Author: Kathy Karch

Great YA Fiction: The Gentleman’s Guide to Vice and Virtue

The Gentleman’s Guide to Vice and Virtue by Mackenzi Lee
My rating: 5 of 5 stars

I bought this brilliant piece of YA fiction on a whim, and I’m so glad I did. 4.5 stars!!

Mackenzi Lee might now just be near the top of my favorite writers. This excellent piece of YA fiction is filled with wonderful characters you can get behind, hauntingly beautiful language, all topped off with social themes that YA readers are hungry to explore.

Lee told the story in first person present tense, a particularly difficult POV and tense combination to do well. I’ve read many a story written in this POV that felt far too whiny and self-absorbed. Considering how self-absorbed Lee’s main character-Monty-is, I’m amazed that this book didn’t feel that way. Lee found the perfect balance between interior monologue and external action, and she contextualized Monty’s moments of angst perfectly.

She did a great job of capturing the diction of the time period in which the story takes place, as well as the language used by highborn families. I can imagine some might fall prey to overwriting or writing that felt like it was trying too hard. Not so here. Lee’s descriptions are lyrical and develop the setting as much as the characters.

For example:

“Versailles is a delirious fantasy of a place. We cross through a card room and into the mirrored hall where the king receives his court, every surface not covered with a looking-glass gilded in gold or frescoed in jewel tones. Wax drips in hot, sticky threads from the chandeliers. The light is pyrite, with snowflakes of color refracted through the crystals splattering the walls. The party spills into the gardens, the air hot and hazy with pollen rising from the flowers in golden bursts when they’re brushed. Hedges line the walks, carved into a menagerie of shapes, roses bursting between them. The stars are stifled by the furious light from the palace, and the candelabra lining the stairs are reflected like glittering coins against the bright silk everyone is wearing.”

Through the misadventures of Monty, Percy, and Felicity, Lee crafted a brilliant piece of YA fiction that explored abuse, sexuality, race, and gender. It could have become didactic, but it didn’t. It was wonderful. The main character was, on the surface, an unlikeable fellow. Narcissistic, emotionally stunted, an alcoholic, whiny, and frankly rather useless. All that said, however, Lee made me like him. She made me root for him. I’ve encountered so many whiny, self-absorbed protagonists in YA fiction that just made me roll my eyes and move on to reading something else. Not so with Monty. Every cringe-worthy moment only made me love him more.

The world Lee painted and the events of the tale, even the fantastical elements, seemed authentic and real. No doubt, that’s due to the vast amount of research that Lee did in preparation for writing the book. There is a delightful bonus at the end of the novel in which she discusses some of that research.

I have but one minor gripe. The “I must be misreading the overtly sexual/romantic signals” thing dragged on between two characters to the point of feeling unrealistic. Especially, after said two characters made out at the opera at the beginning of the book. They were all over each other, and then the MC spent most of the rest of the book telling himself that the other person couldn’t possibly have romantic feelings for him. I think Lee was trying to generate teen angst, but it didn’t ring true to me. That was a small issue, however. Not enough to spoil the book.

I 100% recommend this novel, and I cannot wait to read its sequel: The Lady’s Guide to Petticoats and Piracy, which tracks the continuing adventures of Monty’s headstrong, medicine-minded sister, Felicity.

Have you read any novels by Mackenzi Lee? What do you like most about her writing? Which of hers is your favorite book?

View all my reviews

March 29, 2018
Book Review: Thunderhead by Neal Schusterman

Thunderhead by Neal Shusterman
My rating: 5 of 5 stars

How did I not already write a review for this fantastic sequel to Scythe?! Well, here we go:

I would argue that Thunderhead was an even better book than the first book in this series, and that’s a rare thing to find in the world of trilogies. Fast paced, high-stakes, multiple plot threads and character arcs, and an ending that left me reeling and wanting more!

A hard copy of Thunderhead is selling on Amazon for $15.00 right now. Not bad. If you’re not into buying from Amazon, it’s available through ten other sellers. Check out the Goodreads page for a listing.

I digress.

Thunderhead picks up several months after the point where Scythe ends. There are many elements of this book that Schusterman did fantastically well. I’ll start with the thing I found most impressive: his handling of a difficult POV. The chapters tend to jump from character to character, so it’s easy to think that the book is written in limited serial third person, but it isn’t. It’s actually written using an omniscient POV, with the POV emphasis placed on a different character in each chapter. He did a brilliant job with this.

The characters really started to come into their own in this book. That’s something else Schusterman does well. Not that the characterizations were lacking in Scythe. It’s just that in this book, both Citra (now more Scythe Anastasia) and Rowan Damisch are developed in a more multifaceted manner. Also, the new character, Grayson, was a welcome addition to the cast. His story exposed readers to a whole other aspect of the world previously unexplored. Speaking of previously unexplored, several supporting characters from Scythe get a lot of time on the page.

I must admit, I’m struggling to get into the main villain of this series.

SPOILER TO FOLLOW!!

Stop reading here if you don’t want any of the plot elements revealed before you go and read this excellent book.

Goddard is brought back as the main villain, despite having been decapitated at the end of the last book. This felt like a cheap trick to me. Like something you might expect of a cheesy daytime soap opera. I have to wonder if that was Schusterman’s plan from the outset. Or, did he think of it later and architect an explanation to let it work. It feels like the latter, because he failed to drop any hints at the end of Scythe that maybe Goddard and some of his crew weren’t quite as deceased as everyone thought. Had he dropped that hint, I would have willingly gone along with this storyline. As it stands, it felt too forced.

The Thunderhead becomes an active character in this book (hence the title). All I have to say about this benevolent overseer is this: ripe for a psychotic break. We shall see.

I can’t remember the last time an ending to a book left me so breathless and excited. I highly recommend Thunderhead, and I can’t wait for the next book in the series. There is a major plot development that has yet to be explored. What shall Rowan and Scythe Faraday find when they visit the Land of Nod?

View all my reviews over on Goodreads.

March 18, 2018
The Pros and Cons of Grammarly.com

There are a gazillion writing apps and programs out there in the digital world, some that cost money and some that are free. Of them all, I’ve tried a handful. However, after two years in grad school, chasing the dream of getting an MFA in creative writing, I’ve come to rely heavily on one in particular: Grammarly. Just to be clear, I’m not affiliated with Grammarly. I’m not getting paid to push the app. It’s definitely not perfect, but I like it enough to write a post about it.

