Tag: short stories

Writing Goals for the 2023 Summer Season

Because I’m a teacher, summer has always been my chance to get some solid writing done. Every year, I set myself a bunch of writing goals. Last year was a wash, sadly, because I spent the summer recovering from a somewhat substantial surgery and lacked the energy to do much of anything. This summer, though. This summer I am healthy and ready to go. Also, I just found out that I’ve been accepted into the Science Fiction & Fantasy Writers Associations Mentoring Initiative Program for the June 10th–September 10th session.

So yeah, this summer is going to be all about writing, and identifying my writing goals is a way to help me stay on task and not waste time. Therefore, in the spirit of making the most of the next twelve weeks, here are my writing goals for this summer:

Goal #1: Short Story Revisions

I’ve got two short stories that I need to rework and revise. They’ve both been workshopped by my amazing writing group gals and have been sitting, waiting for my attention. I want to shape them into something good and get them out on submission (since I’ve been having some recent luck in that department). One is a fairytale style romance, very uncharacteristic for me. The other is a dystopian science fiction thriller in the same vein as The Manchurian Candidate. Currently, it’s a mess. It might not be sellable, but I need to at least try to turn it into something submittable.

Goal #2: Write a Bunch of New Flash Stories

I’m very new to writing flash fiction. Prior to this year I’d have laughed at anyone who suggested I try my hand at writing a complete story in under 1,000 words. Uh, do you know me? I’m normally the “why use one word when ten will do” kind of writer.

But in early January, the online writing community I’m a member of–The Codex Writers–announced that their annual winter flash fiction challenge would be starting soon. I hadn’t done much writing since early November and was both hating on myself for it and also unable to climb out of the pit of lassitude I’d fallen into, so I thought I’d give the flash fiction thing a try. Why not? It’d get me writing, and it’d push me outside my comfort zone and challenge my skills as a writer.

It was awesome.

Luckily for me, Codex runs a summer flash challenge as well. It’s a bit less intense in terms of pacing and word count limits (I can hardly believe I now think 1000 words is luxurious). It runs for three weeks, and we get seven whole days to write and submit each time! More time, more words, I’m 100% doing it.

I also recently found out about s second flash fiction challenge hosted by Clarion West that’s happening this summer. This one has a participation fee associated with it ($25). It’s actually a fundraiser that supports Clarion West’s programs for emerging and underrepresented writers. Registration opens on June 12th. Sounds awesome. I’m doing it.

So, between those two community hosted events, I should end up with a bunch of new flash stories.

Goal #3: Finish a Rough Draft of a Novel-in-Progress

Okay, I might be biting off more than I can chew here. Of course I am. I’m a Try Hard, YOLO, overachieving Extra by nature. Do all the things! All of them!! In that spirit, I’ve got a half-finished draft of a middle grade adventure story that I really want to finish writing, and I really want it to be good, not sucky. Rather than discovery write my way into 70,000 words of bloated rambling nothingness (which has been my failed strategy with my last two novels), I need a plan. I need to actually map out the story before I write it. Unfortunately, I suck at plot structure. Fortunately, I’ll have a SFWA mentor who will be able to help me out with tips and tricks and regular check-ins to keep me honest.

So those are my goals for this coming summer. Write, write, and write some more. I’m sure I’ll also want to spend time with the fam and do some gardening and hiking and beaching, etc. Are you a writer or creative artist? Do you have a “season of productivity” like I do? If so, how do you keep yourself on track and productive so you don’t lose time and opportunity?

Thanks for stopping by, and as always, happy writing!

June 12, 2023
Author Update: Milestone Moment (Part 2)

Last time I posted, I shared some general life milestone moments culminating in the discovery that I need reading glasses. This time, I have far more exciting news to share.

Life: A Long and Winding Road

I started submitting short stories to science fiction, fantasy, and horror magazines in 2000. Back then, the internet was clunky and only accessible via dial-up modems. Barely recognizable compared to what it is today. Most (all?) fiction magazines only accepted submissions via regular mail. I remember making multiple photocopies of my stories at Staples, buying manilla envelopes and business envelopes in bulk, and regularly hitting up the post office to buy stamps. If you think the submission process is slow now, Odin Allfather, you have no idea.

