I’m done. It’s over. No more assigned books to read, reflective papers to write, deadlines to meet. No more feedback letters to read, mentors to pester with longwinded emails that are 90% anxiety dumps and 10% legitimate questions, no more residency classes to prep for. As of this past Saturday, I am Katherine Karch, MFA.

    Thoughts are bouncing around in my noggin about the experience. Fresh, virgin, unanalyzed ideas. And they might be important, so I’m writing them here before I forget them. No doubt, I’ll be processing my MFA experience for years to come, but right now, one thought is burning brightly in my mind:

     

    What did I get out of this crazy, two-year-long journey?

    There are a few possible answers. The literal education, for one thing, was outstanding. I am definitely a more skilled writer now than when I entered the program. The daily discipline I developed over these past two years will serve me forever as I pursue a career in writing. But I think the community I got plugged into via this program might be the most important thing I gained.

    The community? I can practically hear doubters rolling their eyes (that’s how hard they’re rolling them). You want a community? Babe, that’s what Facebook groups are for. You didn’t need to pony up X dollars for a masters program to get a community.

    Hatrack River WorkshopThe Insecure Writer's Support GroupFirstly, don’t call me babe. Secondly, Facebook is a false community. So are all the thousands of other online communities that exist for writers, several of which I am a member and enjoy. The Insecure Writer’s Support Group is one. And since this is technically (although not completely) an IWSG post for the month of July, let me pause for a moment and plug that particular group. As far as online communities for writers go, it’s one of the best.  Thanks to this month’s hosts: Nicki Elson,Juneta Key,Tamara Narayan,andPatricia Lynne!The question for this month was: What are your ultimate writing goals, and how have they changed over time (if at all)? I’ll be partly answering that question later on in this post.

    NaNoWriMo and CampNaNoWriMo are two branches of another online resource. The Hatrack River Writer’s Workshop is yet another. They’re all great, but none of them is an actual community in so far as I’ve never met any of the other members in real life. The camaraderie and support I can garner from these groups is inherently limited.

    I cannot speak to other MFA in Creative Writing programs, and I cannot speak to other people’s experience in the MFA program from which I just graduated. I can only tell you that, for me, the price tag worth it. The education I received at Lesley was outstanding, but the friendships I made might be even more important to my long-term success.

    Contrary to the age-old cliché, writing is not a solitary process. Not if you want to be successful. A writer needs support from other folks, real folks they know in real life. People they can call, or have dinner with, or go to conferences with. People with whom they can stay up late talking about ridiculous things. That’s probably been true since the beginning, to be honest.

    I entered graduate school two years ago not knowing any other writers. Today, as I sit and write this overly wordy blog post, I am thinking of a long list of writers both new and established whom I can now call “friend.” A select and small group of them might be (if I’m exceedingly lucky) my friends for life. And, now that I’m no longer their student, I am going to try on the descriptor of “friend” when referencing the mentors with whom I worked–Tracey Baptiste, Mikki Knudsen, Susan Goodman, Chris Lynch, and Jason Reynolds. It feels audacious of me, but be bold, I say. They were/are amazing people, and I hope to stay in touch with them (professionally, even, if everything goes according to my evil plan, mwah-ah-ah-ah).

    A very well established and successful author who shall remain nameless told me just two nights ago that success in this industry (publishing) is as much about who you know as it is about what you know. That probably sounds very cynical, but I suspect it’s also true. Having navigated this program all the way through to the end, I am delighted to say that I am on stable ground on both fronts. My writing is better, and I know a lot more people. In knowing more people, I am significantly better positioned to achieve my ultimate goal as a writer, which is to support myself and my family by writing books. I have networking connections within the traditional publishing industry, and I have a community of people whom I know and like and trust. Folks who care about me and want to support me. Likewise, I care about them and want to support them.  That’s going to make the road to success far less jarring and  far more enjoyable.

    Graduation DayI did it. I graduated. I am a creative writing “master,” which is a little weird to write. The title “novice” would probably be more accurate. But, two days out from having received my handshake and diploma (not really, just a certificate. The diploma will arrive in the mail a month from now), I am feeling most grateful for the people I met and the relationships I forged. If anyone ever questions my choice to pay for a masters in creative writing, citing the fact that I could have learned “all that stuff” from craft books and YouTube, I will simply smile at them and give them a pacifying nod. I will never regret my choice to do this because if I hadn’t attended Lesley, I would probably never have met and become close friends with the people I did. And isn’t that what life is all about? The people we meet? The relationships we form? The communities we build? It is for me.

