A lot happened at ReaderCon33 this year. Okay, yes, a lot always happens at ReaderCon (read about some of my other experiences here), but specifically a lot happened for me at ReaderCon this year. So much so that I want to make sure I write about it here so I don’t forget it all (I have the memory of a fruit fly). This is the first of a two part ReaderCon wrap-up. There’s that much for me to talk about. [ReaderCon33 Experiences]
Attending as an Official Participant [SFF Community, Writing Conferences]
ReaderCon33 is the first one I attended as an actual program participant. Last year, I volunteered and had a blast doing so. If you’re looking for a great way to meet new people and make connections all while feeling good about giving back and helping the convention continue to thrive, I strongly recommend volunteering. I did end up on a panel last year, but that wasn’t planned. Someone who was supposed to be on a panel about writing during the pandemic got sick at the last minute (ironic, right?). A good writing friend of mine, Anatoly Belalovsky, who was also on that panel suggested I step in and fill the empty spot. The ReaderCon folks decided that would work, and it did. I mean, I assume it worked out because when I applied to participate in this year’s Con in a more official capacity, they approved my application and put me on four panels. And approved me for a solo reading slot (more on that later).
So, yeah, fame comes in all shapes and sizes. This is my little moment of “oh my gosh, I’ve made it! I was a program participant at ReaderCon! My name was on their list and everything. Squeeee!! P.S. The SFF community is pretty small, so it truly is silly for me to feel so stupidly excited about all this, but I’m a low key hedonist, so I find pleasure wherever I can, including in the small things. [ReaderCon33 Experiences]
From Volunteer to Program Participant [Moderating Panels, Networking at Conventions, Writing Events]. Readercon33 Experiences
Like I said, I was on four panels this year. For three of them, they put me on as the moderator. Which is fine by me. That’s basically what I do all day everyday as a teacher. I moderate rowdy hoards of teenagers in a classroom full of glassware and biohazardous materials. Pshaw, I got this.
Thanks to my role as moderator, the fun started weeks before the convention. Teacher that I am, I like to plan ahead. I reached out via email to all the other panelists for all three panels I was slated to moderate. I introduced myself, encouraged them to do the same via email, and then solicited ideas on what everyone wanted to talk about during the actual convention. This, I will admit, felt like basic due diligence on my part. However, multiple folks from all three panels made a point to thank me for being proactive and said I was the only moderator to do so. That’s not to say that no other panel moderators contacted their panelists ahead of time. I’m sure many did. Just not the moderators of the other panels my people were on.
The pre-con preparations paid off, too, because by the time we actually sat down together in person, we all had a working rapport established and were primed to talk shop on all the various cool topics. Who were those folks and what were those cool topics? Glad you asked. [R
eaderCon33 Experiences]
My ReaderCon33 Schedule [Moderating Panels, Networking at Conventions, Writing Events] Readercon33 Experiences
Starting at 12:00PM on Friday, I moderated the panel, “What Separates Adult and YA SFF” which meant I got to toss questions to authors LJ Cohen, Mark Painter, Melissa Caruso, and Sarena Straus for forty-five minutes and listen to them share their thoughts.
Both SFF sold as adult and as YA may contain protagonists who are teens or young adults, as well as sex, drugs, and violence. What, then, puts a story in one category or the other? Panelists will examine what tropes, themes, sensibilities, pacing, and narrative voices may genuinely distinguish the categories.
Then, at 5:00PM, I moderated my second panel, “Writing For, With, About, and Around Children.” This was a truly excellent panel. Not only was the topic itself interesting, but so too were the panelists (authors Caitlin Rozakis, Carlos Hernandez, Noah Beit-Aharon, and Rob Cameron)!
Many authors have to navigate their writing careers around the needs of their offspring, not least those who write books for children. How does parenting inform or transform one’s writing, and how does writing inform or transform one’s parenting? Do parents create more believable child characters? Do readers even want realistically depicted children? And what of the parents? How realistically do we dare depict ourselves?
Later that evening, at 9:00PM, I moderated the panel: “Mad Science Q & A,” which was… interesting. The description of the panel left me slightly confused, so I reached out to the ReaderCon33 folks to ask what the format and feel of the panel would be like. They told me to expect a bunch of SFF writers to pepper the panelists with science-related brainstorming questions. It sounded like I would be calling on audience members when they raised their hands to ask questions about something science-y. As a teacher, I felt pretty confident I could handle that.