What is Grammarly?

Grammarly.com is an online writing program with a free version and a premium version. The Chrome extension is free, or you can pay a monthly, quarterly, or yearly subscription fee to upgrade. As you probably guessed, the cheapest per month price comes with the annual subscription and works out to about $12/month.

I tried the free version when I was putting together my application materials for Lesley University’s Low Residency MFA in Creative Writing program. Everything I wrote (cover letter, personal essay, and my creative piece) got fed through the program and analyzed. The day I got the news that I’d been accepted into the program, I bought the yearly subscription because I knew I’d be using it often for the next two years.

What Does Grammarly Do?

In a nutshell, it makes your writing better. It is, for all intents and purposes, an editing algorithm. I’d even go so far as to say that it’s a pretty darned good one, too.

See that fancy infographic I screenshotted off their homepage up above? Well, after two years of using the software I can say with confidences that it does all of that.

You can either type directly in the program, or you can upload a file (google doc, word doc). I tend to cut and paste in my material.

The above claim sounds a little hoaky. I mean, if you write enough stuff, your writing skills are going to improve no matter what. It’s inevitable. That said, the detailed explanations that pop up when you hover over a flagged item is a mighty great feature. I like not having to dive out to dictionaries and thesauruses and my copy of The Everyday Writer to check whether a word is appropriate or a grammatical construct is valid. In that way, Grammarly will probably improve your skills faster than they otherwise would.

Free Versus Premium:

The free version of Grammarly is legitimately decent. Heck, I used it to clean up my application materials (successfully). I only upgraded from the free version to catch stuff I’m apparently blind to: spelling mistakes, homophone errors, repetitious used of certain crutch words, etc. I can read through a written piece ten times, and the thing will still look like it was written at 3AM by a sleep-deprived college kid.

For me, all the extra bells and whistles were worth the money. On one of my earliest submissions in my grad school program, I was up against a deadline and in my stressed-out frame of mind, I forgot to run my submission through Grammarly. I’d read it over multiple times, tweaking, correcting awkward sentence structure, finding typos, and punctuation errors, etc.

My professor sent the submission back to me. She wouldn’t read a piece with more than two mistakes per page. I was mortified. Since then, I’ve never forgotten to use Grammarly to check my work before sending it out to anyone.

When you start a new document in Grammarly, you can select which features are or aren’t active. You can also help the algorithm edit to your needs by telling it what type of document it’s analyzing.

I’ve let the program run an analysis of a document in its “General (default)” setting, made note of the number of “critical” and “Advanced” issues, and then selected “Novel” format and let it re-analyze the document. The number of “critical” issues rarely changes. The number of “advanced” issues almost always decreases in novel format. I guess that means the algorithm knows that creative writers play it a little fast and loose with grammar rules.

Professional Proofreading Services

Premium memberships give you access to a feature I have never used. Supposedly, a real person will read your document and give you feedback on it. I’m skeptical. I don’t know who’s putting eyes on my stuff on the other end. It could be someone with legit editing skills, or it could be someone for whom English is not their first language. For all I know, it could be a well-trained monkey. Maybe one day, I’ll submit a document for professional proofreading, just to see what happens. I probably should. I’m paying for the feature, after all.

Drawbacks and Downsides?

Of course there are drawbacks and downsides.

First, it costs money. That said, it rubs me the wrong way when folks gripe about having to pay for things they want. As if they’re entitled to get everything they want in life for free. Sorry, but someone took the time to write a pretty massive program and debug the thing. They deserve to get paid for their work.

Second, it misses errors. After two years of using the program, I’d estimate that Grammarly misses between 30% and 50% of all the errors that exist in a piece of writing. For some folks, that’s a deal breaker. Not for me. Why? Because the program gets me 50% to 70% of the way toward a mistake free document. That saves me time, and my time is valuable. Now, maybe utilizing that nifty professional proofreading feature would catch the rest of the errors. I don’t know. The point here is, expecting an algorithm to be perfect is dumb. Especially considering the fact that most of us humans can’t match Grammarly’s imperfect error-catch rate.

Third (and the biggest downside), Grammarly undoes certain formatting features in uploaded documents. When you import a piece of writing into the program, all your special fonts, italics, and bold-faced type get converted to plain text. When you export it back to Google Docs or MS Word or Scrivener or whatever, you’ll have to paw through the piece looking for the lost formatting and fix it. I find that step incredibly irritating. Invariably, I’ll miss multiple words or sentences that need to be re-italicized. Grrr.

So yeah, Grammarly is far from perfect, but it’s still pretty darned great for anyone doing a lot of writing.

Do you use Grammarly? What do you think of the program?

March 14, 2018
Celebrate Your Writing Achievements: An #IWSG Post

Another month has come and gone, and it’s time for the March IWSG post. Today, I’ll try to answer the question:

How do you celebrate when you achieve a writing goal/finish a story?

I supposed the answer depends in part on how you define writing achievements, or goals for that matter.

Before we get rolling on that, however, let me take a moment thank this month’s most excellent hosts:  Mary Aalgaard, Bish Denham,Jennifer Hawes, Diane Burton, and Gwen Gardner!

Head over to their blogs and check out what they have to say on this topic. And, if you’re curious about IWSG, click the picture to the left to jump over to their page and see what they’re all about. You won’t be sorry, I promise.

Okay, back to the question at hand.

Writing a Novel is Like Climbing Mount Everest

A lot of folks look at Everest and wonder why anyone in their right mind would ever be tempted to try climbing it. Others can understand the desire but say up front that there’s no way they’re ever going to do it.  Then there are the people ambitious enough to try. Aspiring novelists are like those people.

We look at that summit, and we think, “Yeah, I can probably do that.” Then, amazingly, some of us do. Most of us, however, aren’t ever going to see the vista from the top.

Jason Reynolds (a professor at Lesley University and my graduating thesis reader), had a very frank conversation with some of us in the Writing for Young People program about the publishing industry and writing “success.” He didn’t mince words. According to Jason, the secret to “making it” as a novelist is to just keep writing. He’d written something like six books before penning one that took off and did well, financially. Today, he’s a big name in YA, but only partly because he’s a phenomenal writer. 90% of it, according to him, is that he didn’t let the fatigue of the uphill climb beat him.