     

    How important are your friends for your long-term success in achieving your goals?

  • The NaNoWriMo Debate: Are You “For” or “Against” It?

    The NaNoWriMo Debate: Are You “For” or “Against” It?

     

    The Debate Rages On: Is NaNoWriMo a good thing or not? 

    Emotions run high when this question is asked.  Poster for National Novel Writing MonthI mean, folks get seriously heated.  Fans of NaNoWriMo start heating the tar and gathering the feathers whenever someone suggests that maybe NaNoWriMo isn’t the best thing ever.  Critics of NaNoWriMo sharpen their pen nibs in preparation to eviscerate the works produced by anyone during the event.  It’s a little crazy, to be honest.

    NaNoWriMo Explained

    Okay, let’s pause for a moment.  If you don’t know what NaNoWriMo is, let me explain.  No, there’s too much.  Let me sum up.  The acronym (which I’m too lazy to type yet again because of the annoy placement of capital letters) stands for National Novel Writing Month.  Folks can go to the website, create an account, announce a novel project, and then attempt to write 50,000 words of material in a single month.  That averages out to 1,667 words a day.  I won’t bore you with the history of how this international phenomenon got started.  For that story, click here.

    For or Against?

    I am FOR!

    With some qualifications.

    Poster advertising National Novel Writing MonthI agree with many others that NaNoWriMo is not a good fit for everyone.  Justin Brouckaert articulated my feelings pretty well in his guest post on the Submittable blog titled A Case Against NaNoWriMo.  Despite what the declarative title suggests, Justin is not vehemently anti-NaNo.  He just wrote a horrible piece of trash (I’m paraphrasing him) in NaNo and thought he was going to go nuts from the pressure.   

    Different people have different writing processes. 

    Some folks absolutely adore extrinsic motivators, which is pretty much exactly what NaNo is.  Other folks fold like a wet napkin in a high wind at the first sign of pressure. 

    Some writers thrive on establishing a rock-solid daily writing habit.  I like to write every day, no matter what.  (Not that I always get to do things the way I want to.  See my earlier post about my kids for more details on that front.)  Other people tend to write best when they produce work in a more accordion style, with long stretches of empty pages followed by rapid bursts of prolific words.

    Some folks are communal writers.  They love talking shop with other writers, joining up at coffee shops or in library meeting rooms to sit and write together, posting updates on all the social media platforms.  Hooray for the global connectedness that is the internet!  Other writers, though, are solitary people (when they’re creating, at least) and find the whole social, communal aspect of NaNoWriMo repellant.

    NaNoWriMo Participant Badge

    My Own Experience With NaNoWriMo

    All I can say is this: for me, there are more positives than negatives in participating. 

    For starters, participating in my very first NaNoWriMo taught me that I have the capacity for self-discipline needed to write an entire novel. 

    Also, the stamina.  I mean, people!  Writing a novel is like running a marathon.  That might be too gentle an analogy.  It’s like taking part in an Ironman competition.  I went into that first NaNoWriMo all, “Yeah!  I’m going to write a whole novel in just one month!”  Well, that’s not what happened.  I did “win” the event by writing 50,000 words in the month of November, but I was startled to discover that my book was far from finished.  I continued writing (every day, thanks to the habit I’d cultivated during November) and proudly finished up my book in March of that year.  It topped off at just over 96,000 words.  

    It was a disgusting beast of a first draft.  In fact, I’d go so far as to say it was a horrible piece of trash.  But it existed.  I’d done it.  I’d written a full draft of a novel.  If nothing else, I now knew that I had the sheer stamina necessary to write a book.  I tucked that draft away in the bottom drawer of my writing desk, where I shall probably keep it until my dying day.

    See, I think of NaNoWriMo not as a chance to pen a masterpiece, but as an opportunity to simply practice the art of writing.  It inspires me.  It excites me.  Heck, it bolstered my confidence enough join the North Shore Writer’s Group to apply to the MFA in Creative Writing program at Lesley University.  NaNoWriMo exposed me to new people and new ways of thinking and new opportunities.

    So, yes, I think NaNoWriMo is a positive force for creativity, despite what some might say.