The panel ran pretty much the way I expected, except that all of the panelists (including myself) had backgrounds in biological sciences. Arula Ratnakar is a writer pursuing a PhD in Computational Neuroscience. Amanda Downum is a writer with a degree in Mortuary Science. Author Allen Dyen-Shapiro has a PhD in Biochemistry, and I’m the schlep who teaches biology to high schoolers. So, of course, nearly all the questions were about time travel and quantum entanglement. Ugh. What do four folks who know all about biological systems know that can possibly let them answer the question, “Do you think time travel is possible” in any kind of satisfying way? Spoiler alert: No, time travel is not possible. Someone did ask about whether or not the idea of transferring memories from one brain to another was plausible. That, we were able to talk about at length. Especially Arula. Thank Thor for Arula!
Have a notion for a futuristic technology and want to run it by some experts? A chimerical monster whose biology requires further scientific study? Need to know how long it takes a body to decompose in an abandoned mineshaft, for… um… reasons? Ask our panel of mad scientists your burning questions and see what they think through the little windows in their skulls. Answers may be unexpectedly thoughtful or incredibly unreliable—you will have to judge that for yourself. They called us mad, MAD to do this panel! [ReaderCon33 Experiences]
Meet the Pros(e) Social Hour [Moderating Panels, Networking at Conventions, Writing Events] Readercon33 Experiences
This photo is from a previous “Meet the Pros(e)” event that didn’t involve teeny tiny tables.
My final panel of Friday night wasn’t so much a panel as a professional gathering styled like a speed dating event. At 10:15PM authors and editors sat around teeny tiny (way too teeny tiny) tables with non-authors and editors and chatted about whatever. Every 15 minutes, we rotated to a new, randomly assigned table and repeated the process until 11:00PM. It was loud, crowded, and kind of awkward, but also fun. And I got to sit for fifteen minutes with author P. Djélí Clark, whose writing is amazing! If you haven’t read anything by him, you’re truly missing out. Turns out, he’s also a pretty amazing human as well as an amazing author.
I also got to chat for fifteen minutes with the award winning horror editor Ellen Datlow, who has edited some of the best horror anthologies out there, Screams from the Dark being the most recent that I’ve read. Okay, truth? Ellen is one of those people around whom I freeze up and get fanishly awkward. I have a huge (non-romantic) crush on her. She knows her shit, takes no shit, gives no fucks, and totally owns whatever space she’s in. She’s absolutely incredible. Sorry for the swearing, but Ellen Datlow deserves heaps and heaps of profane praise.
I’m going to end this Part 1 post here. In my part 2 post, I tell the story of my Sunday solo reading experience (my first in person live reading at a convention and holy wow was I nervous!), and I’ll tell you about all the awesome folks I met and chatted with. I also need to record the many packing errors I made but didn’t discover until I got to the hotel and checked in for posterity sake. [ReaderCon33 Experiences]
Do you have a favorite con that you like to attend regularly? Tell me about it. What makes it great for you? [ReaderCon33 Experiences]
Thanks for stopping by, and as always, happy writing! [ReaderCon33 Experiences]
This year’s ReaderCon event was so huge and so fabulous that I couldn’t fit it all into one post, so here’s the rest of my incredible experience. Click here to read about the first two days of fun.
Recap of Saturday’s Fun:
I kicked off Saturday with a delightful Kaffeeklatsch hosted by Victoria Janssen, a skilled writer of erotic fiction. If that strikes you as an odd choice on my part, given that my focus is on writing YA and MG stories, check my part 1 post for the explanation. It was a great conversation that ran the gamut of topics from industry trends to work-life balance. During this Klatsch, I met Sam Schreiber, whom I re-met later the same day. More on that in a bit.
Maybe they didn’t expect many people to attend it? They put her in one of the smaller Salons in the hotel room. Big mistake. By the time I arrived at 9:04, every seat was filled, and folks were beginning to sit on the floor, myself included. No way was I going to miss Susan’s workshop.
I’m fascinated by government systems as portrayed in fiction. And, since my current project is all about the upheaval of an existing government system, I thought it would be good to sharpen my world building tools.
Also, I saw Susan for the first time at Boskone in February. She participated in a panel called “Governmental Structures in SFF” that was outstanding. I wrote a summary of the discussion here.
I don’t know if Susan was inspired to create this workshop from the Boskone panel discussion or not, but she gave an epic workshop. She made all of her slideshow available on her website, too. Check it out.
Topics discussed:
What governments do.
What forms governments can take.
How governments go bad.
Current government structures with examples from the US, Iran, and Italy.
Historical government structures with examples from medieval Europe and China.
Questions an author should ask/answer when creating a fantasy or science fiction government.