For about a year, I wrote and submitted a lot of stories. Sadly, I was too full of self-doubt to sending anything to Asimov’s or Analog or the Magazine of Fantasy and Science Fiction. I mean, I loved writing, but I was a nobody, so I spent that year submitting my stuff to non-paying markets. Two pieces found homes in small zines that paid in contributor copies. Boneworld Publishing (no longer extant) gave me my first authorial milestone moment when they accepted a mother-daughter-survivor’s-guilt ghost story for their magazine, Barbaric YAWP. The second venue I landed a piece in was Samsara: The Magazine of Suffering. Have a look at my very first acceptance letter! Handwritten on what looks like a piece of scrap paper. No contract sent or signed or anything. It was a different time back then, for sure.

Then, a whole bunch of general life milestone moments happened. In 2000, I started teaching high school science–biology, chemistry, and physical science. I had no background in teaching at all, just a bachelor’s in science. To say the learning curve was steep would be an understatement. For about two years, my life looked like this: Wake up at 6am. Eat breakfast, go to work and teach until 3:30. Go home and sleep for 3 hours. Wake up and eat dinner. Grade and lesson plan until midnight. Repeat. There was no room for anything else. Creative writing fell by the wayside.

In 2003, I got married and switched schools. I gave birth to my first child in 2006. In 2007, my spouse went back to school. The banks went belly up in 2008. The economy tanked, and I switched schools again. In 2009, I switched schools yet again. In 2010, I had another kid…

I didn’t return to writing and submitting stories until 2016. Even then it was only in sporadic and inconsistent bursts. Between 2016 and 2021, I wrote a total of five short stories and submitted them unsuccessfully to a total of eighteen places. Five stories in five years is underwhelming. I would be embarrassed by that lack of productivity, except I don’t really count 2019 or 2020 (or even 2021). I’m a teacher, remember. The pandemic was a time of fear and confusion and frustration and many moments of despair for me. I’m still not fully recovered from the trauma of it (who is?).

So, a flurry of writing and trying to get my stuff published a little over two decades ago and then a whole lot of not much. Until this past year.

Having a Community to Support and Motivate You Matters

In the summer of 2020, trapped in the isolation of the early days of the pandemic, I joined an online community of writers and authors called Codex Writers. The effect of doing so was immediate and motivating. I started writing more consistently than I had been, and I started submitting what I was writing with more intentionality. It was great, but it was also kind of terrible.

The Codex Writer’s community is largely made up of published speculative fiction authors, and I’d kind of snuck in because I’d gotten a masters degree in creative writing in 2018 (a fact I felt barely qualified me for membership). Despite trying my hardest to write something good enough to get published in a pro- or even semi-pro market, the rejection letters piled up. Very occasionally, I got a personalized message from an editor. Usually not. That’s just how it goes, but I’d be lying if I said it hadn’t been slowly wearing me down. Failing because you aren’t trying feels a lot different from failing when you’re trying your hardest, you know?

In interacting with other members of the online Codex group, though, I felt supported and encouraged to to keep writing and keep submitting my stuff.

Milestone Moment: This is the Year I Get A Story Published (and Get Paid for It!)

One of the stories I wrote in 2020 was a slipstream piece of science fiction that I loved, but it was tricky and difficult and experimental. I wanted it to find a home so badly. It had a couple of near misses, but I just couldn’t seem to place it.

At the very end of December 2022, B. Morris Allen over at Metaphorosis magazine sent me a revision invitation on the story. The offer wasn’t an acceptance, but it was a huge step in the right direction. It felt pretty great to know that someone saw potential in the piece and wanted to work with me to make it great. Let’s call that R&R a “mini” milestone moment.

I spent a lot of this past winter juggling work shenanigans and family demands, but every so often I was able to draft a revision and send it Morris’s way. Each time, he responded with very encouraging feedback, suggestions, and a follow-up revision request.

