Month: December 2022

  • Book Review: The Stone Serpent

    Book Review: The Stone Serpent

    Color headshot of the author, Nicholas Kaufman. I recently had the pleasure of reading Nicholas Kaufmann’s newest horror novel, “The Stone Serpent.” This sequel to Kaufmann’s 2021 novel “The Hungry Earth” takes place a year after the events of the first book and follows the main character, Dr. Laura Powell, as she tries to re-establish some semblance of normalcy in her life. The story’s premise (which you can read over on Goodreads) was a lot of fun, and the fast pace kept me engaged from start to finish.Image of the book cover for the horror novel, The Hungry Earth. Illustration of a human skull in tones of blue, grey, and black. Thin-stalked, brown mushrooms are growing out of the eye sockets of the skull.

    Kaufmann does love his research. In all his novels, he adds a sense of authenticity by including numerous (and often terrifying) scientific details. The science was one of the things I enjoyed so much in his vampires-on-a-submarine horror novel, “100 Fathoms Below.100 Fathoms BelowAs with his other books, “The Stone Serpent” is packed with interesting and accurate scientific facts and descriptions. That said, the science sometimes felt wedged into scenes without good reason. Often, descriptions felt included just for the sake of serving up a creepy or interesting fact. More than once, I wondered why a small-town medical examiner would know about so many facts unrelated to medicine. Nevertheless, all those not-necessarily-needed scientific facts were so interesting (and morbid) that I enjoyed their inclusion regardless. 

    The main character, Dr. Laura Powell, is a woman I could easily root for–smart, self-confident, capable, and caring. Booker, her boyfriend, is equally likable if a bit passive. His role in the story was mostly to offer emotional support for Laura and to tell her to be careful. There were a few moments when I wanted him to step up and step in, saying, “No, sorry. I can’t let you do this crazy thing because I care about you. It would be irresponsible to let you do such this incredibly dangerous and poorly thought-out thing.” But, this is a somewhat campy horror novel we’re talking about, and characters acting illogically is part of the genre.

    As Laura navigates her way through a new crisis, she grapples with a prickly new police Chief, Elana Morales. The chief’s cold affectation and constant micromanaging makes her highly unlikable. Once Kaufmann shared her backstory, though, I started rooting for her as hard as I was rooting for Laura. 

    A general issue I had with this book was with Kaufmann’s heavy use of exposition as a writing technique. While some explanations helped establish setting or provided context, the abundant exposition did occasionally detract from the immediacy of the action. I wanted to be told less and shown more. A related issue was with the use of dialogue to explain things. There was a lot of “as you know, Bob” conversations throughout this story. 

    There were two subplots to this story competing for the readers’ attention. One involved the cutting-edge pharmaceutical company, Thurmond Biotech. The other was a plot involving a fringe religious community (the details of which reminded me strongly of Warren Jeff’s extreme sect of the Fundamentalist Church of Jesus Christ of Latter-Day Saints). Of the two competing plots, this was the one that got the most time on the page, yet I found it to be distracting from the main premise of the novel. The characters dominating the religious plot line were, in my opinion, clichéd and two-dimensional. I would have liked more development of the dodgy biotech company and its involvement in the creation of the main threat of the novel: killer snakes! 

    Ah, the snakes. I won’t say too much about them lest I spoil the horror of them. Let me simply say that if you are naturally squeamish about snakes, this book will have you crawling out of your skin (haha, pun intended). 

    The final confrontation between the main characters and the snakes was intense and well-written, and the resolution felt earned. As a reader, I felt fully sated. Overall, I would definitely recommend “The Stone Serpent” to fans of just-for-fun, campy horror novels with some cool science packed into the terror.

  • My Futurescapes Writing Workshop Experience

    My Futurescapes Writing Workshop Experience

    This past November, I attended the Futurescapes 200-Page Intensive Writing Workshop. Overall, I’m glad I took part. That said, I’m not sure I’d do it again.

    What is Futurescapes?

    Futurescapes Website Header

    In my last post, Writing, Revising, Resting, and a Writing Workshop, I shared the exciting news that I’d applied to and gotten accepted into the Futurescapes 200-page intensive writing workshop. At the time of that post, I was scrambling to revise the manuscript I planned to submit for the workshop. I was also still trying to figure out what to expect from the workshop. Their website was woefully lacking in specific details. Now that I’m on the other side of the experience, though, I’ve got lots to share with you.