Serendipitously, I was working my way through The Best American Science Fiction and Fantasy of 2017 Collection, edited by John Joseph Adams and Charles Yu. I had picked it up during my final residency for my MFA in creative writing program at Lesley University at the end of June. Catherynne has a story in the collection called The Future is Blue. I hadn’t yet read it when this Klatsch happened, but I’ve read it since then, and Odin it was so good! Space Opera is now on my TBR list.
The rest of my Saturday at ReaderCon was a whirlwind of panel discussions, followed by an awkward encounter at the hotel bar with a man who unintentionally offended me multiple times as he tried to chat me up while I ate dinner. Thank Thor, Sam Schreiber turned up and gave me a reason to extricate myself from a bad conversation for a much, MUCH better one. Sam is a member of the Brooklyn Speculative Fiction Group, and he helps produce the podcast Kaleidocast.
I just listened to the first episode of season two, by the way. The story, “Playing Nice with God’s Bowling Ball” by N. K. Jemisin, was quite enjoyable, and the woman who narrated the story, Tatiana Grey, did an excellent job.
Shameless plug, Sam (if you happen to read this), I would love to narrate a story for you fine folks.
I discovered the existence of the Boston Speculative Fiction Writers Group pretty much accidentally while at ReaderCon. Had Sam not mentioned it in passing during our conversation at the hotel bar, I might never have stumbled upon its existence. This was after I used him to extricate myself from a very uncomfortable conversation with some Rando who was making me very nervous.
Quick tangent…
The hotel restaurant was packed on Saturday night, so I asked to be seated at the bar for dinner since there were actual seats available there. They put me next to an older gentleman who was also eating dinner at the bar. I ordered my food, got my food, ate my food, and then decided that it might be fun to try my hand at “Barconning,” so I ordered a beer and sat, hoping to see someone I had already spoken to earlier so I could say hello and try to have a conversation with him or her.
Long story short, that was when the man sitting beside me, who was not part of the convention, proceeded to tell me that he’d like to beat the $h!7 out a fellow standing at a nearby table for laughing too loud.
Reg flags up, warning bells ringing, iceberg dead ahead. Course correction needed five minutes ago.
Then, he asked what the convention was about and I told him.
The man with the violent tendencies and hair trigger then said, “I always wanted to write a book because I’m a pretty good writer, and I bought this house once to renovate it but when I went inside of it, it had this feeling like it was possessed, like not just haunted, you know, but possessed by evil, like that Amityville house, you know what I mean, with the walls just and voices screaming at me to just, just get out, get out, get out like it was pure evil. That would make a pretty good book, right?”
The side of this boat has been torn off, folks. Evacuate if you can.
That’s when I saw the guy from Victoria Janssen’s kaffeeklatsch. What was his name? Loki, why am I so terrible with names? Sam! His name is Sam! Okay, be cool. Keep the fear and desperation out of your voice.
“Oh, hi there! You’re Sam, right? You were in Victoria’s Kaffeeklatsch with me.”
Sam’s smile was as glorious a sight as a life raft to a drowning victim.
I jumped ship and did so without a shred of guilt.
End of Tangent
On Sam’s suggestion, I skipped the Comedy Show happening at 9 PM in the ballroom and instead scoped out the Boston Speculative Fiction Writers Group, where I had a great conversation with author Elaine Isaak. [I later learned that the party was hosted not by the writing group but by the related Speculative Boston Readers Series Group. Not entirely the same thing.]
Elaine Isaak, at Arisia in 2013
She’s a member of BSFG, and I’d seen her on a few panels at Boskone. It was great to see her again and talk to her in a smaller, more informal setting. She told me about another organization, Broad Universe, and invited me to check it out. I did, and I’ll be joining the latter group while wishing the former group was open to new members.
At around 10:30 PM, I finally made it up to the eighth floor, where the ReaderCon Suite resided. All weekend long, folks had been mentioning the ConSuite up on the eighth floor. I had envisioned it as a secret VIP room for the chosen few where high powered con-goers sat around schmoozing with one another high above the lowly commoners (like me). A ridiculous notion, I know, but I’m still new to the world of book and writing conventions. Cut me some slack.
Sam Schreiber was the one who got me to swallow my misguided fears and get into the elevator. Turns out, it really was just a place to hang out, eat free food, drink free beverages, and chat with entirely ordinary people! I had a long conversation with a book dealer who woke me up to the existence of CanLit (Canadian Literature). We also discussed Joseph Campbell, Carl Jung, and Plato. Peter, from Ontario, it was a pleasure debating the philosophy of myth and religion with you, sir.