High altitude climbers trekking up the face of Everest get to the top one step at a time. Writers get to the end of their novels one word/sentence/paragraph/page at a time.

We can learn a few lessons from those crazy mountaineers. Specifically: give ourselves a chance to pause and celebrate mid-trek writing achievements.

Every novel has milestones that you should celebrate!

I’m in the middle of my fourth attempt to finish a book. Behind me lie three partially completed stories. One was a just-for-fun summer project back in my twenties. One is interesting but an unfinished structural mess. The most recent attempt sits waiting for me to come back to it.  I got distracted from it by by my thesis mentor, Chris Lynch. It’s a long story. If you want to read about what happened, you can check out my prior post here.

It has taken me a long time to realize that with each failed attempt, I go into the next project better conditioned and more likely to succeed. I’m like the optimistic but completely untrained tourist who decides it’d be fun to climb Everest. First time, I don’t get much past base camp before my body gives out on me. The second time, I make it to Camp 1 in the Valley of Silence (which should totally be the title for one of my future best-sellers (I did say I was an optimist, remember)), but blisters send me packing. Third time, I reach Camp 2 at 21,000 feet, hang around for a week to acclimate and then… HAPE sets in and I abandon the climb.

In this ridiculous analogy, I guess I’m also made of money, because it costs about $35,000 to $45,000 per attempt to scale Everest.

Everest climbers always take a week or so to hang out at the various camps as they push for the summit. They rest, hydrate, stockpile calories, let their bodies adjust to the thin air, and they enjoy the views. I think writers should do this too.

Every step is an accomplishment!

Did you write every day for a solid week? Awesome. Give yourself a pat on the back, crack open a beer (or a high end ginger ale in my case), take a moment to breathe, then push ahead.

Did you write all the way up to the end of the first act? That’s base camp 2, as far as I’m concerned. Take care of yourself in this moment. Crack another beer (or soda), relax and enjoy where you are in the process. Mull over the best path forward. Do something fun. You’ve come a long way, but things are about to get very difficult.

Have you just experienced a brilliant epiphany about your book’s finale, and now the route through the dreaded middle third of your story is clearly visible? My friend, well done. You’re sitting at 24,000 feet, the South Col, about to embark upon the big push to the summit. Take stock of your oxygen reserves. Hydrate, hydrate, hydrate (maybe not with beer, though), and smile with the knowledge that so many of us shall never get to where you currently are.

If you do successfully summit that manuscript, be sure to photodocument the moment, because whether or not your story ever lands on an indie bookshelf in hardback, you’ve accomplished something truly spectacular.

None of these points are actual end points to the novel writing process. A book isn’t finished until it’s bound and on the shelf, and even then some authors would argue it’s still not done. However, embedded within a book are countless writing achievements, each of which merits acknowledgement and celebration.

In my Everest analogy, I’ve just reached the South Col of the Mountain. For the first time ever, the summit is in sight, the weather looks good, and I think I’m finally conditioned up enough in my skills to get to the top of this thing.

How do you celebrate your writing achievements? Do you hold off until you type “The End,” or do you find spots along the way to stop, rest, and reflect on your intermediary successes?

March 7, 2018
Boskone 2018 – A Phenomenal SFF Writers Convention
It’s the day after the 55th Annual Boskone Convention wrapped up, and I just realized I haven’t written a post for some time. To commit my thoughts and observations in the “permanent” annals of the internet, I thought I’d talk about my experience at my very first writing convention. I met and heard from some amazingly talented authors, editors, and agents in the fantasy and science fiction genre.

What Is Boskone?

No one I knew had ever heard of Boskone and, truth be told, neither had I until my Fantasy and Science Fiction professor at Lesley University told me about ReaderCon, which happens every summer in Quincy, Massachusetts. In researching that, I stumbled upon Boskone. Right there on the homepage, I saw enough to get me to register: Mary Robinette Kowal and Tamora Pierce.

Mary–the charismatic co-host of my favorite podcast, Writing Excuses, and Tamora–one of the best YA fantasy writers ever! Done. I’m there.

Then, I kept finding bonuses as I perused the long list of program participants. I kept getting more and more excited, but I really had no idea what to expect. I’ve never been to a writing convention before. Heck, I’ve never been to any kind of convention before.

In early January, they posted the schedule for the weekend, and I started picking out which panels I most wanted to go to. Odin knows, I had trouble choosing. More often than not, several fascinating panels were happening at the same time. I kept having to remind myself that this wasn’t the one and only convention I’d ever get to attend in my life. No, this was just the first (of many, I hope).

Where was Boskone?

You can click the link for their website, but I’ll tell you that, at least for this year, it took place at the Westin Boston Waterfront hotel, right next door to the Boston Convention Center. Boskone was in the hotel, though, not over in the convention center. The New England Boat Show was happening over there.

The Westin was beautiful… what I saw of it. I didn’t stay there. Living just 30 miles north, I couldn’t justify spending $200+/night for a room when I could walk and train it to and from for $15.00 a day. But, based on some of the hotel patrons I observed while sitting in the lobby wishing I was better at striking up conversations with people, I’m willing to guess their rooms were equally beautiful.

Boskone events occupied all the conference and banquet rooms in the hotel’s east (north?) wing on all three floors, which were reasonably sized and clean. I was impressed with the quality of the mic systems the hotel provided for the event. The shrink wrapped carpets in the Galleria (in and around where snacks were put out each evening) amused me.

The Social Scene

To all you people who go to conferences more often than I do, or who are perhaps published authors who attend conventions as participants: how do you talk to each other?! I’m not referring to asking questions during panel discussions. That’s easy because that’s a venue with limits and expectations and rules for conduct, etc. I’m talking about striking up casual social conversations that might allow me to actually meet other established or aspiring authors.

I spent most of my time between panel discussions watching groups of people mingle and chat and laugh with each other. I saw so many authors in the halls with whom I desperately wanted to strike up a conversation, but all I could do was smile and manage to whimper out a feeble “hello.” How do you all do it?! I’m in awe and completely jealous of folks with, you know, social skills.

