Tag: craft books

  • Revision: Structuring (and re-structuring) Chapters

    Revision: Structuring (and re-structuring) Chapters

    After three days of revision work, I’ve finally nailed down the right structure for a critical chapter in my current work in progress. It took a tremendous amount of learning-on-the-job-style thinking to get it to where it needed to be, but I’m feeling pretty good about what I’ve produced. Figure I’d capture some of my hindsight reflections here, because I think I learned a few important lessons.

    Writing versus Revising

    Step one is the first draft, always. Whether we’re talking poetry, flash fiction, short fiction, novellas, novels, there’s the moment when first there was nothing, and then there was something.

    Wouldn’t it be incredible if we could get it right on the first try? Yeah, but we don’t. Nobody gets it right on the first draft. Revisions are unavoidable.

    On Writing Book about writing and revision

    A few of the greats can get close to perfect on their first try. If you’ve read Stephen King’s memoir/craft book ON WRITING, you’ll remember that he only does a single pass on his first drafts to tidy them up. His revisions basically amount to copyedits. If you put yourself on the same skill level as Mr. King, I applaud you and am definitely curious to read some of your work. I, however, and I suspect the same is true for 99.9% of all writers, fall far short of that level of perfection on our first drafts.

    Most of our first attempts need a lot of work before they’re doing what they need to do. You might be the type of writer who never looks back at what you’ve written until you type the words The End. Or, perhaps you pause to revise as you go. Regardless, everyone will have a first draft to deal with, and it will inevitably take multiple revision passes to get it right. The key is to see revision as an opportunity, not an ordeal. And, it helps to remember that this pass doesn’t have to be the last revision you do on your WIP.

    First Draft

    The chapter I just wrote is critical to the entire arc of my novel. It needs to pack a huge emotional punch. Readers should literally gasp as a metaplot is revealed. This is where readers get to see the engine under the hood of this beast, find out what’s really driving the characters to do all the awful things they’re doing to each other. The $h!t gets real, so to speak. My main character needs to be left winded and dizzy with the force of her revelation, and my readers need to as well.

    But, I wasn’t thinking about any of that when I wrote the first draft of the chapter. I just new my main character needed to find out this big secret, and so that’s what I did. There are some craft elements that do share space in my brain as I’m writing through a first draft of a scene or chapter. For a peek at some of the things I am constantly considering, check out my post on Neuroscience that Hooks Readers. For the most part, though, it’s a pretty instinct-driven process.

    It took an entire night’s sleep for me to realize there was a tremendous amount of bloat that needed to go. Too many “who cares” details and backstory slowing everything down. The chapter needed to be focused with laser beam intensity on revealing something new. On top of that, I’d left out important details that, if not added in, would create logic holes. Nothing dumps a reader out of a scene faster than a big “wait a minute” moment of skepticism.

    First Revision

    So yesterday, I went back to what I’d written, and I read through it with a few essential questions and reminders in my mind. What details were distracting my readers? What details needed to be added to keep readers as tightly connected to what was happening as possible? If something wasn’t helping to set the mood, contribute to foreshadowing, or build tension, it had to go.

    It took me three solid hours to revise my first draft of chapter X and fix all the issues I’d identified. Three well-spent hours, if I do say so myself. I ended up with something much stronger than it had been.

    That said, it took yet another night’s sleep to realize that I had an even bigger problem on my hands. I’d written a revelation chapter, and the revelation was huge. HUGE. It needed an appropriate build-up of tension and stress preceding it to have the TKO impact I was going for.

    Unfortunately, I’d used only the first half of the chapter to generate tension, because I’d dropped the reveal in the middle of the narrative. The rest was all character reaction, or denouement. Whoops! That structure works for some chapters, but not for this one. This chapter needs to jack the tension and up the stakes right to the last possible moment. It needs to build readers’ anxiety and anticipation as much as possible.

    Second Revision

    This morning, I rewrote the second half of the chapter. I added more moments of interiority to help my readers see and feel the growing horror in my characters’ minds. I drew more attention to the meta-stakes, and I dropped the reveal where it would do the most emotional damage!

    Yes!

    Now I’m ready to move forward with this manuscript. I need to tweak the chapter that follows this one to make it a more effective reflection chapter. Emotionally charged, of course, but quiet in terms of plot. Readers will have a chance to catch their breath and process what they just found out. And, with the metaplot revealed and the stakes re-established, the characters have passed a point of no return. Now that the truth has been revealed, there can be no going back for anyone.