I called it a night at 12:30 AM, an obnoxiously late hour for me.
Sunday:
Second Name Drop
See?! It’s me and Chip!
Ready for this?! I ate breakfast with Samuel Delany. Can you freaking believe it?
Despite getting to bed at a ridiculously late hour (for me), I got down to the restaurant at 7:30 AM for breakfast. Just in time for the rush, apparently. The guy standing in line ahead of me shifted, and I noticed he was wearing a ReaderCon badge (on a lanyard, so I had to stare at his belly to read his name and hope he didn’t notice and take offense).
Samuel Delany? Oh Sugar Honey Iced Tea, I must talk to this man. I must open my mouth and stammer out a hello to this giant in the sci-fi literature world. Be cool. Be cool. Just say hello. That’s all you have to do.
“Hi, are you Sam Delany?”
What a nice guy. Just as open and friendly as Ken Schneyer had been on Friday. After a few minutes of talking about the convention and the panels, the waitress said she was ready to seat him. He turned and asked if I would like to share a table with him because he was all by himself–his spouse, Dennis, had elected to sleep late. Gee, um, let me think. Okay!
So I got to spend Sunday morning chatting with Samuel Delany about his career, his process, his love of genre fiction, his love of ReaderCon, and other random stuff over eggs and bacon and oatmeal. He even let me snap a selfie of the two of us together, because who would believe me that I’d had breakfast with him unless I obtained photographic evidence?
After breakfast, Sam and I walked together to his and my first panel of the day:
Curses, World Building Through Explitives
It was, of course, a highly entertaining and thought-provoking hour. In hindsight, I wish Catherynne Valente and Scott Lynch had been on the panel, as they both make lovely use of expletives as world building tools in their writing. Still, Francesca Forrest, Sarah Smith, Vinnie Tesla, Yves Meynard, and Sam had the audience laughing and scribbling notes like crazy.
They talked about the fine art of inventing curse words. Vinnie brought up the standard technique of blending “high” and “low” into a contrasting and therefore ironic and insulting combination (“holy shit,” for example). Sam mad the excellent point that the preferred pejoratives a culture uses tell a lot about systems of power and dominance in a fictional world. A culture that tosses around “bitch,” “slut,” and “cunt” is probably patriarchal. Curses that invoke a world’s religion(s) or god(s) will always be blasphemous, and Yves Meynard brought up the use of swears that denigrate certain professions or geographies as excellent and quick ways to tell readers who the underclass are in a world.
The discussion kicked off by identifying familiar “criminal” archetypes in fantasy and science fiction. Rogues, thieves, burglars, tricksters are the big four.
The nature or purpose of incarceration both in life and in fiction generated lots of questions and comments from the audience. Is the primary purpose of imprisonment to punish the individual or to send a message to the broader populace? Or is it a tool to rehabilitate, and if so, who decides what constitutes “rehabilitated?”
The discussion was fascinating and unsettling all at the same time.
Final Panel of My ReaderCon Experience: How Horror Stories End
This was the panel I’d been most looking forward to all weekend.
Horror is my favorite genre. It lives and breathes deep in my psyche. In the second grade, I filled a notebook with short stories, all of them involving bloody deaths and vicious murders and witches eating babies for breakfast. All accompanied by my own gory illustrations in bright Crayola colors. It’s a wonder I didn’t end up meeting regularly with the school psychiatrist.
Nick opened things up by asking the question: Can a horror story have a happy ending?
Short answer, no. Not really.
Characters can survive. They can even defeat the enemy and save the day, but it still isn’t a happy ending because said characters have been forever changed (probably damaged) by their ordeal.
The discussion then shifted to the concept of definitive versus ambiguous endings in horror novels. Ellen Datlow professed that ambiguous endings get tiresome. She likes a story that ties up all the loose ends. [Correction: Ellen did not actually say that. That was my (mis)interpretation. Rather, she said that reading too many stories with ambiguous endings gets tiresome, and there seem to be many of them, so the stories with definitive endings are a welcome break from that. That’s not a direct quote either, but I think I’m correctly capturing the spirit of her words.] Other panelists tried to come up with concrete examples of horror stories that do that. The Haunting of Hill House was mentioned as a horror story with a concrete ending. I suppose it is for the characters, but (and I applaud Yves for pointing this out) it still contains a level of ambiguity because Hill House survives. It continues to exist, so the potential for future horrors remains. I thought of Stephen King’s first novel, Carrie. The ending is definitive for the characters, but King tacked on a “letter” at the end of the book that left the door of ambiguity open.