    What do you think about NaNoWriMo?  Have you participated?  Will you again?  Why or why not?

     

  • #IWSG: Creative Insecurities, Community, and Surprises!

    #IWSG: Creative Insecurities, Community, and Surprises!

    Link to the Insecure Writer's Support Group homepage

    Creative Insecurity:

    Creative people of all types tend to be insecure folks, I think. Creative folks are bold, daring, maybe a little crazy. They push the boundaries, lean into the unknown, risk failure. But because of that, they occasionally run afoul of moments of doubt and insecurity.

    Unfortunately, those are the moments that, from a psychological standpoint, really sting. Those nagging thoughts are what our brains remember, obsess over, amplify in orders of magnitude until we can’t see beyond them.

    That’s how it is for me at least. Most of the time, I’m good. Like, 80% of the time. 20% of the time I feel like a fraud. I’m wasting my time. What I’m trying to do is ridiculous and unattainable because I have no talent whatsoever and how could I have ever thought that I could succeed as a creative writer.  Chuck Wendig wrote a great post about this over on his Terrible Minds blog.  (Be warned, his language is fabulously profane).

    The life of a writer can easily become a life of solitude, one in which the only people you can talk to are the voices in your head, most of which are nasty jerks who thrive on negativity and despair. I’ve sort of given up reaching out to friends and family members for reassurances.  I’m lucky in that my friends and family members are supportive, but they also don’t really get it, so I never quite trust their words of encouragement, and my insecurities remain. 

    Building a Community of Supportive People Who Get It:

    To help me cope, I’ve sought out other writers who are down in the creative trenches, pushing their own boundaries and taking risks. They’ll understand. They’ll know. Their support and encouragement carry more weight and really do help to dispel those horrible moments of insecurity that sneak up on me here and there.

    For the past year and a half, I’ve been a member of the North Shore Writer’s Group in Massachusetts.  I can’t begin to tell you how great it has been for me as a writer and as a creative person in general to be able to gather in a room with a bunch of other writers twice a month to chat about life, our creative struggles, and then discuss our work.  

    Online writing groups are great, too.  I recently discovered The Insecure Writer’s Support Group. What a cool organization/site! Their mission is to recognize the dark moments of the writing process and the writer’s life and connect people to each other.  They help writers find and build a support network.  One of the many things they do over there is to host a monthly blog hop. Budding and established authors are all welcome to participate (I current fall into the former category). The group posts a monthly prompt, and we can use it to spark a blog post.

    IWSG Question of the Month: Have you ever surprised yourself with your writing?

    Yes, definitely. Frequently, in fact. On the spectrum of plotter/pantser (pantser is a term I don’t care for, by the way. I prefer to call myself a “discovery writer.” Not my term. Picked it up from fantasy author Brandon Sanderson in one of his co-hosted Writing Excuses podcasts. Fabulous podcast. You’ve got to check it out), I’m pretty far over toward the discovery writer end of things. I’ll sketch out a loose outline of where I want the story to go, but mostly I just start with a “what if” premise, conjure up some imaginary person to throw it at, and see what happens.

    A couple of weeks ago, I started writing a scene that came to me as I was drifting off to sleep one night. It had nothing to do with anything that had happened in the story or that I had visualized happening, but it was an intriguing “what if” situation.

    I had no expectations when I started writing that scene. For all I cared, I could finish it up and trash it if I decided it wasn’t something I liked. No harm, no foul. Everything I write is an opportunity to practice my skills, and Gods know I have a lot that I can practice. Pacing, description, POV and perspective, character development, world-building, dialogue, even basic sentence structure.

    So, I started writing. What the hay, kids. Let’s hop in the car and go for a drive. Why not? See where the open road takes us. We might stumble across something interesting.

    What I stumbled across was an unexpected plot twist that I’m super, and I mean SUPER excited about pursuing.

    When my explorations, my unsupervised road trip inevitably leads me and my characters down a dead-end street of ugliness, I will despair. My insecurities will breed like gremlins and grown in size until all I can see is how awful I am. But that’s okay because I’ve taken steps to find and connect with other creative writers. I have not one but several support groups who will help me defeat my doubts. The Insecure Writer’s Support Group being among them.

    So, how about you? Do you have a support group of like-minded folks who help you keep pushing your boundaries, keep taking risks? And when you do stick your creative neck out, do you ever surprise yourself? I’d love to hear about it.