    Isn’t writing fun?!

    Craft Book Recommendations!

    If you’re interested in craft books that discuss narrative structure intelligently and in a way that is directly useful, I have a couple of recommendations.

    Make A Scene Book about Revision

    The first is MAKE A SCENE by Jordan E. Rosenfeld. I own this book. It is annotated cover to cover.

    Revising Fiction Book. Revision.

    The second book I think all writers should own is REVISING FICTION by David Madden. It is (in my opinion) the best book in existence concerning revision work. A must-have reference. Sadly, it is out of print, so you’ll need to do a bit of searching to find a copy.

    Well, that’s enough blogging for one day. Time to get back to revising. Thanks for stopping by, and happy writing to you.

    How much thought do you give to the structure of your chapters as you either write or revise the first draft? Any tips or tricks to share with the rest of us? Feel free to share in the comments!

  • The Biggest Pitfall for Aspiring Authors

    The Biggest Pitfall for Aspiring Authors

    It’s the first Wednesday of the month, and you know what that means.  It’s #IWSG Day! The question this month is…

     

    The Insecure Writer's Support Group

    What pitfalls have you encountered on your journey to publication that you can share with others?

    Well, uh… hmm. I don’t actually know of many pitfalls from direct personal experience. To date, I only have two minimal publishing credits to my name. This post, therefore, will focus on the one that I feel is the biggest and most fatal pitfall facing all of us creative folks: the pitfall of giving up.

    But first, allow me to drop a plug for the Insecure Writers Support Group.  The IWSG, founded by the esteemed Alex J. Cavanaugh, is an online space where writers (insecure and otherwise) can come together to share stories, successes, struggles, and all the rest of it. The website is chock-o-block full of great stuff.  There’s a Twitter Pitch (just happened in July), contests, books, swag, conferences, and more.  Be sure to jump over there and check them out!

    The awesome co-hosts for the August 1 posting of the IWSG are Erika Beebe, Sandra Hoover, Susan Gourley, and Lee Lowery!

    Okay, back to this month’s topic: pitfalls to void.

     

    A Lesson from Stephen King! 

    On WritingBack in my early 20’s, right around the time I got married, I bought a copy of Stephen King’s semi-autobiographical craft book On Writing. In it, King shared his youthful adventures in writing an submitting short stories with blind optimism to the magazines he loved to read: Analog, Asimov’s, Amazing Stories, etc. He started submitting in his early teens. As you can imagine, he got a lot of rejection letters.

    King did something great, though, in turning the submission/rejection thing into a game. Upon receiving his first rejection letter–a form letter–, he drove a nail into the wall of his bedroom and impaled the letter upon it. How quickly could King accumulate enough rejection letters to overwhelm that nail? Understand, please, that King didn’t compromise the quality of the stories he wrote and submitted in an attempt to grow the stack with artificial speed. That would have been cheating. His primary goal was always to write the best story he could and get it published. He merely created a synergistic secondary goal that he could work towards when he wasn’t making progress toward his primary goal.

    The important lesson I took from reading his book was that it’s possible to find ways of turning failures into successes. There are ways to immunize ourselves against the discouraging sting that comes with rejection. A sting that all too often ends up crippling creative individuals and ending their careers before they begin.

     

    Playing the Game

    Chimpanzee at a Typewriter

    Upon finishing his book, I decided it might be fun to try my hand at King’s game. I’d been writing stories all my life and harbored secret fantasies of becoming a successful author. But that required sticking my vulnerable neck out and submitting the stuff I wrote. The “Rejection Game,” as I called it, gave me permission to expose myself to the volley of rejections I knew would ensue.

    Over the course of the next year, I researched and submitted to close to fifty magazines. This was in the very early days of the internet, so most venues still required print submissions sent via snail mail with self-address-stamped return envelopes for letters of acceptance/rejection. Of those fifty submissions, I received 48 rejection letters. Two magazines took a story from me. Tiny publications that paid out in single contributor copies, but still, two out of fifty. I was pleased.

    Confession: I miss getting rejection letters in the mail. Even a form letter felt a tiny bit nifty when presented in a physical envelope that arrives in your mailbox. A digital email just doesn’t carry the same special weight.

     

    Watch Out for That Pitfall. It’s a Doozy.

    If only I’d kept at it! Remember, this was happening the year after I got married. And changed my job. And got pregnant with my first child. Guess who stopped writing and submitting stories? Yeah, me.