Meanwhile, the Codex Writers Group announced a mid-winter, six-week-long flash fiction challenge they called: Weekend Warrior. Here’s how it worked. Every Friday evening for six weeks, the contest runners posted five writing prompts. Participants (who registered and got sorted into groups) then picked a prompt and wrote a not-longer-than 750 word story that had to be submitted by Monday morning. Your story got read, rated, and given constructive feedback by the other 15 to 20 people in your group. It was amazing. Amaaaaaazing! I wrote six stories and got encouraging and helpful feedback on them from successful and talented authors, some of whom I secretly harbored (and still harbor) hero-worship-style crushes on.

Truthfully, I had no intention of doing anything with any of the stories I wrote for that challenge. I’d never written flash fiction before. I didn’t know what I was doing, and I certainly didn’t expect to produce anything good. I took part in the challenge to keep myself writing, try something new, and make some new friends.

The thing about communities, online or in real life: They nurture and support you and build you up. After the competition, I kept reading posts by other folks who were submitting their “WW” stories to magazines. Apparently, it was a common thing to do, and some very kind and incredibly talented authors (Carol Scheina and Phoenix Alexander) told me I should, too. Okay, I thought, why not? Out I sent them, with no real expectation of anything coming of it.

In April, however, I opened my email inbox and gasped like they do in the movies. A flash story I’d written had been accepted for publication. That little voice in my head that had been saying, “You really should stop this nonsense,” went “Huh, maybe you aren’t a complete hack.” You know what that means? Not counting the two stories I sold for contributor copies, 2023 is the year that I get a story published and get paid for it, because it was MetaStellar who took the story! They’re one of the top paying pro-level magazines out there, and the stuff they print is damned good. You should 100% check them out.

Milestone Moment #2: This is the Year I Get TWO Stories Published!!

Less than a month after getting the great news from Metastellar, B. Morris Allen emailed me with an official offer of acceptance on that strange slipstream SF story he’d been editing with me since December! That makes not one but two story acceptances in 2023, both in paying markets. Metaphorosis isn’t a top-paying magazine, but they publish equally fine stories, and I just can’t believe mine will be one of them!

I’m thrilled. I’m also quietly terrified that I won’t see anything else published for another 20+ years, except I know that won’t happen. I’ve still got several other stories out on submission, and now I have actual evidence that I can in fact write publishable stories, so I’m feeling highly motivated to keep at it. Consistency really is the key, it seems. Maybe I’ll give the Ray Bradbury method a try and attempt a story a week for 52 consecutive weeks.

Summer vacation is right around the corner, too. The timing of all of this couldn’t be better. This spring is the first time since we all went into lockdown and life went sideways that I’ve felt mentally healthy again. Not 100%. I take life one day at a time now, but this is the first time in a very long time that the good days outnumber the bad days. I’ll be going into the summer months feeling fresh and excited and ready to go.

2023 has been quite the year for milestone moments so far. Let’s see if I can’t create a few more great ones in the coming months.

That’s all for now. Thanks for stopping by, and as always, happy writing!

May 26, 2023
Writing and Submitting Stories – First Impressions

It’s been a year since I started reading slush submissions for Clarkesworld Magazine. Time certainly does fly. These past twelve months have been educational, to say the least. I’ve learned so much about writing and submitting stories for publication. Back in September, I wrote a post titled A Summer of Short Stories, in which I talked about my first six months as a slush reader. You should check it out.

A month ago, Ryan Campbell asked me if I’d be interested in joining his blog team over on the Writescast Network. He thought I might like to share some of what I’ve learned as a slush reader. My first article for Ryan dealt with common macro- and micro-pacing issues I’ve seen in stories. If you’re curious, you can read the article, Pace Your Way to Pro-level Publishing.

Today on the Writescast Network, I’m sharing my thoughts on Making Good First Impressions when writing and submitting stories to paying markets. I encourage you to check it out.

Thanks for stopping by, and as always, happy writing to you.

February 27, 2020
A Summer of Short Stories!

I went on hiatus from posting to the blog back in March. Now, summer’s at an end here in the Witch City, so it’s time to get back to blogging with a summer recap. For the past few months, my focus has been on short stories, both reading and writing them!

When Opportunity Knocks

This past February, I sat in on a Boskone panel discussion titled “Tough Love for New Writers.” Among other participants, award-winning editor Neil Clarke of Clarkesworld Magazine sat on the panel. Following the lively and informative discussion of the short story market, I ended up chatting with Mr. Clarke. What was involved in becoming a slush reader for your magazine, I asked? Shoot me an email, and I’ll give you the application link, he replied. I did, and he did, and I applied. To my great surprise, he offered me a spot as a reader!