Panelists and audience members alike tossed out example after example, each with an ending that seemed to contain both definitive and ambiguous notes. Given that the human psyche wants neat endings, wants things wrapped up and resolved, wants problems solved. Ambiguity is inherently horrifying to us.
In my opinion, the only successful use of a genuinely definitive ending in a horror story would involve the heroes losing and the villains winning. I’m thinking of a recent superhero film that shall not be directly named, to half-heartedly dodge spoiling it for folks who haven’t yet seen it. Pretty unambiguous but definitely horrifying.
It was a great panel!
And Then I Went Home
By the end of “How Horror Stories End,” I was well and truly done. Fatigue slammed into me like a wrecking ball loosed from its chain. I might have actually staggered. I checked out of my room, quickly and without difficulty, caught the shuttle to the Redline, the Redline to North Station. So as not to miss my stop should I fall asleep, I set an alarm on my watch. Thank Thor for a bit of foresight, because I did indeed tumble into the land of Nod shortly after the train started moving. An hour later, I was home. It took me a week to recover from four days of high-octane interactions and very little sleep, but it was worth it!
So, that was my adventure at ReaderCon 2018. It took two ridiculously long posts to cover all the fun, I know, but I gotta say, I had an incredible time. If you’re a fan of science fiction and fantasy stories, you have to get to ReaderCon. You won’t be disappointed.
Except, maybe, by the lack of towel hooks.
Thanks for dropping by and as always, happy writing to you.
Not best practice in terms of health, but it tells you something about how busy I was at ReaderCon this past weekend.
Quick disclaimer: This is going to be a long post, as will be the part 2 follow-up. I’m trying to paint a clear picture of my experience to help others unfamiliar with ReaderCon decide whether or not to give it a try next year. That will take more than a few quick words.
What, you ask, is ReaderCon? Until last summer, I’d never heard of it. Then, one of my instructors in my MFA program suggested I attend. “It’s about the best Con in New England, and it’s local for you.”
“Readercon is the only small convention regularly attended by such giants of imaginative literature as Gene Wolfe, Samuel R. Delany, John Crowley, Barry N. Malzberg, Kit Reed, and Jonathan Lethem.
The program consists of two tracks each of panel discussions, author readings, and solo talks or discussion groups, plus kaffeeklatsches (intimate gatherings with an author) and autograph signings.
There is a large bookshop full of new, used, and rare and collectible books and magazines (and yet more great conversation; if a Readercon attendee is not at a program item, they’re probably here).”
This convention is all about the people!
I met many authors (both established and aspiring) as well as avid readers, all of whom were open and friendly and willing to chat with me. You might remember from my post about Boskone that I sometimes have trouble engaging with folks in new and unfamiliar settings. That was not a problem this time around. That said, I did rig the game of talking to people slightly in my favor with judicious use of name tag add-ons.
Without further ado, here’s what my four-day, three-night romp at ReaderCon looked like.
Thursday:
I checked into my hotel room at the Boston Marriott in Quincy at around 6:30 PM. First impressions of the hotel itself? Meh. I doubt folks are attending because of the fantastic rooms. The carpets were difficult to look at, the closets seemed designed to dissuade anyone from actually using them, and (oddly) the bathrooms lack any towel hooks. For whatever reason, that last detail really bothered me. Why, Marriott, do you have zero places for me to hang up a towel in the bathroom? Why?! That is, however, the limit of my complaints. The rest is all glowing praise.
Thursday night’s program kicked off at 8 PM with panel discussions that were free and open to the public. Despite that, attendance was sparse. Probably because it was a Thursday. The two panels I attended were:
For an hour, these folks talked about the tricky task of balancing being an editor of others’ work and writing your own stuff.
“There’s a long history of writers who became editors and then stopped writing their own work.” – Scott Edelman
“My rule to keep me working on my owns stuff is this. Add three sentences to your own story every day no matter what.” – Mike Allen
“When we edit, we’re reshaping the bones of a story. When we write, we’re creating the bones from scratch.” – Sabrina Vourvoulis
“I’ve had people tell me to stop writing and just be an editor because I was so good at editing.” – Mimi Mondal
“As a writer, I feel inspired by the submissions that come across my desk. I learn a lot from both the good and bad pieces that I edit.” – John Lawson.
The advice that stuck with me most came from Scott Edelman, however. He said, “Learn how to say no!” His comment was in reference to taking on editing projects, but I think it’s useful to writers who don’t edit, too, because there is always going to be someone asking you to do something for them.