    Thirteen years would pass before I sent out another story on submission. What can I say? Life got busy. I got distracted. Not an excuse, just my reality. I didn’t give up intentionally. Many folks probably wade into the pitfall of giving up slowly, day by day. So many things can fill up our lives that we can feel as though we’re drowning in quicksand. I was certainly feeling that way last October when I wrote my post, “Life, Will You Just Chill Out Already?”

    Lots of people never figure out how to strike a balance between their writing goals and life obligations, or maybe they fail to immunize themselves against the sting of having their creative work turned down over and over again. That didn’t happen to me, but I’ve witnessed it happen to other writers. Without some way to turn each “no” into a positive, the weight of all those “thanks, but no thanks” can accumulate until it’s crushing your soul. And Odin knows, it’s the easiest thing in the world to set that weight aside and do something else.

    Author Jason Reynolds
    Mr. Reynolds, an incredible writer and mentor in our program

    On my way out the door of my MFA program at Lesley University, I was reminded of the lesson I’d gleaned a decade and a half ago from Mr. King’s book. If you want to succeed, you must keep writing, keep submitting, keep querying. Young Adult author Jason Reynolds told me and a small classroom of other impending graduates that the difference between those that make it in the publishing industry and those that don’t is persistence. The authors who find success are the ones who don’t give up. They kept playing their very own “Rejection Game” until something stuck. Talent helps, but even the most talented writer in the world can fall into the pitfall of giving up.

     

    Lessons from Vigo Mortensen

    Have you ever seen the movie G.I. Jane with Demi Moore and Viggo Mortensen? I love that movie. Whatever. Don’t judge me. I’m not judging all the fans who love 300. It’s all love here!

    Anyway, there’s a scene in that film where the cadets are doing push-up’s and leg lifts and other generally awful forms of exhausting exercises in the ocean. They’re right in the middle of the breaker zone, icy waves crashing down over them again and again. It’s been hours. They’re soaked, sand-blasted, shaking with fatigue and the early stages of hypothermia. And the Master Chief (Viggo) is walking up and down the line shouting all kinds of philosophical musings at them. This is the moment when he delivers a few lines that resonated to my core.

    “Pain is your friend, your ally. It will tell you when you are seriously injured. It will keep you awake, and angry, and remind you to finish the job and get the hell home. But you know the best thing about pain? It lets you know you’re not dead yet.”

     

    Viggo’s basically telling his cadets to embrace their pain and frustration and exhaustion because it means they haven’t given up. Stephen King and Jason Reynolds were preaching less intense variants of the same philosophy.

    As creative folks, rejection hurts. Of course it does, but that sting you feel means you’re still playing the game, you haven’t quit, you’re not dead yet. So there you have it. Giving up is the first and biggest pitfall you can fall into on your way to getting published.

    Don’t give up.

    Find a way to turn the rejections into positives. Make the pain be your friend. Keep writing, or painting, or sculpting, or composing, or whatever it is that you make. In this world that is becoming more and more obsessed with consumption, we need folks who engage in glorious acts of creation.

    What’s your strategy for staying resilient and skirting the pitfall of quitting? Help the rest of us out by sharing in the comments! 

     

    Thanks for stopping by, and as always, happy writing to you.

  • Rapid Fire Book Tag

    Rapid Fire Book Tag

    I saw this book tag on K.L.M. Moore’s site and thought it was pretty cool, so here goes:

     

    1. Ebook or physical books?

    Physical book.  I do own a Kindle paper white, and I have quite a few ebooks loaded onto it, but my brain does a much better job processing, synthesizing, and remembering information when I read from a physical book than a digital screen.

    2. Paperback or hardback?

    Day-to-day reading would be paperback.  However, if I love a book, like really love a book, I’ll seek out and purchase a hardcover edition.  For example, I own not one but three copies of the Hobbit and LOTR, and one of my sets is a gorgeous illustrated hardcover edition.  Same with Cressida Cowell’s How to Train Your Dragon series.  My children and I have all read that series multiple times over. 

    3. Online or in-store book shopping?

    There is something magical about a bookstore for me.  I get a little giddy when I enter one, so I prefer in-store shopping.  More specifically, I try to get my books through a small, local, independent bookseller.  

    4. Trilogies or series?

    Hmmm… this is a tough one.  I do love a good series, but not because it’s a series.  The characters must be awesome and the world has to be awesome.  I think I might actually prefer stand alone books the most.   