And so, since early April, I’ve been reading slush submissions at Clarkesworld Magazine. The experience changed pretty much everything I’ve been doing between then and now.

A Crash Course in SFFH Short Fiction

Not that I don’t have any experience reading genre fiction. In fact, SFFH is pretty much all I read. It’s just that it had been almost 20 years since I’d read many SFFH short stories. Some A. S. Byatt, collection by Jeffrey Ford, the 2017 Year’s Best American Science Fiction and Fantasy. But that was about it. As such, I waded into reading slush last April feeling horrifically ignorant of the current market.

Eager to correct my deficit, I grabbed a subscription to Clarkesworld and started reading every short story that made the final cut. What better way to fine-tune my reading eye than to see what stories were being chosen each month for publication? It helped, but I wanted more.

And then the SFWA announced it was raising their pro-rates from $0.06/word to $0.08. Twitter exploded with debates, discussions, and pleas for financial support either through subscriptions or Patreon contributions. Editors from several of the top genre fiction magazines shared their thoughts, insights, frustrations, and hopes about the state of the industry, the pros and cons of the newly set pro rate, and the desperate need for more authentic financial support from readers. It became clear that my goals to self-educate aligned with industry goals to fund the new pay raise.

Required Reading for the New Slush Monkey

Here’s the list of short story magazines to which I now have a monthly subscription (in no particular order). I can confidently testify that each is a source of excellent fiction, and I urge every writer of short stories, both new writers and established writers, to invest in yourself as well as in the industry by grabbing subscriptions of your own. (Many of these magazines make the stories they publish available to read for free on their websites, but I wanted to be more than a freeloading parasite.)

Clarkesworld Magazine

Beneath Ceaseless Skies

Asimov’s Science Fiction

Nightmare Magazine

Lightspeed Magazine

The Magazine of Fantasy and Science Fiction

Uncanny Magazine

If that seems like a lot, it is. As for cost, those seven subscriptions tally up to about $30.00/month, a more than affordable expense now that I’ve stopped drinking diet coke every day. Skipping my daily stop at the vending machine seems a reasonable sacrifice to get access to tons of great fiction every month! And my money is supporting a better industry than, you know, the Berkshire Hathaway corporate beast.

Bonus! Nearly all of those magazines have weekly podcasts, too. My commute has never been so enjoyable!

Renewed Interest in Writing Short Stories

Of course, reading so many excellent SFFH short stories each month (as well as reading submissions for Clarkesworld) has rekindled my interest in writing short stories of my own. How could it have not done? When the school year ended, and summer began, I started writing and submitting my own work.

The thing about short fiction is this: in my opinion, it’s hard to do well. Not that writing a book isn’t also difficult. It’s just difficult in a different way. Long-form fiction has the luxury of room on the page for tangents and extra adjectives and perhaps even a few adverbs. Novelists can get away with stuff that writers of short fiction can’t. The writing in short stories has to be tight, crisp, clear, sharp.

Have you ever tried to sharpen a knife with a ceramic rod, gotten the blade to the point of being kind of sharp, and thought with a shrug, “Eh, that’s good enough?” Well, if you apply that analogy to writing short stories, kind of sharp isn’t going to make the cut. Authors of short fiction need to wield that ceramic rod with enough skill to get that blade obsidian sharp. And that’s no easy feat.

I spent the summer practicing my knife sharpening skills. Anyone who knows me won’t be surprised by that. Overwriting is my authorial Achilles heel. My fictional blade isn’t sharp, but it’s getting better. Reading outstanding short stories day in and day out helps. Writing and revising short stories day in and day out helps, too.

Next Steps?

I plan to keep reading slush and, for now, keep writing and submitting short stories. I’ve set aside my latest novel revisions. If all goes well, I will be able to take a wickedly sharp blade to the manuscript when I return to it later this winter.

Tell me, writers, what strategies do you use to keep your skills knife sharp?

Thanks for stopping by, and as always, happy writing to you.

September 14, 2019