Is there some secret handshake I don’t know about? Do the folks who attend conventions all know each other from elsewhere? Same for the authors; do they all know each other already?

Friday evening, there was an art show and refreshments opening event that I went to. My beloved went with me for moral support and to see the art. At one point, we were standing up on an elevated level that looked down on the rest of the floor, packed with people. And everywhere I looked, people were sitting together at tables or standing in clusters with authors mixed in. All happy, all chatting. I felt very much like an outsider, but I just couldn’t must the courage to march up to a bunch of people I didn’t know and start talking.

I randomly struck up a conversation with K. Stoddard Hayes while looking at beautiful art, but she was alone and we were admiring the same painting simultaneously. She was so nice, by the way! My claim to fame is now that I lent K. Stoddard Hayes a pen so she could bid on a painting at Boskone. Great as that was, I can’t hope for that kind of happy random encounter over and over again!

Event Highlights for Me

Okay, I’ll start with the two people who initially drew me to the convention: Mary Robinette Kowal and Tamora Pierce. I did get Mary Robinette Kowal to sign my copy of Ghost Talkers (fantastic book), and struggled to form coherent words and sentences while talking to her at the autograph table. Hope I didn’t come off as too much of a bumbling weirdo.

I also got to listen to Mary’s Guest of Honor interview (she was interviewed by an Astronaut, by the way. I’m not kidding!). She is articulate and well-spoken (shocker since she’s an audiobook narrator as well as author and professional puppeteer) and charismatic and genuine. She even broke out one of her puppets during the interview! Her parting thoughts at the end will stay with me for a long time. “Don’t be ashamed of your voice.”

I was not able to get my copy of Tempest and Slaughter signed by Tamora Pierce, sadly. The line was ridiculously long and I naïvely thought that if I just slipped out of the “Ensemble Casts and Continuing Characters” discussion panel at 4:40, I’d have 20 minutes to get down to her autographing session and get my book signed. Pshaw right!

Ah, well, as I kept reminding myself and will continue to remind myself, this was just the first writing convention I’ve been to, not the only one I’ll ever go to. At least I got to hear her talk about her thoughts regarding sex in YA fiction. Her thoughts (and I’m paraphrasing): what’s the big deal? It happens. She was smart and funny!

The art, people. Thor Almighty the art! Absolutely fantastic. Jaw-droppingly good stuff. I didn’t take pictures, because I feel a bit dodgy about posting photos of someone else’s art online without getting explicit permission, and most of the artists weren’t around during the multiple times I ambled through the galleries. You’ll just have to take my word for it. The art was amazing.

The panels were incredible, too, and I wish I could have gone to them all, but alas, I haven’t yet managed to steal the Time Turner. Anyway, here are some of the great takeaways that I jotted into my notebook during various panels:

“The teen libedo longs to escape and run free. That’s just a biological reality.” – Darleen Marshall during the It’s Not Always About Sex panel.

During the Sex and Romance in YA Fiction panel, Barry Goldblatt said there’s a strange hierarchy of what kind of sex on the page is okay and what isn’t. Rape? Fine. Masturbation? Deal breaker. I find that utterly bizarre! What does that say about our culture in America that we’re okay letting teens read about sex that’s violent and painful and damaging but not a sexual act that is safe and pleasurable and private?

“If you want your secondary characters to be memorable, you have to give readers something to remember!” – Kenneth Schneyer during the Ensemble Casts and Continuing Characters panel.

“All the members of an ensemble think they’re the protagonist and they all get time on the stage to show their story.” – E.C. Ambrose during the Ensemble Casts and Continuing Characters panel.

During the Governmental Structures in SFF panel, Nik Korpon pointed out that SFF authors tend to gravitate toward totalitarian/dictatorial/monarchist systems of government because they’re easy to write, and I understood what he meant, but then Susan Jane Bigelow pointed out that in reality, those structures are inherently fragile and difficult to maintain and so the systems created by those in power to hold onto their power are actually incredibly complex. All the panelists agreed and agreed that authors rarely address much beyond the big, bad overlord villain and his closest henchmen.

“Agents want to see what’s there ‘in the rough’ for a manuscript. They want to see what you produced, not what you and a professional editor produced.” – Richard Shealy during the What Good is an Agent panel.

“My agent works for an agency that gets 40,000 queries each year. So, don’t get discouraged if you don’t land an agent in the first 10, 20, 100 queries.” – Hillary Monahan during the What Good is an Agent panel.

During the Forgotten Topics in YA panel, the panelists all listed off topics that they didn’t see being addressed in YA fiction but needed to be: non-romantic formative relationships, interracial couples, and voices of the impoverishes/severely disenfranchised.

“The Ultimate theme of all YA stories is Person versus Self (coming of age stories).” – Carlos Hernandez during the Forgotten Topics in YA panel.

“Each book needs to be a story in its own right, with its own compelling arc, but each book also needs to fit into the multi-book arc of the series.” – Marshall Ryan Maresca during the Ending a Series panel.

Those were just a few of the many gems that caught my attention.

I’m not sad it’s over. I’m happy it happened.

Sure, but I’m still a little sad it’s over because while I heard from and (in very rare circumstances) spoke to and connected via twitter with a bunch of interesting and talented people at Boskone this past weekend, there were many more with whom I didn’t.

I’ve already go my sights set on ReaderCon in July of this summer.

Here are all the folks who struck me as particularly cool people, which is not to say that all the other participating authors/agents/editors/etc aren’t also cool people; I just didn’t get a chance to experience them this time around.
Final Thoughts

I am so happy that I decided to push myself outside my comfort zone and attend a writing convention. I’m even more happy that my first experience with a writing convention was Boskone.

If you get a chance, you should get to Boskone56 next year. You won’t be disappointed. It’s the longest running fantasy and science fiction convention in New England and worth traveling to experience. Maybe I’ll see you there!

Did you attend Boskone55? If so, what was a highlight moment for you?
February 19, 2018
IWSG February Post – Why Write for Kids?

This month’s IWSG post asks the question:

What do you love about the genre you write in most often?

Well, what’s not to love about children’s literature? I love writing for young audiences. For teens in particular, but the idea of writing for children of any age thrills me.