    5. Heroes or villains? Magneto

    Villains, all the way.  No question.  Antiheroes, too.  Not that a hero can’t be great. (I love you, Hiccup Horrendous Haddock III).

    6. A book you want everyone to read?

    A Darker Shade of Magic by Victoria Schwab.  Just go read it.  You’ll understand why.

    A Darker Shade of Magic7. Recommend an underrated book?

    Wonderbook by Jeff VanderMeer.  One of the most amazing craft books I’ve encountered.  Even if your preferred genres aren’t fantasy or science fiction, this book is worth a look-see.Wonderbook

    8. The last book you finished?

    The Last Star by Rick YanceyThe Last Star by Rick Yancey.  This is a bit of a fib.  I’m aiming to finish it up tonight.  I’ve got about 30 pages left to go.

    9. The last book you bought?

     The Scar (Bas-Lag)How to Train Your Dragon - Book 11

    In print: The Scar (Bas-Lag) by China Miéville.  Audiobook: How to Train Your Dragon, Book 11 (David Tennant narrates these books.  Enough said.)

    10. Weirdest thing you’ve ever used as a bookmark?

    A parking ticket.

    11. Used books: yes or no?

    Gods, yes!  I live for the Salem book swap!!

    12. Three favourite genres?

    Young Adult (though I struggle with calling it a full-on genre), Science Fiction, Fantasy, Horror.

    13. Borrow or buy?

    Both!  My house isn’t large enough to hold all the books I’d love to own.  I’m a true-blue bibliophile.  My dream home contains a library that would rival Alexandria’s.  But, given space constraints, I’m a regular patron of my local library.

    14. Characters or plot?

    Honestly, both.  I’ll admit that I enjoyed Dan Brown’s The Da Vinci Code despite the paper-thin characters.  I also liked Matthew Pearl’s The Dante Club.  That said, if I had to pick one over the other, it would be characters.  I fell in love with Stephen King’s work for his characters, not his plots.  I’ll stick with fascinating characters through a mediocre plot.  To stay with mediocre characters, the plot has to be highly entertaining, and that doesn’t happen all that often for me.

    15. Long or short books?

    Short.  I’m a very slow reader.

    16. Long or short chapters?

    I honestly don’t think I have a preference, as long as the chapter lengths are working for the story I’m reading.

    17. Name the first 3 books you think of.

    This question should have come earlier in this list.  I’ve biased my response by listing all those others above.  

    18. Books that made you laugh or cry?

    The Hitchhiker's Guide to the Galaxy Bridge to Terabithia

    Bridge to Terabithia  was the first book that made me sob.  I cry every time Gandalf falls to the Balrog.  I laugh my way through The Hitchhiker’s Guide to the Galaxy every time I read it.  

    19. Our world or fictional worlds?

    I’m not yet convinced there’s a difference.  Currently, however, fictional worlds.

    20. Audiobooks; yes or no?

    Is this even a question?  Yes!

    21. Do you ever judge a book by it’s cover?

    All the time.  Sorry.

    22. Book to movie or TV adaptations?

    With a few notable exceptions, please, no.

    23. Movie/TV show you preferred to its book? 

    *snorts derisively* Yeah, right.

    24. Series or stand-alones?

    Stand-alones, though that doesn’t mean I don’t read series, too.

     

    Well, now you know a bit more about me.  Your turn!

  • Why Did I Try Writing a Book in the First Person POV?!

    This past Wednesday, I took part in the Insecure Writer’s Support Group’s monthly blog hop. The prompt dealt with trying new things and surprising yourself with your writing. My response to that prompt lives here. I am not a professional blogger, nor do I aspire to become one. I’ve only been tracking my adventures and misadventures in the writing realm for a couple of months at this point, so that post is long and rambling.

    Since writing it, though, my mind has returned to the question again and again. In what ways have I surprised myself with my writing?  With the hope of releasing that question from my brain (so I can get on with other things), I’m returning to it. This time, however, I have a specific topic to address: Point of View.

     

    What We Read Shapes What We Write

    I grew up reading (mostly) fantasy stories, and they all used either the third person limited or omniscient viewpoint. My very first introduction to the genre came in the form of my mother reading The Hobbit and Lord of the Rings trilogy to me when I was six. A few pages at a time each night. It was love at first reading.

    As soon as could, I found and read as many books as I could by C. S. Lewis, Anne McCaffrey, Terry Pratchett, and Robert Jordan to name just a few of my early favorites.