    There are actually several different Futurescapes Workshops that happen each year, each with a different focus. There’s the horror-focused workshop, Fearscapes, as well as a 3,000-word and a 50-page workshop. (They’re accepting applications for the 3,000-word workshop right now, by the way.) I took part in their 200-page intensive program. This year, the workshop was entirely virtual, and though it has happened as an in-person workshop in the past, I’ve heard that the organizers plan to keep the program virtual moving forward.   

    How It Worked

    Participants were organized into small critique groups of four or five, each led by a faculty mentor. We received a survey in which we got a list of all the authors and literary agents who would be mentoring, and we ranked how interested we were in having each one as our group leader. Researching the participating faculty took a bit of time and energy because Futurescapes only provided names. They didn’t provide bios or even links to bios, which was a little annoying. However, after doing my due diligence and googling each and every participating agent/author, I ranked my preferences, and to my absolute delight, I got my first pick! Author Matthew J. Kirby, winner of the Edgar Award and the PEN Center USA Literary Award, led my critique group.

    I and my fellow group members were introduced to each other via an email and encouraged to “get to know” each other, though how we did that was left up to us. Futurescapes doesn’t use any sort of learning management platform the way Gotham Writers or Writers Digest programs do. I created a google chat space, and my critique group used it to communicate in the weeks leading up to and during the workshop. 

    We exchanged our 50,000-word (200-page) manuscript excerpts (by email) and then set about reading and providing feedback in the form of editorial letters based on a list of guiding questions provided to us. My group members did an amazing job, and the feedback I got from them was thoughtful, reflective, specific, and useful. I suspect that mileage may vary on that front depending on who’s in your group.

    The Workshop Sessions

    The actual workshop consisted of a series of 2 to 3-hour-long zoom meetings spread out over a single week in the following order:

    • (1 hour) Futurescapes opening Welcome session
    • (3 hours) Students-only (and student-led) critique session.
    • (3 hours) Students and faculty critique session (faculty-led).
    • (15 minutes) One-on-One meetings with your faculty mentor.
    • (1 to 2 hours) Query letter critique session with a literary agent.
    • (1 1/2 hours each) Several back-to-back Saturday Zoom classes taught by various authors and/or agents.
    • (1 hour) Futurescapes closing Wrap-up session 

    Was It Worth It?

    Futurescapes boasts a much lower price tag than some other well-known writing workshops such as ClarionViable ParadiseTaos Toolbox, or Odyssey Writing Workshops, but it’s still quite expensive. The feedback I got from my fellow group members was not significantly higher quality than what I’ve gotten from my own personal writing group. Don’t get me wrong, it was good feedback. But was it worth the cost of the workshop? For me, maybe not. If you don’t have an established critique group or a trusted critique partner, however, Futurescapes might be worth the cost. 

    A huge missing element of the Futurescapes experience (for me) was the social piece. One of the things that make the more expensive in-person workshops mentioned above so attractive are the the peer-to-faculty and peer-to-peer networking opportunities and friendships that form during the off-hours of the programs. At Futurescapes, networking opportunities were practically non-existent. 

    There was a Discord group. I’ll give them that. But it was informal (not actually run by the organization), and it was not widely (or uniformly) publicized. Some but not all participants and faculty mentors used it, and it was mostly used to troubleshoot technical difficulties.

    A month out from the workshop, I have not communicated once with anyone in my critique group. We scattered to the four corners, which is unsurprising. There was no opportunity for us to socialize and get to know each other embedded into the structure of the program. Not that there couldn’t be. Maybe (I hope) the organizers will find ways to build that into the Futurescapes experience moving forward.  

    I also lamented how little actual interaction I got with my faculty mentor. He shared some great insights in his editorial feedback letter, but I only got a single 15-minute one-on-one meeting with him to discuss that feedback outside of the group critique zoom that he led. Eva Scalo ran my group’s query letter critique session, and she was great. But, again, we got a single group zoom session with her that lasted just over one hour.    

    So, unless they change the format of the 200-page workshop moving forward, you shouldn’t expect a lot of contact time with any of the participating faculty members. 

    Final Thoughts on Futurescapes

    I’m glad I got the chance to participate in the Futurescapes 200-page intensive virtual workshop, but I don’t think I will do it again. Based on my experience, it’s an excellent “entry” level workshop for writers who either can’t or don’t want to take part in one of the in-person workshops that exist. 

    If you have thoughts about writing workshops in general or questions about Futurescapes, drop them in the comments. 

    Thanks for stopping by, and as always, happy writing!