Before I continue, however, allow me a moment to give a shout out to this month’s most excellent hosts: Stephen Tremp, Pat Garcia, Angela Wooldridge, Victoria Marie Lees, and Madeline Mora-Summontel. Thank you all for hosting this month’s IWSG blog hop.

Shout out finished, I’ll get on with it.

I am currently in my fourth and final semester of a low residency MFA program in creative writing at Lesley University. The program offers six concentrations: General Fiction, Poetry, Nonfiction, Writing for Stage and Screen, Graphic Novels, and Writing for Young People. That last one is my focus.

I adore writing fiction for kids, specifically for teens, but broadly I just love writing for kids.

Why Write for Kids?

I suppose it started with my own kids.

[Disclaimer: I don’t like sharing too many personal details about my family members on this blog. This is, after all, my blog, not theirs. They have a right to privacy, especially my children. Who knows what they’ll grow up to become? I’ve no right to start generating their digital footprint and shaping what the online algorithms think of them.]

For this post, however, I will share the couched detail that one of my kids got off to a very rocky start with regard to learning to read, and because of a number of factors I won’t delve into, they were on the cusp of loathing reading by the time their sixth birthday rolled around.

Can you imagine how terrifying that was for me to watch? Me, who fell in love with reading long before I had the skill to do it on my own. Me, who used books to get through difficult periods in my life. Me, who loved fictional worlds and the characters that lived in them so much that I began creating my own when I was still in elementary school. Me? Have a child who hated reading?

There was only one thing to do. I ignored the advice of my child’s well-meaning but MCAS-driven and test-score-fearing teachers, and I did not sit my child down daily and force them to slog through the most awful, boring, black-and-white photocopied and stapled together early reader’s imaginable, struggling through tear-blurred vision to sound out the next word.

Instead, I read to them.

Every night. Sometimes, for hours. Until my voice grew hoarse and my throat began to burn.

My child loved this map, just as I did the first time I saw it!

I sat in my one-time nursing chair at the foot of their bed and worked through The Hobbit, then the Lord of the Rings Trilogy, then all seven of the Harry Potter books, then two-and-a-half of the Inheritance Cycle books, then the Inkspell books.

A funny thing happened during those years. Yes, it took us years to get through reading those books a bit at a time each night. My child grew older, their brain matured, their teachers worked with them during the day on the concrete skills of reading, and my child learned to love books and to love reading them.

They’re off and running on their own now, I’m pleased to say. They read voraciously, thank Thor.

Books for adults are all well and good. I read my fair share of them every year. Not so many since starting my MFA program, as you might imagine.

It’s just that books for children are, and I know I’m going to ruffle a few feathers with this sweeping declaration, far more important than books for adults. I mean, it’s kind of obvious when you stop and think about it. When did you fall in love with reading? When you were a kid, probably. Some book touched your soul, gave you the big time feels, sent shivers down your spine, and woke you up for life.

That’s why I love writing for young people.

What was that first book that marked your soul, by the way? (For me, it was Bridge to Terabithia.)

February 7, 2018
Write in the Morning to Maximize Productivity

Every morning, I wake up, get the coffee beans ground, get the water heating, and then I sit down and write for an hour. At the end of that session, I check my “session target” bar in Scrivener, and a satisfied warmth suffuses my brain. I’ve discovered a couple of things about writing first thing in the morning. 1) It’s getting easier. 2) It seems to lead to more productive writing in the afternoon.

Becoming a Morning Person

I don’t particularly enjoy getting up at 5 AM every day. It’s a new habit I’m trying to cultivate as part of a synergistic new year resolution I made with my spouse. Get up early, engage in some form of exercise for 20 or 30 minutes, then write for an hour. That’s the goal, and so far I’ve succeeded with only a couple of slip-ups (one of which I fully blame on the Bombogenesis of 2018).

The actual getting up part of this is, slowly, getting easier for me due to some tremendous positive reinforcement (I’ll get to that later). The exercise part of things… ummm, yeah. No. I’m not. I should. But I’m not. Do I feel bad about that? Yep. Am I going to build the working out part back into my morning routine? One day, yes. That day is not close, though.

Regarding physically getting up and getting my day going, though? That’s getting easier.

The neuroscientists reading my blog (hey, they could be) are nodding their heads. There’s plenty of science to back up what I’m experiencing: doing something over and over makes it easier to do. Charles Duhigg wrote a book about it called The Power of Habit. I haven’t read it, but I did read this NPR article: Habits: How They Form and How to Break Them that shilled for his book. I’m glad I did because it made me realize that I’ve accidentally included something into my morning routine that’s pretty clutch when it comes to habit formation: CONCRETE AND IMMEDIATE REWARDS.

In my earlier post, Writing is Like Baseball: You Gotta Swing for the Fences, I talked about the fact that I’m trying to write an entire first draft of a novel by April 9th. Scrivener has allowed me to set a deadline date and a word count goal. As I write, Scrivener calculates how many words I need to write every day to meet my deadline. This, friends, is where I have accidentally been rewarding myself.

Session Targets are My Friend

Take a look at that picture over there on the left. That green bar is pretty, isn’t it? That was my session target bar at 4:23 PM yesterday afternoon. Not too shabby. I try to make sure that I’ve hit my daily word count goal before I head on home to my family after work because when I get home, writing gets really difficult.

Anyway, I have always, always responded well to extrinsic feedback and rewards. I’m terrible at doing things for myself, but I am great at doing them for someone (or something) else. Scrivener is my external motivator. I will write that session target into the green and love every minute of it.

If I’m slogging along in a scene and the words aren’t coming quickly and I feel tempted to just close up shop for the day and quit, I can open up that session target and get re-motivated to push for those last couple hundred words. It works every single time. I’m not saying the words are fabulous. I’m just saying this feature helps keep me writing when I might otherwise stop.

In the mornings, I’ve been writing forward in my current novel project. It’s only an hour, and this is right after I’ve gotten up, remember. I’m not breaking any productivity records here. But check it out: when 6:30 AM rolls around (I have a timer to make sure I don’t fall into the page and get lost), I open up my “Session Target” bar and have a little peek to see how I did.

The kids aren’t even up yet, and I’m halfway done!