    Stephen King's Skeleton CrewIn middle school, I stumbled across a battered old copy of Stephen King’s short story collection, The Skeleton Crew It was spine-tinglingly incredible, and it sparked my love affair with King’s writing. It also inspired me to start writing my own stories.

    I turned into a rabid Stephen King super fan. I mean, I never sent him letters asking for his fingernail clippings or anything. He’s way too smart to fall for that, anyway. Still, there was a time when I wouldn’t drive through Bangor because I didn’t trust myself not to go full-on creeper outside the gates of King’s house. King wrote some of his short stories in the first person POV, but not many.

     

    Trying New Things Lets Us Grow

    Fast forward to now. I’m halfway through a master’s program in creative writing at Lesley University in Cambridge, Massachusetts. They’ve got six concentrations from which to choose. I’m focusing on writing for young people.

    From my limited research, there seems to be a growing first person trend in the YA genre right now. To be clear, I know there’s always been plenty of first person stories in YA, but in the past five or so years it’s exploded in popularity, so much so that I began picking up and reading a bunch of first person YA books to expose myself to the viewpoint and its use in my genre concentration. Sadly, I found that many of the books I read made me want to gag. Many were self-centered, angst-ridden “I, me, me, I me” tripe.

    But, like it or not, first person POV is hugely popular in YA these days. Combining it with present tense seems to be really hot right now. Recognizing my limited exposure to that viewpoint as a reader and a complete lack of experience writing it, I decided to focus on first person as an element of my coursework last semester. What’s the point of a master’s program if not to push yourself as a writer and try to improve?

    Ugh! First person POV, why are you so hard?! Also, what the heck was I thinking?

    At least with third person, I have years of reading and thousands of stories to draw on as I write my own stuff. There are narrative techniques that I find natural and intuitive. I don’t have to think too hard about it as I’m writing. Not so as I struggle to write a book in the first person. Two books, actually, for two different classes. One is a middle-grade steampunk piratical fantasy adventure. The other is a gritty YA wilderness survival story with science fiction and horror elements. Both are presenting unique challenges for me.  Let me repeat myself: what what I thinking?!

     

    Diving Into the Craft of POV

    I own and have read numerous craft books, too many to list, but I took a photo of my collection. It’s over on my “Useful Articles” page. Anyway,

    when I told my mentor (last semester) that I wanted to stretch myself as a writer by trying to write a novel in the first-person viewpoint, she assigned me excerpts from two different craft books to read, then crossed her fingers and whispered a quiet prayer to the Gods.One was a book I already owned, put out by Writer’s Digest and written by Nancy Kress titled Characters, Emotions, and Viewpoint. It’s a great craft book, and it was good for me to revisit it. I hadn’t cracked its pages in over ten years.

    If you don’t own this craft book, your collection isn’t complete. It’s outstanding!

    The other was a craft book I’d never heard of before by an author I was unfamiliar with—David Jauss. The book isn’t in print anymore. I struggled to find a copy on Amazon, and when it finally arrived I thought, “Wow, this thing even looks old. That makes it even more awesome!” I was right, by the way. Alone With All That Could Happen is my new favorite craft book. One of the best I’ve read, and if you checked out the picture of my collection, you know that I’ve read quite a few of them.

    Here’s the rub. It’s one thing to read about a bunch of excellent techniques to develop characters and engage in world-building in a particular viewpoint. It’s another thing to sit down and execute those techniques with any degree of success.

     

    The Good, the Bad, the Ugly (and the Hopeful)

    I am particularly bad at going all the way inside my characters’ heads to share their thoughts. Too familiar with outside narrators sharing character insights from a distance, I guess. Most recently, my current mentor gave me feedback that included, “You’ve got a lot of third-person narrator techniques embedded into this scene. Try adding more first-person elements to bring us closer to your main character.”  

     

    Yikes Gif
    Yep. That’s the face I made. Oh, yeah.

    Guess I’ve got some work to do, and while I could get discouraged by that (and sometimes I do get discouraged), I prefer to remind myself that I chose to give first-person a try to see what it felt like, to see what I could do with it. I actively sought to surprise myself. Thus far, I’ve succeeded, and as difficult as it’s been to stretch my abilities as a writer, it’s also been tremendous fun. I mean, come on. Who doesn’t love surprises?!

    Have you ever intentionally attempted something new and different and risky as a writer with the hopes of learning and growing? Tell me about it in the comments section.

    As always, keep writing. Keep creating. Keep striving to make a mark on this world by building and sharing other worlds.