The discussion centered around the economics of producing the clothes that characters wear in fantasy and science fiction stories. Consensus? Few authors drop any references into their worlds of the supply chains involved or the various professions involved (other than, perhaps, tailors and blacksmiths). What’s missing? Where are all the animals providing the leather? Where are the fields of cotton or flax? Where are the silkworm farms? And, where are the people who tend the animals, tan the leather, gather the cotton, process the flax into linen, harvest the silken threads, or dye the woven cloth? (I’m looking at you George R. R. Martin, famous describer of every single character’s outfit to the last button).
By the time 10 PM rolled around, I was happy but tired, so instead of hitting up the BarCon — a term I became familiar with this weekend –, I went to bed. It was the earliest I would manage for the rest of the convention.
Friday:
I popped out of bed bright and early at 6:30, showered, dressed, then loaded up on breakfast in the hotel restaurant. As a chronically light eater, I opted not to go for the buffet. Given the price, I would have had to be a bottomless pit to make it financially feasible, so I ordered from the regular menu. It must be noted that the hotel restaurant is quite expensive, but there was a hotel shuttle ferrying folks to and from the redline T-stop every half hour. If I’d wanted to, I could have headed into Boston and found better food for less money. But it was my first time at ReaderCon, and I didn’t know how it worked. I didn’t want to risk missing out on anything significant, so I stayed inside the hotel (hence the three days without actual sunlight touching my skin).
First Name Drop:
On my way out from breakfast, I stopped at the Starbucks at the hotel bar to grab some caffeine. A man was waiting to be seated who looked familiar to me.
He’s an author, I thought. I’ve seen him before. I should talk to him!
Ken Schneyer, a master storyteller!
Boskone is the only other place I could have seen this gent, so I asked him if he’d been on any of the panels. Why, yes, he had. I offered a hand to shake and introduced myself. Imagine my surprise and delight to find myself shaking hands with Mr. Kenneth Schneyer, prestigious and prolific author of many excellent speculative and science fiction short stories (and a few novels). Turns outs, he’s not just a great writer but also a great human being. It came out in the quick exchange that I was pretty new to writing conferences. Ken went out of his way for the rest of ReaderCon to smile and say hello and talk to me whenever he saw me. He wasn’t the only one, either. I’m telling you, ReaderCon was terrific!!
Getting Registered:
I wandered back to the registration table and queued up to officially register and get my name badge. There were two options for how one could wear the plastic badge–either clipped to your clothing or dangling from a thin black lanyard around your neck.
Interlude: A Rant about Placement of Name Badges
Take this piece of advice to heart. Do NOT go for the lanyard option, and here’s why. Someone sees you from across the way. You look like an interesting person. They would like to meet you, say hello, learn your name, chat you up, hear your thoughts on books and writing and life. They swallow their nerves and approach you. The natural instinct is to check your name badge, but oops–to do that, they have to break polite eye contact and allow their gaze to drift down your torso to your midriff where your name badge is dangling. Awkward. Worse, there’s a 50/50 chance that the plastic card is flipped around backward and they have raked their eyes up and down your body for no reason at all. Twice as awkward!!
Please, use the clip option, and affix your name high up near your shoulder. Easy peasy fresh and breezy and no awkward body-gazing needed. End of interlude.
ReaderCon had an ingenious name badge add-on option available. You could write anything (within reason) you wanted on fabric tags that could then be securely adhered to the bottom of your badge. I saw lots of folks using them as a chance to clarify preferred gender pronouns (thank you so much to folks who did that, by the way).
I chose to use my add-ons as a way to invite people to talk to me, and to give them a conversation starter as an “in.” It worked quite well.
Kaffeeklatsches!
At the sage advice of a volunteer manning the registration table Thursday night, I wandered over to where the Kaffeeklatsch sign-up book lay at around 9:45 AM, fifteen minutes before sign-up officially opened. Good thing I did, too. There was already a line of folks forming, and people were already filling up the slots with their names.
If you don’t know what a kaffeeklatsch is, fear not. I didn’t know either until Boskone when I missed all of them because I didn’t realize you had to sign up for them in advance. Hence my 9:45 AM appearance at the sign-up table. A kaffeeklatsch is a small, intimate affair in which an author (or editor, or agent) sits down with ten to fifteen folks and spends an hour shooting the breeze, talking about whatever people want to talk about.
I thought I would sit quietly at the tables and let others ask their questions and share their thoughts. After all, this was my first time attending these things. Best to sit back, watch, and learn. That didn’t happen. The authors were too friendly, too engaging. So were all the other folks at the table. The conversations were lively, and I quickly found myself sucked in, laughing and chatting away with everyone else. So great!