That sight, that glorious yellow bar reaching more than halfway across the screen, well it just makes me smile. Seriously, I close up my computer and finish my 5:00 AM writing session feeling like a character from the LEGO Movie (everything is awesome!) The kids aren’t even up yet, and I’m already halfway toward achieving my daily word count goal.

If that isn’t a concrete and immediate reward, I don’t know what is.

Write Earlier to Write More Later

Something else happens when I knock off 300 to 400 words first thing. In addition to flooding my brain with dopamine like some literary addict, I also prime my imaginative pump and set myself up for my afternoon writing session.

All day long, I find myself thinking about my story and wanting to get back to it. My morning session takes my project and moves it to the front burner of my mind. Come afternoon, I’m more than ready to sit down and dive back in, and I think that those afternoon sessions are becoming more productive, too. There’s probably some science to support that observation, but I don’t know what it is. I could Google it, I suppose, but really, this post is eating up too much of my time already. It’s 3:15 PM. I’ve got an itch that needs scratching. It’s time to knock out those remaining 332 words and fill that bar with glorious, goal-oriented green.

This whole get-up-early-and-write thing seems to be working out for me so far.

Do you write in the mornings? Have you always? If not, would you ever give it a try?

January 23, 2018
Writing is like Baseball: You Gotta Swing for the Fences!

Writing is like baseball. Most of the time, you recognize the pitch coming in and you manage a solid single when you swing at it. Occasionally, you strike out. Every once in a great while, though, you hit a grand slam. Or, if you’re new at it, like me, you dream about hitting a grand slam and when it’s your turn at bat, you give it everything you have and swing for the fences.

Between now and April 9th, I’m going to try to crank out an entire novel, start to finish. It’s okay, coach told me to do it.

Here’s the Pitch

I just got back from my amazing, energizing, mad-capped Residency at Lesley University. This was my fourth and (almost) final trip to geeky writer’s camp for grown-ups. That means I have officially entered my fourth semester of a four-semester-long program. This is it, folks. Everything else was just practicing in the batting cages. The lights are up, the bleachers are packed, it’s the bottom of the ninth inning and the bases are loaded. I’m going to use a bunch of baseball metaphors in this post in case my Thesis Advisor, Chris Lynch, catches wind of this post and reads it. You know him. He wrote Inexcusable, Irreversible, Killing Time in Crystal City, Little Blue Lies, Gold Dust, and a bunch of other incredible award-winning novels.

Anyway, residency is a mixture of seminars, panel discussions, and workshop sessions in which a bunch of us sit around and give critical feedback to each other on pieces we submitted at the beginning of December.

The workshop sessions are one of the highlights of residency for me. I absolutely love reading other people’s writing, digging into it deeply, and then discussing it with other serious and passionate writers. I also love receiving feedback on my stuff. Even when folks point out more problems than positives in my work, I find the experience hopeful.

This time around was a slightly different workshop experience for me for a couple of reasons.

First, I’m entering my “Thesis Semester.” On May 7th, I must turn in between 100 and 120 pages of a “finished” piece of writing to someone who has never set eyes on it before–Jason Reynolds. Ever heard of him? Of course you have, you’re using the internet and you’re reading a blog about writing.

So, yeah. No pressure, right? Riiiiiiight. [takes a moment to breathe into a paper bag] Okay, I’m good.

Most students entering the Thesis Semester have a working draft already completed, or at least a very solid chunk of it.

The second reason why it was a different experience was because Mr. Lynch pitched something at me I was not expecting.

A Curve Ball

Six days before my residency workshop pieces were due (we need to write two pieces, each between 3,000 and 6,500 words long), I contacted Chris Lynch with a question. It was via email, but this is how the conversation sounded in my imagination (I may have taken extreme liberties with the details).

“Hi, Chris.”

“Oh, hey, Kathy. Great to hear from you. I’ve heard so much about you from my colleagues. Can’t wait to work with you!” (He said none of that, by the way.)

“Thanks, Chris. Same to you. So… I’ve got two different books going right now.”

“Okay.”

“One’s a fun MG steam punk piratical fantasy adventure story. I’m enjoying it, but it’s not quite your style, I think.”

“Uh-huh.”

“The other is a gritty YA post-apocalyptic wilderness survival story. Totally up your alley, but it’s a hot mess at the moment. Needs a ton of work.”

“Right.”

“Maybe I could submit some of one novel for my Large Group Workshop and some of the other novel for my Small Group Workshop, and then you could tell me which one you like better, and we could use that for my thesis.”

“Hmmm… when are they due again?”

“Six days from now.”

“Yeah. Okay, so, why don’t you make up a completely new story from scratch and submit that for both your workshop pieces.”

[Eyes bulging with terror] “Are you sure?”

“Definitely. That’s what I want you to do. I’m your all powerful Thesis Advisor. Do you really want to say no to me?”

“Hahaha, no. No, definitely not. I mean, yes, that sounds great. I will totally do that for you. New story. Six days. Not a problem. Thank you so much.”

“You’re so welcome. Glad you called. Take care now. Bye-bye.” [click]

Did I freak out after I got his email reply? You bet your buttons I did. I wrote a post about it, actually. But then I did what he asked me to do and cranked out about 7,000 words of a brand-spanking new story. I wrote that sucker so fast and in such a panic that I didn’t stop to question anything. Setting, characters, plot, dialogue, point-of-view, nothing! I put my fingers on the keyboard, cleared my mind, and wrote Ouija-style!

Swinging For the Fences!

Turns out, the thing that fell out of my brain was… kind of cool. It feels a little weird to write that, but there you have it. Once I got over the shock of what I’d produced (a militant feminist world dominated by psychic women who are into all kinds of stuff our society has deemed taboo), I had to admit to myself that I kind of liked the story. Okay, I fully liked it.

I think all my pent-up rage from the past two years of… I’m not going to that dark place…came bubbling to the surface when Chris was all, like, “write me brand new stuff NOW!” My beloved called it my “man-hating” story. Chris called it a “black-widow feminist” piece. I’m calling it The 42nd Queen. Eh, it’s a working title.

Chris also told me I should make it my thesis project. In all fairness, he didn’t order me to do it. He’s not a monster, for Thor’s sake. I might even go so far as to say he’s a pretty awesome, inspiring, and kind guy. And, if I’m honest, what I wrote at his request (though I cursed him as I wrote it) is one of the first things I’ve written in a long time that gave me the feels as I was writing it. That means something, I think.

So, yeah. I’m going to make it my thesis project. Fourth semester shall not be my revision semester. It shall be my militant feminist, Ouija-style writing semester.

And if I’m going to take a swing at this, I’m going to swing for the fences.

120 page? Pshaw! Too easy.

Let’s try for a grand slam. An entire draft of a novel. In 82 days.

If I’m going to take a crack at this, I’m going to swing for the fences, Babe.

I mapped it out and it’s definitely possible. Assuming (perhaps naïvely) that I write 810 words every single day between now and then, I can hit 75,000 words (about 350 pages) by April 9th. There’s no guarantee they’ll be good words, but that’s beside the point.

The pitch has been thrown. It’s a curve ball breaking to the inside corner, and I’ve got a bead on it. The bat’s beginning to come around. My hips are cocked. Body weight shifting off the back leg. Here it comes.

Think I can do it?

January 17, 2018
From the Heart of the Bombogenesis

Before I dive into what “living through a Bombogenic event” felt like, allow me to begin by saying that as of this morning I failed at one of my three New Year Resolutions. If you’re curious about which one that might be, keep reading and see if you can figure it out, or click the link to the post where I laid them out.

I’m not proud of my failure in resolve and will power this morning, but I do at least have an excuse that (to me) feels less like an excuse and more like an explanation. I and my family spent the day dealing with a Really Freaking Big Snow Storm. Not blizzard of ’78 big. I’m not making a boast that ridiculous. I get to call it Really Freaking Big because of how it pitched my life sideways and what that felt like.

How Do You Stay Warm in a House with No Insulation?

Our house was built in the 1950’s on land that was part of a government veterans program post WW2 in which veterans were sold land for $1.00/acre. The program was a “Hey, thanks for doing that dangerous, deadly, horribly traumatizing thing for not just your own country’s citizens but for everyone pretty much everywhere” gift from US taxpayers. That was awesome, but in the 1950’s, insulation just wasn’t… good.

Imagine insulating a house by laying a piece of cotton felt between the studs and joists and then gluing a piece of aluminum foil to it. That’s about what we’ve got. The result is, heat bleeds out of our house at a prodigious rate.

We usually deal with this inconvenience by keeping our thermostat set to 55˚F, except for first thing in the morning when we indulge in a toasty 63˚F while everyone’s getting ready for school and work. Not so, when the Bombogenesis struck.

The temperature over the past two weeks has been abysmally cold. This morning, I heard a news reporter crow like a rooster that Boston was officially colder than Bismarck, North Dakota. Also, at what point did “who’s colder” become a thing to compete over? Anyway, we’re talking a two week period where temps regularly dipped or flat out stayed in the single digits. If you’re someone who lives where that’s a regular occurrence and you’re scoffing, I’d ask you to pause for a moment. Weather that cold is not a typical thing on the eastern coast of Massachusetts. Many homes (mine included) weren’t architecturally designed for such conditions. Freezing and bursting pipes is a genuine threat. The easiest way to avoid that happening is to crank the heat in your home.

Our heat-leaking home has had its thermostat set to 65˚F night and day for the past seven days.

What To Do With All That Snow And Nowhere To Put It?

Yesterday, ten inches of snow fell on us. It may have been more or less than that, but the wind was blowing so hard that there are bare spots in some places and giant snow drifts in other places. Point is, a LOT of snow.

I and the kids got a snow day, which we were all pretty stoked about.

All of Thursday, we listened to the wind roar through the trees around our house and slam itself against our northern face. We stood at our picture window and watched it drive sheets of snow almost parallel to the ground, so thick there were moments when we lost sight of the neighbor’s house across the street.

We stayed inside and sipped cocoa. I did some writing. The kids spent way too much time playing video games. My beloved got down into the studio and did some photographating. We cooked dinner and ate as a family and counted our blessings for being fortunate enough to have a warm home and plenty of food and electricity.

But today was (and I’ll get to the “was” thing in a moment) supposed to be my first day of my fourth and (almost) final nine-day-long, on-campus residency for Lesley University’s Low Residency Masters in Creative Writing program. Which meant we needed to get the cars dug out so I had a way to get to the train station this morning, because even if I wanted to walk the mile and a quarter to the train station, the sidewalks wouldn’t be dug out. No way I was going to walk the narrow, snow-plowed streets. I’d get creamed.

The photo really doesn’t do it justice. We also had to shovel our way down our front steps to even get to the cars.

So, after dinner, we ALL suited up and headed outside, shovels in hand and began the two-hour-long torture session of shoveling during the Bombogenesis. Odin, let me tell you, snowflakes sting like [insert preferred curse word here] when they’re pelting your face at 50 mph… in the dark… in single digit temperatures. I don’t usually post photos online of the areas in or around my house, but I think it will help give context to the volume of snow that we had to move and where we had to put it.

By the time we were done, I was done. Toast. Not physically sore, no. More like numb and flacid, as if my muscles had been replaced by jelly. I was moving slow, and it was an effort.

When the 5am alarm sounded this morning, my beloved (cut from a stronger cloth than I) rose to do our morning workout routine. I did not. I slept until 7am, when I was woken by the sound of the porch door being wrestled/slammed shut and someone stamping snow of their boots on the porch. Then the kitchen door opening and closing.

I went downstairs and learned that, during the night, plows had come by and undone most of what we’d shoveled the night before. And by undone, I mean they put back the 3′ high by 5′ wide mound of wet, grimy street snow that had blocked our driveway entrance. Instead of waking me and asking/demanding I help dig back out, my better half simply suited up and took care of things so that I could sleep in. Because today was my first day of residency, and it was going to be a long day for me. I know, I am blessed!!

But the Bombogenesis wasn’t finished with us yet.

No Insulation Plus A Ton of Snow Equals Ice Dams

As I grabbed my cup of coffee, sipped it, and strolled past our bathroom on the way to waking up my oldest child to let them know that their school had been cancelled for a second day, I glanced out the bathroom window and beheld an icicle as thick around as a grown man’s thigh streaming down glass like a frozen mountain stream.

Oh. My. God.