Here’s the list of folks who I got to meet and talk with via the Kaffeeklatsches at ReaderCon:
Horror writer extraordinaire and a super nice guy. I pre-ordered his upcoming new book “100 Fathoms Below” within 20 minutes of his klatsch ending. The pitch that sold it for me? Disabled American submarine in Soviet waters with a vampire on board. Yup. That’s for me. Thank you!
Okay, I signed up but didn’t attend. One of the problems I had at ReaderCon was having no free time to feed myself. By the time this klatsch was starting up, my hands were starting to shake, and I was feeling panicky from hunger. I had to eat. Sorry, Mr. Morrow. I’ll try to catch you next time. Your book, The Asylum of Dr. Caligari, is fantastic, by the way.
The conference room in which the kaffeeklatsches happened accommodated two groups at a time, divided by a mobile wall. Ken and Anatoly’s klatsches were scheduled for the same time slot. Because they knew each other and did similar stuff regarding translating Chinese (in Ken’s case) and Russian (in Anatoly’s case) fiction to English, they opted to break down the dividing wall and combine their klatsches. I found the ensuing conversations about balancing their own writing with the job of translating others’ works to be fascinating. I also enjoyed listening to Ken and Anatoly discuss the many nuanced elements that go into translating literature from one language to another.
My mind kept returning to the two versions of Ovid’s Metamorphosis that I and my beloved own. It’s the same story, but the two translations (we sat and read the story of Apollo and Daphne back and forth to each other one morning) created different tones and different points of thematic emphasis.
I love, love, LOVE Max’s Craft Sequence books, and so I was very excited to sit in a room with this man and bask in his presence. That’s all I wanted to do. However, Max’s klatsch happened immediately after the “Bureaucracy in Fantasy” panel. More than half of us in Max’s klatsch (including Max) had attended the panel, and Max had asked the last question fielded before the man with the bright red “STOP!” sign ended things. So, Max’s kaffeeklatsch turned into an extended discussion of bureaucratic systems both in the real work (in China, specifically) and in fantasy settings. It was great!
Why, you might be asking yourself, would I sign up for this kaffeeklatsch? After all, I’m a self-proclaimed YA and MG writer. Victoria writes adult erotica! Well, the YA novel I’m working on at the moment takes place in a secondary world in which women are the unapologetically dominant gender. That means my characters have never experienced male-induced body-shaming or sexual-stigmatization. They are fully realized and fully confident sexual beings. Sex is not shied away from in this world I’ve created. It is openly discussed, and even more openly practiced. Yet, as I pointed out, it’s a YA novel. I’m walking a narrow and tricky line here. How do I write sex scenes that are 1) well-done and 2) strike the right balance of on-page/off-page references so that this manuscript doesn’t get kicked back to me with a “thanks but a little too edgy” comment in the rejection email I get from every YA agent I sub it to? This was my chance to sit down with a woman who knows how to write sex scenes in their many iterations and ask my questions. The conversation was, as you might guess, both stimulating and enlightening. I’m so glad to have met Victoria and to have had a chance to benefit from her experience and insights.
A chance to sit down with the senior editor at Saga Press?! Yes, please. Let me sit and be showered with insider tips and suggestions for the SFF publishing industry. Which, by the way, is exactly what happened. Plus, I received an impromptu education into the joys of Eurovision. Didn’t even know that was a thing!
Navah talked faster than an auctioneer after her third espresso, and her energy and enthusiasm was infectious. I don’t know how old Navah is, but she looked too young to be a senior editor. After spending an hour with her, however, I realized that she’s got the advantage of youth on her side because her job (and her clear love of and commitment to it) sounds exhausting.
That’s it for the kaffeeklatsches. I spent the rest of my time at ReaderCon attending panel discussions, chatting with friendly folks at the bar and at the after-parties up on the eighth floor of the hotel.
Friday Panels:
Every time slot was quadruple-booked with interesting panel discussions. If only I had Hermione’s time turner, I could have gone to every panel that sounded interesting (all of them). Alas, I had to pick and choose. Here are the one’s I sat in on.
Of course, the Ministry of Magic was brought up and discussed at length. I get it. Harry Potter is practically universal; most of us who are fans of fantasy and science fiction have read it. But… there are so many other interesting examples that could have been mentioned. I still can’t believe no one brought up the movie Brazil!!
Wow. In the best possible way, wow. These three women knew so much about the topics of socialism in literature, feminism in literature, and the combination of the two in literature. I was blown away. Humbled, really. I added about ten books and authors to my TBR list.