No one ever went out yesterday with the roof rake! Not once did it occur to me that with the heat up so high, all day long, the snow landing on the roof was melting, dripping into the metal gutter that was the same temperature as the air (9˚F) and freezing. We probably had an ice dam the size of Fort Peck sitting on our back roof.

I chugged my coffeed, and together I and my beloved suited back up and went back outside to deal with all the digging out we didn’t do last night. Luckily what at first appeared to be the mother of all ice dams ended up being a gigantic cornice of wind-compressed snow. We easily knocked off and then raked off the rest of the roof. Thankfully, it didn’t have a lot of snow on it because the wind was so fierce during the Bombogenesis. We shovelled a path to the basement door and cleared that out, then dug our way over to our dryer vent and cleared that out, then dug a path out to the middle of the yard so that our medium sized mutt could have a place to do his business without freezing his wiener off in snow up to his shoulders.

I may have slept in this morning, but I still got my workout in. Thanks mother nature.

Okay, potential ice dam crisis averted. I still had just over two hours before I had to catch a train into Cambridge for my first seminar of my Residency. How I was going to muster the physical energy needed to pick up a pen and write with it, I wasn’t sure, but I was ready. In fact, I was excited.

At Least I Had Residency To Look Forward To

Pretty much since December 1st, I’ve been counting down the days until my (almost) final residency. I’ve made some incredible friends through this program. They are spread out all over the country: Texas, Las Vegas, Seattle, Georgia, West Virginia, New York City. I get to see them face-to-face just twice a year for nine days during residency. For that reason alone, I’ve been looking forward to today. But, the program is so much more than that. The instructors, the seminars, the intensity of the learning process, the raw energy of being surrounded by other writers equally passionate about creative writing as I am? It’s intoxicating. It’s exhilarating. It’s nerdy writing camp for grown-up’s and it’s awesome!!

About a half hour before my train was scheduled to depart, I got an email from the director of my program stating that, because so many of the residency students and professors’ flights had been cancelled or delayed, today’s residency program had been cancelled. We’ll be jumping into Saturday classes on time tomorrow.

Well, Sugar Honey Iced Tea. That certainly does suck eggs. Glad I thought to check my email on last time before I took off.

Guess I’ll have to wait one extra day to see my friends again and experience the joy that is living, breathing, and eating all things devoted to the art and craft of creative writing. I still can’t wait.

In the meantime, since I feel I just need a few hours to recover myself, physically from lifting and throwing 15 to 25 lb loads of snow over and over again for a total of four of the past twenty-four hours, I thought I’d set up camp on my couch and blog about what it was like at my house during the Bombogenesis.

And by the way, please don’t be fooled by that term or by the giddy meteorologists dancing around up on top of big piles of snow singing the word at you. This Bombogenesis was just a typical New England Nor’easter with lower than typical temperatures. New Englanders are used to crazy and sometimes difficult to deal with weather. We deal with it.

Did the Beast of Bombogenesis impact you? Tell me about it in the comments.

January 5, 2018
IWSG January Post – Making the Writing Happen
This month’s IWSG post asks the question:

What steps have you taken to put a schedule in place for your writing and publishing?

How apropos.

Before I continue, I must give a shout out to this month’s most excellent hosts: Tyrean Martinson, The Cynical Sailor, Megan Morgan, Rachna Chhabria, and Jennifer Lane. Thank you all for hosting this month’s IWSG blog hop.

2018 is right around the corner, and in my household, it is a big deal. I and my beloved don’t usually enjoy marching to the beat of a predictable, trite, or clichéd drum, and the whole tradition of making new year resolutions certainly fits that description. That said, new year resolutions are, in fact, something we do, and we get jazzed about it, too.

I’m all about the power of positive thinking and positive visualization. Think forward, not backward, I say. What do I want my future to look like, I ask, and then I act to manifest that future. The first step in that process happens in my own mind.

The act of ticking over a new year on the first of January is, as I well know, an imaginary contrivance of human perception. Not to mention, it’s dependent upon which calendar you follow. Sumerian? Aztec? Norse? Celtic? Nubian? Heck, I could invent my very own calendar system and start the year on November 12th. Why not?

Okay, so the start of a new year is a fictitious concept, but it’s one that I enjoy celebrating, almost worshiping. It provides me with a stimulus, a prompt, a chance to pause and contemplate my accomplishments (and failures) of the past spin around Solaris, and look forward to imagine what the next spin might be like.

What am I proud of doing? What are my regrets? How can I transform those regrets into positives moving forward? What challenges can I throw at myself that will test me and improve me either physically, intellectually, or spiritually? That’s what celebrating the new year and making resolutions is all about in my house.

It’s serendipitous that this month’s IWSG prompt deals with finding ways to fit writing into my life because it’s already one of my resolutions for the new year.

2017 was an unacceptably sedentary year for me in which I got a lot of writing done, but not enough and it always felt shoved in last minute. Most of my writing happened in the late afternoons, at the end of a long day of teaching, or worse, after dinner when all I wanted to do was go to bed. It always felt forced. I was Sisyphus, standing at the bottom of the hill, hands against the boulder. Not good.

Here’s my plan for 2018:
1. Wake up at 5 am every day except Sunday, so that I have time to:
2. Work out for 20 to 30 minutes with my beloved, then:
3. Write for one hour.
That’s right, the big new year’s resolution for me is to become–wait for it–a morning person! My writing time will become part of an established routine. I’m not stipulating what I’ll be writing. It could be rough drafts, editing work, blogging, journaling, anything as long as it is writing.

The great thing about my plan is that I’m not alone in it. My beloved and I are engaging in this resolution together. We’re going to support each other, motivate each other, hold each other accountable. In other words, misery loves company, and I’m going to have some. Technically I already do, because I wrote this post on December 27th, but it won’t go up until January 3rd. By the time you read this, I’ll have three early mornings under my belt. Feel free to ask me how it’s going a month from now; most failed resolutions die in the third week of implementation. (Not me, not me, not me, not me <– see that? Positive thinking, baby!)

2018, here I come! If all goes as I’m visualizing it, 2019 will see me healthier and much, much farther along in my writing career.

If you’ve got a plan for getting more writing time worked into your schedule, or if you’ve already successfully done it, I’d love to hear about it in the comments!

Happy 2018, everyone, and happy writing.
January 3, 2018