Friday Night Fun
The final events of Friday were purely social in nature. At 9:00 PM ReaderCon hosted a “Meet the Prose Party” in which participating panelists printed witty one-offs from one of their published works on sticky mailing labels and walked around a big ballroom with them in hand. The idea? Folks like me could walk up to someone carrying printed labels and ask for one. It gave us shy people a way to engage with authors when we might otherwise not.
Also, there was a bar at the back of the ballroom. I do not often partake of the alcoholic beverages, but a beer gave my hands something to hold onto, and the ethanol settled my nerves. Win-win.
The mailing label thing worked like a charm, too. By the end of it, I had both sleeves of my shirt lined with snippets from over twenty published authors, and each time I requested one, I read it and asked the giver to tell me more about the work from which it came. Hooray for socializing!!
At 10:30 PM, music started playing, and the 80’s/90’s themed dance began. I had my 80’s outfit ready to go up in my hotel room but never went up to put it on. Too much fun being had to pause for a costume change. By 11:30 PM, most folks had either called it a night or headed off for other, smaller parties elsewhere. A natural night owl I am not, so I climbed into bed at 11:45 PM, read for about two minutes and crashed.
I still had all of Saturday and the half-day schedule on Sunday ahead of me, but by the end of Friday I’d gotten my money’s worth from ReaderCon. You can check out the rest of my adventure in My ReaderCon 2018 Experience–Part 2 (coming soon). You’ll want to read all about my second name-dropping moment, which also happened in the hotel restaurant over breakfast (involving Samuel Delaney). In the meantime, you can check out my Instagram for pic’s from this year’s ReaderCon29.
Are you a writing convention enthusiast? Which Cons have you attended? Any you’d like to recommend to the rest of us newbies? Do share in the comments!
Thanks for dropping by and as always, happy writing to you.
As John Arnold said in Jurassic Park right before everything went south, “Hold onto your butts.”
I just booked my hotel room for ReaderCon29. Who’s excited? Meeeee!
ReaderCon29 will be the second writing conference I’ve ever attended, and my very first conference–Boskone–was fun but underutilized. I spent most of my time star-struck, tongue glued to the roof of my mouth, unable to approach authors and talk to them. So many missed opportunities. You can read all about my (mis)adventures at Boskone here.
For example, while I managed to get a copy of Ghost Talkers signed by Mary Robinette Kowal, I could not bring myself to join the circle of fans surrounding her at the art show and tell her how much I enjoyed her writing (not to mention her commentary and sass on the writing podcast “Writing Excuses.”)
Then there was Marshall Ryan Maresca and E. J. Stevens, both of whom (if they noticed me) probably got utterly skeeved out by the weird blonde woman stalking them from a distance all weekend long. Sorry about that, by the way, if either of them by some slim chance ever read this post. Didn’t mean to be a creeper. I just got so fetching shy! It wasn’t just you two. I couldn’t talk to anyone!
Not this time, I am telling myself without much confidence. This time, I will have done it once before. I won’t be a complete newb. I will be able to approach and interact with other people at the conference because I will remember that it is a writing conference. Everyone in attendance will have a love of books and writing in common with me. I will smile, just like last time, but then I will make my feet move, and I will approach people, and I will say “hello” and other normal things. I will not go mute and resort to hiding behind giant plants in lobbies and watching authors from great distances.
Jeffrey Ford is going to be there, though, so I might. The man is an incredible writer. Have you read his short story collection, A Natural History of Hell? Sooooo good!
Anyway, ReaderCon has been on my radar since last summer, when my Fantasy & Science Fiction professor, Mark Edwards, suggested I attend. He described it as the most prominent annual writing convention in Massachusetts. A “not to be missed” event.
I missed it.
But, I vowed to get there this summer. Registered way back in February, even. I mean, I have no excuses to miss it a second time. The cost to attend is incredibly affordable, and it takes place in Quincy, Massachusetts. That’s an hour and a half from where I live, for Thor’s sake. This morning, I went all in on the experience and ponied up the funds to secure a hotel room. Now getting to and from each day won’t be an issue.
I am ready to rock this conference. Okay, not really. I definitely need some pointers, guidance, encouragement, etc.
Here’s my plea:
If you’re also going to ReaderCon, help me overcome the paralytic shyness that grabbed me by the throat at Boskone55 and say hello. Connect with me over on Twitter and Instagram, so that by the time July rolls around, I will (at least in a theoretical, social media sort of way) already know a few folks. How awesome would that be?!
If you’re a seasoned writing conference attendee, what tips do you have for me that will help me make the most of ReaderCon29?
As always, thanks for stopping by, and happy writing to you.